Posted in authors, interviews

Astred Hicks and Holly Parsons on This Bird

Astred Hicks is a best-selling illustrator, highly awarded book designer, emerging author and complete bird nerd. She is excited about noticing the world around her and hopes to inspire others to do the same.

Dr Holly Parsons is a bird-loving scientist who spends her days studying the amazing Australian bird life that lives in our towns and cities, and sharing her passion with everyone she meets.

Today we’re thrilled to have Astred and Holly visit Alphabet Soup to talk about their book This Bird: Noticing our Urban Birds.

From the publisher:

CSIRO Publishing provided Alphabet Soup with a reading copy of this book.


A double spread inside This Bird showing the White-plumed honeyeater
This bird has a sweet tooth: White-plumed honeyeater (from This Bird, illustrations by Astred Hicks).

Astred: When I was a kid, my mum was an entomologist (insect scientist) and a birdwatcher who encouraged my siblings and me to notice the wriggly, buzzy, flappy world around us. Our unofficial family crest is a cicada shell, and we would proudly wear them as badges whenever we found one – and still do!

When I had a kid of my own who was even more fascinated by the natural world, I spent even more of my time noticing it. Books, zoos, museums, science fairs, nature walks, parks, hikes, you name it, we did it. Through all this, birds became wonderful flying jewels that captured my gaze and left me wondering. I wanted to see more, find out more, and appreciate the unique lives in my neighbourhood.

Holly: When I was growing up, my dad was always pointing out wildlife and encouraging us to keep our eyes open to what was around us. I already loved animals, so that really stuck with me.

Later, when I went to university and studied biology, I discovered I especially loved ecology, learning about how animals live and interact with the world around them. Then a bird research project came along, and I decided to give it a go.

That’s when everything clicked. I realised how much was going on around me that I’d never noticed before. Every bird behaves a bit differently, and I became really curious about what they were doing and why. That curiosity eventually turned into my job!


Astred: It wasn’t easy! That’s for sure! When I first came up with the book, I had a list of birds I thought were fascinating and wanted to write about, like the satin bowerbird (this bird is an artist), powerful owl (this bird is strong) and yellow-tailed black cockatoo (this bird is a cruncher). My publishers, CSIRO Publishing, brought on board ornithologist, Holly Parsons, to consult on the book (and basically make sure I wasn’t just faffing on about how much I love birds). Holly sent through a short list of suggestions, like silver eyes (this bird is a tiny traveller) and spotted pardalote (this bird is a digger), and I instantly knew she got it and that this was going to be a brilliant working relationship. And it was!

But getting the list right turned out to be tricky and a lot of fun.

We had a Google spreadsheet to narrow down the list. I called it ‘The Thunder Dome’; two birds entered, only one left. We needed a good mix of small birds, birds of prey, water birds, and night birds because there are so many birds living in urban areas.

When writing the book, many of my content decisions were informed by my years of experience as a book designer. I wanted the book to be read in several ways: cover-to-cover, dipping in and out, or one spread at a time at bedtime. Non-fiction book design is a real art, so being able to build a design-led, guided reading structure into my manuscript before the actual design started was something I was really excited about.

Holly: We had a lot of fun choosing the birds! We started with a big list and then kind of “battled it out,” putting birds head-to-head and asking, which one would kids be more excited to spot? Which one is weirder? It got a bit competitive!

In the end, we mostly chose birds that live in towns and cities, including some that people might not have heard of yet but could still find nearby. We also made sure to include different types of birds from across Australia, so readers get a mix of shapes, sizes, and habitats.

The hardest part was deciding what to leave out. There’s so much to say about every bird, but we focused on the most interesting and noticeable things, like behaviours you can actually see, or clues that help you recognise them. We wanted each page to feel fun and surprising, not overwhelming.


Astred: I do! It’s the yellow-tailed black-cockatoo. Their slow, gliding wingbeats, mournful cries, and seasonal appearance make them feel so magical to see in the wild.

