Posted in authors, info

What goes into ‘whipping up’ an issue of Alphabet Soup?

We’re taking Alphabet Soup on a blog tour to celebrate the magazine’s first Alphabet Soup spring '09 coverbirthday.

Today we are over at Sally Murphy’s blog: Sally Murphy’s Writing for Children Blog.

Find out what goes into ‘whipping up’ an issue of Alphabet Soup. See you over there!

BLOG TOUR DATES:

1 September What led the publisher to start Alphabet Soup magazine?

Dale Harcombe (Write and Read With Dale)

http://www.livejournal.com/users/orangedale

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2 September What goes into ‘whipping up’ an issue of the magazine?

Sally Murphy (Sally Murphy’s Writing for Children Blog) http://sallymurphy.blogspot.com

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3 September Promotion and Alphabet Soup

Claire Saxby (Let’s Have Words)

http://www.letshavewords.blogspot.com/

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4 September Submissions, and selecting material

Mabel Kaplan (Tales I Tell)

http://belka37.blogspot.com

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5 September Alphabet Soup in the classroom: benefits for teachers

Dee White (Teachers Writing Helper)

www.teacherswritinghelper.wordpress.com

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6 September ‘First birthday’ giveaway. Win a set of the first four issues!

Robyn Opie (Writing Children’s Books)

http://www.robynopie.blogspot.com

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7 September Who’s on the team behind Alphabet Soup magazine?

Sandy Fussell (Stories Are Light) http://www.sandyfussell.blogspot.com

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You can subscribe to Alphabet Soup via our website www.alphabetsoup.net.au

Posted in authors, info

Mark Greenwood: but wait, there’s more!

Mark Greenwood is an author with a passion for Australian history. When we Mark Greenwood (Photo by Frane Lessac)interviewed him, Mark  had so many interesting things to say that we had a terrible time trying to decide which bits to leave out! (We had to cut it down to two pages for the magazine’s Q&A.)

You can read his Q&A on pages 4 and 5 of the Spring 2009 issue of Alphabet Soup. But we didn’t want you to miss out on the extra stuff, so we decided to include the whole interview here. (Thanks Mark!)

What do you love best about being a writer?

Being an author has to be one of the best jobs in the world! I get to visit schools and libraries and festivals and meet students of all ages. I spend time with other talented authors and like sharing ideas with creative people.

Fortuyn's Ghost by Mark Greenwood, ill. by Mark WilsonI enjoy researching the past and travelling to where my stories take place, whether that be remote Central Australia for The Legend of Lasseter’s Reef, the Abrolhos Islands for Fortuyn’s Ghost or to Galipolli for Simpson and His Donkey. These adventures are what makes writing special to me.

Where do you live?

I live in a town steeped in history. It is a place of significance for Indigenous people. Convicts built many buildings. It has a spectacular river that runs through its port. It has two prisons, but no prisoners – only ghosts. It has a harbour and a wharf, a gothic arts centre and a town hall clock that chimes every hour. You can get a great coffee where I live. It even has its own AFL football team.

What made you become a writer?

Before I was a writer I was a professional musician. I spent many years touring and recording in Australia and overseas with the record producers and well known musicians. I learnt the language of lyrics by listening to great songwriters and then developed from writing lyrics into creating stories for children. Music has had a big influence on my writing in terms of being aware of the rhythm and flow of words. I associate language and rhythm with pleasure. Initially music was a way for me to connect with people. Now I find writing gives me that connection.

Was it easy to get your first book published?

It took many years, much hard work, many rejections from publishers and numerous hours revising my words before I finally got my first book published. Rejection letters from publishers are like ‘badges of honour’. Every writer I know has collected a few badges.

After having a number of books published I still consider myself a writer with much to learn. To strive to write well is an ongoing, lifelong process. I’m passionate about learning and always trying to improve.

Is there a ‘downside’ to being a writer?

I like the solitude of writing and immersing myself in a character, a time and a place but sometimes the craft of writing can be a lonely one. The only other downside for me is that writing and travelling takes up a lot of my time and I wish there were more hours in the day so I could get behind the drum kit and play with some of my favourite musicians. Our planet has an extraordinary musical diversity. I’ve always been interested in exploring the power and mystery of percussion from cultures around the world.

What was your favourite book as a child?

I don’t have a favourite author because there are so many writers I admire, but the Old Man and the Sea by Ernest Hemingway. That book stands out as one of my favourites. I like the language, the story and the symbolism. My father first read it to me when I was young and it’s a book I’ve re-read many times since. It’s a story of man’s place within nature.  It’s about pride and determination and an honourable old man who will not accept defeat. Hemingway uses characters, objects, figures and colours to represent ideas or concepts. It’s a beautifully written book.

Do you have any pets?

I have goldfish and a cat named Nugget (who sleeps all day long). Over the years we’ve had rabbits and guinea pigs and another tomcat called Milo. But my favourite pet is my faithful dog, Rusty. My daughter begged for a puppy and promised to feed and walk it. I got that job and I’ve never regretted it. Rusty is a red and white border collie. He is a best friend and a loyal companion. It’s an honour to spend time with him. He’s always so excited to see me.

Where do you get your ideas/inspiration?moondyne

The initial spark that causes me to want to write may be something as simple as a dog-eared photo with a question that teases my imagination or an artefact that generates, interest and discussion  – a nugget of gold, a relic of war, a shipwreck coin. Those of us who write about history enjoy the hunt. We love to fossick for sources of information. We enjoy the smell and feel of old newspapers, antique maps and rare books. We’re all curious about the past and that curiosity leads to lots of reading, which leads to many adventures.

I keep an ideas book with clippings of articles and stories that intrigue me but sometimes stories just seem to find me.

Of your own books, which is your favourite?

I don’t have a favourite – each book is like a child that I have cared for and nourished and has grown up into a book. It would be impossible to choose a favourite – like it is impossible for a parent to choose their favourite child.  I love them all. They all have special memories and adventures associated with them.

What do you like to do when you are not writing?

I have lots of hobbies. I like geology and collecting rocks and minerals. I love music and playing the drums. I enjoy fossicking for antiques, rare books, artefacts and curiosities. I travel a lot and that is always a source of inspiration. I’ve always had a passion for AFL Football – I’m a one eyed supporter.

Do you have any advice for young writers?

I would say that if you are genuine about writing make time to read books. Importantly ‘read with a writer’s eye’. Reading is the source of knowledge about writing. Find yourself a good book – one that takes you to places never imagined or shows you things that dazzle your mind. Find a book that challenges you to think about the world and your place in it. Read a book that tweaks your sense of adventure or inspires you to discover more. A vast treasure of thoughts, deeds and dreams lies waiting to be discovered in books.

Your wife, Frané Lessac, has illustrated some of your books. Do you work together on a book from its beginning?

Working with Frané is always a pleasure. I intuitively know how she will paint a particular scene so I will have that in mind when I compose the language. We constantly talk about ideas –  right from the beginning, so we can visualise an initial concept together and then see it through to the finished book.Simpson and His Donkey by Mark Greenwood

Story always comes first. Once my text is close to a final version, after hundreds of rewrites and after working closely with my editor, it is then ready to handover to the illustrator.  Frané takes the text quite literally and paints so much detail from the words that sometimes I can look at the artwork or sketches and give the text one final snip. Taking a loss on the word count and letting the art tell certain parts of the story always improves a picture book. To express what I want to say in fewer words makes me work harder and I believe it makes the collaboration of text and art even stronger.

Are you working on a book at the moment? Can you tell us something about it?

I’m working on a number of projects at the same time.

The Green Sash (Walker Books) will be published in 2010. Frané Lessac is illustrating it as we speak and I’m very excited to be doing a book on Australia’s most famous bushranger. Can you guess?