Holly: I actually have two favourites for very different reasons! One is the Superb Fairy-wren, which I studied during my PhD (which lets me put Dr in front of my name – a bird nerd Dr!). They might be small, but they have huge personalities. The bright blue males are so colourful and they live as little families with the brown females and young birds, but what I love most is how busy and social they are – you’ll often see them hopping around in these groups, constantly chatting to each other.

My other favourite is the Powerful Owl. They’re Australia’s largest owl, and I find it amazing that such a big, powerful predator is living in some of our east coast cities. In a way, they shouldn’t really be able to survive in urban areas, but they do, and that makes them incredibly special.


Astred: They are living their lives alongside you, with rich experiences and many things happening. They deserve space and respect as well.

Holly: I’d love young readers to know that birds are sharing our cities with us, and they’re noticing us just as much as we’re noticing them. Once you start paying attention, you realise cities are full of wildlife. Each capital city in Australia has HUNDREDs of different bird species you can spot. And the really exciting part is that people can make a difference. Small actions like planting native plants or keeping cats indoors can help birds thrive. Everyone can do something for the birds that share their spaces. 


A double page spread from inside the book This Bird.
This bird loves cities: Peregrine Falcon (from This Bird, illustrations by Astred Hicks.)

Astred: Begin by looking up, then look down. It may sound funny, but looking up helps you spot birds like the swallow dipping and diving for insects over the football oval. But looking down can reveal larger birds by their droppings. Tawny frogmouths are difficult to see in trees, but you might find them by spotting white droppings at a tree’s base. Listening for birds and learning their calls can always help you discover the variety of species living nearby.

Holly: Start by slowing down and really looking and listening. You don’t need any special equipment. Pick one bird you see often and watch what it does – where it goes, what it eats, whether it’s alone or in a group.

All these birds are going about their daily lives, just like you are. They are finding food, talking to each other, looking after their families. When you start noticing that, it becomes really fun, almost like you’re watching little stories play out.

Even a really common bird like the Australian Magpie can be fascinating if you take the time to watch it closely. The more you notice, the more interesting it becomes.

This Bird: Noticing our urban birds is out now! Ask for it at your favourite bookshop or local library.


Take a peek inside the pages of This Bird

Download the Teachers’ Notes

The cover of This Bird.
Posted in authors, interviews

Claire Saxby on Storm

A head and shoulders photo of Claire Saxby

Claire Saxby is an award-winning author and has lived in many places through Australia and beyond. She writes about nature, about history and more.

You might have read some of her books already, like Tree, Iceberg or Great White Shark. Claire is passionate about encouraging curiosity and wonder. Today we’re chatting to her about Storm, illustrated by Jess Racklyeft.

The cover of the picture book, Storm.

From the publisher:

The publisher provided Alphabet Soup with a reading copy of this book.


This is such a great question! Thank you. I feel like poems are a bit like a photograph and picture books are more like a movie. So if there is a single idea or image I’m trying to catch, then it’s likely to be a poem. If there’s a story, if there are twists and turns, escalations and solutions, then it’s likely to be a story. Within Storm, there are written stories, but there are also visual stories. Working with Jess on many books, I know how much space I can leave for her to create her visual narratives and can be sure that my word stories will work with her visual ones. But poem or story, I draft and redraft until I am confident that it’s the right words in the right place, each word working as hard as it can to create word pictures in a reader’s mind. 

Jess and I had worked on three books in this series: Iceberg, Tree and Volcano and we considered them to be showcasing Water, Earth and Fire, so it seemed a natural next to write Storm. I gathered a rockpool from here, an escarpment from there, a sandy beach from another place, and a shallow reef from another beach  (the little green fish that appears in Storm is from this reef) and sewed them all together in a single story. After I’d written it, I moved to a beachside town and my closest beach features all of these elements! So it could have been written about my local beach, but I hope that means that readers will recognise elements of their local beach. 

All of the books in this series have foldout pages, but I never know which part of the story will become doubly wonderful in this way. Jess and I do talk about the general idea for a story, then Jess very generously steps back and lets me write. When I’m done, I step back and let Jess work her magic. It’s a very rewarding way to work, I love it. Of course, there’s a whole, almost silent, publishing team behind the making of these books and the books are the best they can be because of their insight and skilled guidance. 