I am about to head up north to spend three days with an Indigenous custodian of a fabulous story. I hope to be granted permission to retell a wonderful story. I will be travelling on this adventure with one of Australia’s most well known illustrators.

I also have a young adult novel close to completion and two new picture books in progress. So you can see the life of a writer is never dull!

You can find out more about Mark Greenwood on his website: www.artbeatpublishers.com.

Posted in authors

A picture book’s journey, with Claire Saxby

Sheep, Goat and the Creaking Gate

Australian author, Claire Saxby, is on a blog tour with her new picture book, Sheep, Goat and the Creaking Gate (illustrated by Judith Rossell.) Today we are talking to Claire about how she goes about writing a book, the illustrations in a picture book, and how long it takes for a picture book to be published.

How did you get your idea for the story of Sheep, Goat and the Creaking Gate?
I don’t actually remember where the original idea came from. I think it started with the creaking gate as I liked the idea of the silence and tranquility of the countryside being interrupted by the grating sound as Sheep became dissatisfied with her lot.

Where do you write your stories?
I generally write directly to the computer. I always travel with a notebook and will jot down ideas but I’ve become so accustomed to drafting on computer that I seldom draft on paper. However, when I’m stuck, I do use paper and pen, or even pencil. I just write and do the ‘what if?’ thing over and over until I work out where I need to take the story. When I do use a notebook, I only write on one side of the page, using the other side for notes, or facts I need to research

What do you do with drafts of the book once the book is published? Do you throw them away?
I tend to keep drafts. I’m not good at throwing much away although I do usually file them quite neatly! I’ll print out really different drafts, or save them as separate documents, particularly if the new draft is going in a really different direction. It’s like insurance, in case the new draft just loses its way. It’s always interesting to look back at the early drafts and see how a story has changed.

How do you come up with a title for your books? Does the title come to you before you write the story?
I love titles. I love finding the right title for each story. Sometimes it’s easy and sometimes the title even comes first, but not always. Then I do use paper and pen/pencil. I write down words or potential titles and keep doing it until I find the perfect title. If the story has changed a lot, often the title needs to change to reflect that. For Sheep, Goat and the Creaking Gate, the title came quite early although the story changed a lot through the drafting. I toyed with the idea of using specific names for the characters, but returned to the generic ‘sheep’ and ‘goat’. I’m not really sure why, but names can sometimes be too specific.

Do you ever change the title after you’ve written the story?
Sometimes, as above. But sometimes a publisher will suggest that the title change. There can be many reasons for this. For one book I did, the title was too similar to the previous one. Not in subject or style, but just in how they sounded. The title I had was also similar to another book still in print and the publisher felt this could cause confusion. That was an interesting process as I also decided to change the name of the character … even harder than changing the title. It took several weeks before I found an alternative character name that was a good fit. Then the title was easy.

Did you meet with an editor in person, or discuss your book via email?
There’s a bit of both, depending on where the publisher is. For Sheep, Goat and the Creaking Gate I met once with the editor face-to-face, but then we were in touch via email. Roughs (pencil sketches) and proofs (full colour art with some or all layout) are either emailed or posted to me and then there are phone and/or email discussions.

What does an editor say to you?
It varies with the project. Sometimes it’s global things, like ‘The text is a bit long, can you look at tightening it?’ Other times it can be very specific. I had an email conversation (several emails) about the placement and use of punctuation. After sketches and proofs the discussion will be about the relationship between text and illustrations and also about the layout.

Is it hard to make changes? Do you have to make the changes that an editor suggests, or can you say ‘no’ sometimes?
It can be hard, but producing a picture book is a collaboration despite the writing coming first, then the illustrations. Sometimes the changes are easy because a fresh set of eyes can point out something which then seems really obviously out of place. Other times, the changes will be about being clearer about my intention. Then I’ll clarify in discussion what I was trying to say, and the editor/publisher will say whether or not that’s been clear. Sometimes that leads to changes, sometimes tweaks, occasionally more. Editing for length can be tricky, but it’s all about making the book as strong as possible and leaving room for the illustrator to work their magic.

Do you make suggestions for the illustrations, or leave it to the publishing team and the illustrator to decide?
I generally don’t have a sense of what my characters look like unless it’s relevant for the plot (and it often isn’t). I am always very excited to see the first sketches to see what my characters look like from the outside. I write looking out through their eyes so don’t see what they look like to others. Most publishers prefer not to have any illustration suggestions, as it may limit the illustrator. There are times where I might put a very brief ‘Note for illustration’, but not often.

Do you see the illustrations before the book is published?
It varies but usually I’ll see a rough outline of the whole book. Then I’ll see coloured images, sometimes one or two, and then proofs when some layout and design has been done. Sometimes I’ll see a character sketch first, before the roughs are done. It’s always very exciting and I generally wear out my family and friends showing them everything!

When you’ve written a story, how long does it take before it is published?
Sheep, Goat and the Creaking Gate was accepted in mid 2007, so it will be just over two years from acceptance to release. That might seem a long time, but is fairly average in the world of picture books. It can take much longer. I have several other projects that have been longer in production. The timing has many components. Once the publisher accepts the manuscript then there is the search for the illustrator. Then the illustrator has to schedule in the time (up to six months or more) that it might take to do the illustrations. Next there is design and layout time and then printing. It’s a long process.

Are you working on another project now? Can you tell us anything about it?
I’m always working on several projects at once. They will generally be at different stages and of different length. Some will be at the research and reading stage, others in first, second, tenth draft form. For example, I’m working on a poem about a beautiful old tree in our street that has just been cut down, a picture book manuscript about a critically-endangered Australian animal, a historical novel set in early Melbourne and a non fiction biography.

Do you have any tips for budding authors?

Claire Saxby
Claire Saxby

Read and write. Simple as that, hard as that. Read widely because it helps a writer understand their world. Read for fun. Just read. And write. Know that your first draft will not be perfect, but by practising a writer will discover their voice. Write shopping lists, write letters, write novels and poems. Eventually you will learn how you most want to write and to make your work sing.

You can find out more about Claire Saxby and her books by visiting her website.
Ebi's BoatA Nest for KoraAmazing Humpback Whales

And follow her on her blog tour!:

Monday 17August: http://tips4youngwriters.wordpress.com
Tuesday 18 August: www.soupblog.wordpress.com (You’re here!)
Wednesday 19 August: http://belka37.blogspot.com
Thursday 20 August: http://www.sandyfussell.blogspot.com
Friday 21 August: http://orangedale.livejournal.com/
Saturday 22 August: http://sallymurphy.blogspot.com
Sunday 23 August: http://robynopie.blogspot.com
Monday 24 August: http://spinningpearls.blogspot.com

Posted in authors

Sheep, Goat and the Creaking Gate!

Have you ever wondered how long it takes for a picture book to be published? Does an author have to make the changes that the editor suggests? Does the author need to tell the illustrator what to draw?Sheep, Goat and the Creaking Gate

Come and visit us on Tuesday 18 August when we are talking to Claire Saxby, the author of picture book Sheep, Goat and the Creaking Gate. She’ll be answering those questions (and more!).

Claire is taking the book on a blog tour. Here are the other stops on her tour:

Mon 17August: Dee White http://tips4youngwriters.wordpress.com

Tues 18 August: Rebecca Newman www.soupblog.wordpress.com (You’re here!)

Wed 19 August: Mabel Kaplan: http://belka37.blogspot.com

Thurs 20 Aug: Sandy Fussell: http://www.sandyfussell.blogspot.com

Fri 21 August: Dale Harcombe http://orangedale.livejournal.com/

Sat 22 August: Sally Murphy http://sallymurphy.blogspot.com

Sun 23 August: Robyn Opie http://robynopie.blogspot.com

Mon 24 August: Sally Odgers: http://spinningpearls.blogspot.com

Claire Saxby
Claire Saxby

Posted in authors, competitions, info

Spring ’09 issue out soon!