I call my first draft a ‘0 draft’ because it’s not even good enough to be called a first draft! It’s more a rambling, stop-start-stop again document that I keep working on until I find a possible direction for a story. Then I begin a First Draft … and a Second Draft and … well you get the idea. When I reach a spot where the story could go one way or the other, then I start a new document. That way if it all goes wrong, I can go back to that previous draft and choose a different direction. It is both easier and harder with poetry, because there are even fewer words to make work well and that means adjusting each word, each line, each stanza until it sings. Sometimes I cross out words, put arrows moving words around, cut some out, add more. I do multiple drafts for both, and generally it’s not until draft 3 or 4 that a poem or story really starts to take shape.

Ooh, okay. I have two books coming out next year, one about a hat-wearing caterpillar (yes it’s a real one) and the other about two explorers and the story is told in parallel. Jess is busy illustrating the explorers, and the caterpillar book is my first with this illustrator and it is BEAUTIFUL! I have two new picture books in research stage – which is the stage BEFORE a 0 draft, so I have no idea really what they will be …

Storm is out now! Ask for it at your favourite bookshop or local library.


See some pages inside Storm

Download the Teachers’ Notes (see below the book’s cover)

Visit the author’s website for more about Claire Saxby and her books

Visit the illustrator’s website for more about Jess Racklyeft and her books

The cover of the picture book, Storm.
Posted in authors, interviews

Helen Milroy on Dingo’s Dream

Helen Milroy is a storyteller and artist, and the author and illustrator of many books. She is a descendant of the Palyku people of the Pilbara region of Western Australia, but was born and educated in Perth. Helen has always had a passionate interest in health and wellbeing, especially for children. Today we’re thrilled to be talking to Helen about her book Dingo’s Dream, part of her Tales from the Bush Mob series.

From the publisher:

The publisher provided Alphabet Soup with a reading copy of this book.


Our dingoes have had a tough time in history and are often cast in a bad light. But dingoes are beautiful animals and share this country with us. Dingoes also have their country just like us but are often pushed away into other areas. I am also fascinated by the mournful howl of the dingoes at sunset and wondered what this was about. This became the stimulus for the story. What happens to country when our dingoes are not there to sing at sunset?

I do think our country calls to us, we are the children of mother earth and we need to hear her call.

Because this is a series, I can reuse some of the habitats such as Dingo’s den and other parts of country so it does make it a bit easier. But I also want to include other aspects and different landscapes for kids to see as well as introduce new creatures such as the Tasmanian Devil, so kids get to see the vast array of native animals that live here. I hope I have got a bit better at illustrating but I also don’t want to lose the naivety of the first book.

I really try to draw the colours of the landscape, particularly the north-west of WA which is beautiful. If I am flying over country I love to look out the window and see the patterns in the earth. When i am walking in country, I try to capture the experience and richness in the illustrations.

To be fair, I love them all but yes my favourites are dingo and willy wagtail. Dingo is kind, gentle and strong. He looks out for everyone. He reminds me of a big dog I had as a child who was always by my side and I felt like he was a companion but also a guardian. Willy wagtail is a feisty little bird with great courage and I always love watching the willy wagtails in my garden. They really do talk a lot so hence they play such an important role in bringing bush mob together in the first book.

I still have another nine bush mob stories I have written which feature different animals so I really hope I can bring them all to life. I also have a sequel for Lofty the Emu as I think he was a great character to work with. In this story he doesn’t need his paraglider anymore but he does learn some really important game skills from some other members of bush mob, so stay tuned!

Dingo’s Dream is out now! Ask for it at your favourite bookshop or local library.


Check out all of the titles in the Tales from the Bush Mob series

Download the Teachers’ Notes for Dingo’s Dream

The cover of a children's storybook: Dingo's Dream
Posted in authors, interviews

Seetha Dodd on Myra in the Middle

Seetha Dodd loves wordplay, humorous rhyme and lyrical prose. Drawing on her Malaysian–Indian heritage, and themes of family, identity and belonging, Seetha writes stories that empower children to challenge stereotypes and to celebrate uniqueness in all forms. She lives on Sydney’s Northern Beaches with her husband and three children. Today we’re chatting to Seetha about her junior fiction novel: Myra in the Middle, illustrated by Peter Cheong.

From the publisher:

The publisher provided Alphabet Soup with a reading copy of this book.


I am a middle child! I have an older sister and a younger sister. Just like Myra, I was nervous about the arrival of a new baby into the family. But as time went on, I realised how lucky I was. When you’re in the middle, you can learn from your older sibling and then try to be a role model for your younger sibling. It’s a unique position that also teaches you how to be adaptable and to see things from other points of view.

I spend a lot of time naming my characters! I chose the name Myra for a few reasons. I wanted the title to have alliteration, so her name had to start with the letter M. Myra is a name that exists in many cultures, but as an Indian name it means ‘beloved’ – isn’t that beautiful? Then it made sense to have her sister’s name start with the letter A, and her brother’s name start with the letter Z, so even with their names, Myra, with the letter M, is in the middle.

Naming her friends was fun – I try not to make any of my characters’ names too similar, as it might get confusing. For example, I wouldn’t use another M name like Mia or Mariam, to make sure Myra stands out. I love searching for the perfect name – baby naming books are great for ideas.  

As Myra points out, ‘names are very important’ and I especially love the part in the book where Myra and Muthashi discuss the meaning of their names.

I have always been a words person first. I like trying to arrange words into a beautiful sentence, or into a funny rhyme. I also love poetry and how the words can have many layers of meaning. But I do also like using logic and mathematics to put things in order and make sense of a problem or a feeling, just like Myra does. Maybe you have done this too – perhaps a list of pros and cons when you’re making a decision, or using probability to discuss whether something is certain or unlikely. Venn diagrams are my favourite – they are the perfect combination of mathematics and language. 

I love cooking (and eating!) tasty treats. Most of the food in this book is inspired by my grandmother (Muthashi), who had a wonderful appetite for food and for life. She always cooked with love in her heart. I think this was her secret ingredient that made everything taste better.

If you would like to make coconut candy like Myra and Muthashi, there is a recipe here.

I have a picture book about dogs and cats coming out in September. It’s a fun, rhyming story with a gentle message about accepting those who are different to us. I am also working on an idea for another junior fiction novel. Right now, it is just a spark (which I suppose is how all ideas start out) but I hope to turn it into a story. I do need to find the perfect name, though!

Myra in the Middle is out now! Ask for it at your favourite bookshop or local library.


Read the first chapter of Myra in the Middle

If you live in NSW, go along to the book launch on April 26, 2026!

Visit Seetha Dodd’s website for more about her and her books

Visit Peter Cheong’s website for more about him and his books/illustrating

The cover of Myra in the Middle by Seetha Dodd with illustrations by Peter Cheong.
Posted in authors, interviews

Maddy Mara on The Lonely Lunch Club

Two women standing side by side smiling at the camera.
Maddy Mara (Hilary Rogers and Meredith Badger). Photo by Les Hallack.

Maddy Mara is the pen name of Melbourne-based creative duo Hilary Rogers and Meredith Badger. You might have read Maddy Mara’s books in these popular series: Dragon Girls, Forever Fairies, Itty Bitty Kitty and Jet Set Pets! Hilary and Meredith have been collaborating on children’s books for nearly two decades. Hilary is an author and former publishing director; Meredith is the author of countless books for kids and young adults, and teaches English as a foreign language. Today we’re chatting about The Lonely Lunch Club, Maddy Mara’s junior fiction book in the Your Next Read Silver series, with fun illustrations by Laura Stitzel.

The cover of a junior fiction novel: The Lonely Lunch Club by Maddy Mara and illustrated by Laura Stitzel.

The publisher provided Alphabet Soup with a review copy of this book.