Well, here’s a photo of a daffodil which has just flowered in my front garden, isn’t it Happy daffodil growing in the Editor's garden!lovely? (Try not to notice the weeds at its feet!) This means, of course, that the spring issue of Alphabet Soup magazine is just around the corner – it will be out next week!

What will you find inside?

  • Q&A with Mark Greenwood, author of Simpson and His Donkey, The Legend of Moondyne Joe, and Fortuyn’s Ghost (among others!)
  • Curiosity corner: a family growing their own vegies
  • Stories and poems
  • Writing by kids!
  • Crossword
  • Book reviews
  • Writing tips for kids from The Book Chook
  • Spring writing competition
  • Design-a-cover competition

(You can subscribe to Alphabet Soup via our website – parents can order with a credit card online, or print off a form to post to us with a cheque. Subscribers with an Australian delivery address are entered into a draw each issue – this issue’s winner will receive a $200 book pack from Fremantle Press!)

Yes, this issue has a spring-is-in-the-air feel to it! Daffodils are easy to grow in Perth, and they suit my garden perfectly, as they don’t mind a bit of neglect! I do love to see their yellow trumpets bobbing about in spring. So – what’s growing in your garden at the moment?

Posted in authors

Sandy Fussell – author of the Samurai Kids series

Sandy PortraitsAs promised, today we are talking to Sandy Fussell – the author of the Samurai Kids series. The fourth book in the series – Monkey Fist – was published on 1 August 2009. (It’s hot off the press!)

To celebrate its launch, Sandy is taking Monkey Fist on a Blog Tour. We’re excited to have her visiting Soup Blog today, and we asked her some questions about how she does the research for her books.

But first, a little about Monkey Fist:

Set in 17th century China, Monkey Fist follows the adventures of a group of samurai students and their teacher, Sensei Ki-yaga. Each student has a challenge to overcome on his personal journey. When Kyoko is kidnapped and hidden away in the Forbidden City, Sensei and the kids hurry to her rescue. They are aided by the Lin, a group of Chinese forest ninja and by Master Jang, the Poisoner.

And now, some questions for Sandy!

How do you do the research for your books?

I love the Internet but when using it for research you have to be very careful that the information is coming from a credible source – someone who knows the subject. The internet is both trap and treasure. I have been collecting history books since I was a child so have a huge personal collection covering my areas of interest – and am always looking for an excuse to buy another book. I like to write about the periods of history that are not so well known so there aren’t many relevant books in my local libraries. I do consult experts and they are always very happy to be involved in research for a children’s book.

Do you have a favourite way to research?

I love the internet because it is a real treasure chest. Following a link can lead to the most interesting and obscure information. I find things I didn’t even know I was looking for.

My real favourite of course, would be travelling overseas to do my research first-hand but I don’t think that is going to happen in the near future. Unfortunately. *Sigh*

How do you record your research, and why do you do it this way?

I make lots and lots of notes. I photocopy book pages and print out web sources. It’s important to document all the facts used when writing history.

I found this out the hard way. After I finished my first book, White Crane, I threw out all my notes. Then my publisher, Walker Books asked me for references to support the historical facts I had used in the narrative. I had to relocate everything and reproduce 30 typed pages of notes. It felt like I had written another book!

Before you write anything, do you get all your research done first? How do you know when to stop researching and start writing?

I like to spend a solid month researching and thinking about where my plot will fit – as in the geographic location, any significant events occurring at the same time. Then I start to write.

I am very structured and the Samurai Kids books are always on a deadline. I allocate a month because a month is all the time I’ve got.

How do you use your research when you sit down to write?

I reread constantly. Little facts take on new significance as the story emerges. I particularly like to read primary sources – texts written by people alive at the time. One of my favourites is The Book of Five Rings by the legendary samurai swordsman Miyamoto Musashi.