From the publisher:


Yes, people are often surprised to learn that Maddy Mara is actually two people. We are Hilary and Meredith, but we write under the pseudonym (a fancy word for pen name) Maddy Mara. We love working together! For us, it’s like getting paid to do a school project with one of your best friends, who also happens to be smart, hardworking and funny!

When we’re working on a new book, we always start by talking about our ideas. We have a lot of ideas –some of them are terrible and some of them are great – so this is a fun part of the process. Once we’ve agreed on the rough shape of the story (it needs to be something we are super excited to work on), then we think about the characters, and what might happen to them. We also workshop what the story or series might be called – we love bold, catchy names (Dragon Girls! Itty Bitty Kitty! Jet Set Pets! The Lonely Lunch Club!). We then plan out what will happen in each chapter before we get writing (mostly this works, but sometimes we need an emergency meeting with strong coffee if it doesn’t).

It changes from project to project, but usually Meredith goes first, and Hilary goes next. Then we send the story back and forth quite a few times until we love it and can’t quite remember who did which bits. It really is a team effort.

It is a real spider! Using the alien butt spider was Meredith’s idea, and we basically chose it because it’s such a cool and funny name for a cool and funny spider. We also we didn’t want to pick a dangerous spider (kids, don’t go looking for spider friends!). The Latin name is Bijoaraneus praesignis which isn’t quite so snappy …

The great thing about the books we write is we have to discover interesting things about the world (like, is a great white shark faster than a killer whale? Or, what spiders have cool names and live in Australia?). But because we write a lot of fantasy, we also get to make things up (like, can a sea dragon roar fire underwater? We say YES!).

We always like to use humour in our stories, as a treat for our readers and to help them keep reading. We find that humour often comes from characters doing unexpected things (like, an adorable little kitten thinking she’s a brave tiger in Itty Bitty Kitty). The Lonely Lunch Club story starts with Benji doing something unexpected (not playing footy, like he normally does) meeting Alice doing something unexpected (hanging out with a spider, on the worst bench in the school). We then have an unexpected connection between these two kids, who don’t have anything in common except that they want to look after Mabel, the alien butt spider.

But we also rework all our stories to make them funnier as we go along – the final draft is always funnier than the first. A good example of this is when Benji and Alice are discussing what the coolest thing to find in your lunchbox might be. We had a lots of different ideas for this before we picked the one that ended up in the book: a bar of chocolate vs a bar of gold.

Meredith wasn’t sporty, so she definitely wasn’t playing footy at lunchtime. But she did like doing handstands against the wall, and skipping and playing hopscotch. Hilary did gymnastics when she was a kid, so there was a lot of cartwheeling and backbending going on! But we both loved walking and talking with friends at lunchtime – and all these years later, we still do!

We are always working on lots of things at the same time. We love to keep busy! We have just finished writing a second book for the Your Next Read series because writing The Lonely Lunch Club was so awesome. The new one is completely different – it’s set deep under water and (top-secret hint) features an excitable octopus. We also have some new Dragon Girls books that we’re working on (this series is now up to book 22!). And we have a brand new series called Max Beast, which is about a kid who finds a magical amulet that transforms him into a great white shark (and then other creatures in future books). It’s jam-packed with action and humour and lots of animal details. Max Beast is coming out in Australia in June, so look out for it!

The Lonely Lunch Club is out now! Ask for it at your favourite bookshop or local library.


Visit the author’s website for more about Maddy Mara

Visit the illustrator’s website for more about Laura Stitzel and her books

Download the Teachers’ Notes

The cover of a junior fiction novel: The Lonely Lunch Club by Maddy Mara and illustrated by Laura Stitzel.
Posted in authors, interviews

Fiona Wood on The Boy and the Dog Tree

Fiona Wood is an award-winning writer of books for children and teenagers. Her books have been published in Australia and internationally. Today we’re pleased to be talking to Fiona about her latest novel: The Boy and the Dog Tree.

UQP provided Alphabet Soup with a reading copy of this book.

From the publisher:


A very helpful tree suggested the story to me. I live near a park that has some long avenues of oak trees, and one of these trees has a gnarled and twisted trunk that reminds me of a dog. I started asking myself why a dog might be bound within a tree. By whose magic had the dog been put there? And for what purpose? How did it happen? When did it happen? Chewing over questions is a great way to start building a story.