Do you enjoy the research as much as the writing? (Or is the writing more enjoyable?)

If I am writing a historical novel the two are so entangled they are impossible to pull apart. But I don’t want to try as I love doing both.

Do you ever find out something in your research that means you have to take the story in a direction you weren’t originally planning to?

Recently I discovered an arquebus (gun) from the mid-seventeenth century can only fire once before reloading. In the second chapter of my current manuscript (book 5) my character shot two birds in succession. So far it has always been small stuff like that and doesn’t affect the story direction. However I am a stickler for getting the facts right and check my references quite thoroughly so I don’t often find research errors.

How much time would you spend on each book in Samurai Kids?

The Samurai Kids books are generally on a six month schedule. I research for one month, write for four months and then revise and rewrite for one month in addition to the revision I do as I go. I always say there is a lot of mathematics in writing – the planning, the pacing and all those word counts!

Monkey Fist by Sandy Fussell
Monkey Fist by Sandy Fussell

This is the eighth stop on the Monkey Fist Blog Tour. You can find out more about Sandy Fussell, the Samurai Kids series, and Monkey Fist by visiting the other hosts on the tour. (You can also visit the Samurai Kids website for fun activities related to the books, and take a quiz to find out which Samurai Kid you are!)

Blog Tour stops:

1 August http://tips4youngwriters.wordpress.com

2 August http://www.livejournal.com/users/orangedale

3 August http://www.letshavewords.blogspot.com

4 August http://www.bjcullen.blogspot.com

5 August http://belka37.blogspot.com

6 August http://sallymurphy.blogspot.com

7 August http://www.robynopie.blogspot.com

8 August https://soupblog.wordpress.com (You’re here!)

9 August http://thebookchook.blogspot.com

10 August http://jefferyedoherty.blogspot.com/

Posted in authors

Monkey Fist Blog Tour Starts Today!

Monkey Fist, by Sandy Fussell

Sandy Fussell, the author of the Samurai Kids series, is taking Monkey Fist on a blog tour, starting today! Visit the first stop on her blog tour to read an interview with a character from Monkey Fist. (Sandy will be stopping by Soup Blog on 8 August to talk about how she does her research for the Samurai Kids books. See you here!)

Monkey Fist Blog Tour stops:

1 August http://tips4youngwriters.wordpress.com

2 August http://www.livejournal.com/users/orangedale

3 August http://www.letshavewords.blogspot.com

4 August http://spinningpearls.blogspot.com/

5 August http://belka37.blogspot.com

6 August http://sallymurphy.blogspot.com

7 August http://www.robynopie.blogspot.com

8 August https://soupblog.wordpress.com (You’re here!)

9 August http://thebookchook.blogspot.com

10 August http://jefferyedoherty.blogspot.com/

Posted in authors, info

The Book Chook answers kids’ questions about writing

Book Chook
© Greg Mitchell

The spring 2009 issue of Alphabet Soup will be out in mid August and inside you’ll find a new writing tips column from the Book Chook!

‘But who is this Book Chook?’ we hear you ask.

The Book Chook is the secret identity of an Australian writer who loves to read, write, and dress up as a chicken. (Doesn’t everybody?) She enjoys reading great stories that make her laugh, and make her feel as if she’s right in the middle of the action.

She says: it’s exciting to join Alphabet Soup (Chicken Soup would not have been exciting at all). And I’m looking forward to chatting to kids about the craft of writing.

If you have a question about writing, email it to bookchook@alphabetsoup.net.au and your question might appear in a future  issue of Alphabet Soup!*

*If we use your question, we will only print your name, age and state/country in the magazine unless you advise us otherwise.

[Dear Readers, Just in case you’re wondering, the Book Chook is NOT ME! I do love reading, but my chicken costume hasn’t been worn in years … ~Rebecca – Alphabet Soup’s Editor.]