If you introduce a magical creature into a realistic setting, the first task is to make the world seem real. If it does, then by association everything that happens in that world feels real too.

It’s also important that the main character in that world has a believable initial reaction to the magic. So, Mitch finds it hard to believe when a tree seems to be murmuring or growling, and then calling to him in his sleep, and even harder to believe when Argos, a huge magical dog-like creature emerges from the tree. As improbable as it first seems, Mitch does come to believe what he can see with his own eyes. And ideally the reader will believe Mitch.

Other characters’ reactions also support the believability of the magic. For example, Regi, Mitch’s sister, realises that Mitch can hear what Argos is saying, though she cannot. She also notices Argos’s magical smell.

Finally, the magical creature itself must feel real. The writer’s job is to allow readers to imagine what Argos looks like, how he sounds, what sort of personality he has, and how we might react if an Argos came into our life.

It is imaginary, but it has elements of a few parks in Melbourne/Naarm including Hedgeley Dene Gardens, Fitzroy Gardens and Fawkner Park.

I did not have a dog when I was growing up, and it was a thorn in my side. My brother and I pleaded and complained to my parents for years to no avail. I was allergic to the pet guinea pig offered in substitution. I truly longed for a dog as Mitch does in the story.

So, I made sure my children had a dog growing up. He was a much-loved family member, very far from perfect, quite naughty in fact, but adored by all of us.

I’m working on a story that has Mitch’s friend Dido as the main character. In The Boy and the Dog Tree, Argos tells Mitch that Dido is a witch, though she doesn’t know it yet. What would it mean to be a witch in a perfectly ordinary family? How does Dido find out that she is a witch and what might she do with this powerful identity? What are the upsides and downsides of having a particular power? More questions to chew over.

The Boy and the Dog Tree is out now! Ask for it at your favourite bookshop or local library.


Read the first chapter of The Boy and the Dog Tree

Do you live in Melbourne? Go to the book launch on 14 March 2026!

Download the Teachers’ Notes for this book

Visit Fiona Wood’s website for more about her and her books

The cover of the novel for children: The Boy and the Dog Tree by Fiona Wood.
Posted in authors, interviews

Fionna Cosgrove on All That Slithers

Fionna Cosgrove is a Western Australian writer with a taste for the wonderfully macabre. Her writing has been published in The School Magazine and anthologies, and she’s also the author of the Twisted Trails series for young readers and Sadie and the Secret of the Swamp. Today we’re chatting to Fionna about her latest book, a short story collection for older readers of horror stories: All That Slithers, with illustrations by Stiff Ives.

Fionna provided Alphabet Soup with a reading copy of this book.

From the publisher:


I don’t necessarily think we choose what we write. I think we naturally gravitate towards certain things, and I think my brain, and by association, the rest of me, has always been interested in the paranormal, the bizarre and the unexplained. I grew up, thanks to my Dad, loving shows like Are You Afraid of the Dark? and the The Twilight Zone, Unsolved Mysteries and Fact or Fiction. All of these shows had the best twists. They would lure you in thinking you knew where the story was going, only to throw a complete left hand turn right at the end and have you gobsmacked at the big reveal. I think I love that side of horror the most; the weird side. The side that kind of begs you to believe there’s more in this world than you can see, and nudges your flight response just enough to be fun, but not enough to traumatise. There’s also nothing quite like that feeling when you’re right on the edge of your seat, perhaps only surpassed by that feeling when you finish a story and have to take a moment to comprehend what you just read.

Growing up, Goosebumps [the series] was just released and it went bananas! It was on every kid’s table at school and everyone was talking about the latest release, but … I never really read them. They still hold a super nostalgic place in my heart, and I have since read many, and adore them, but my sister was five years older and was already reading Stephen King and Christopher Pike – the heavy hitters of horror in the 90s. As a result of always wanting to impress her, I skipped Goosebumps and went straight to her Point Horror and Christopher Pike books (avoided her King books though, thank goodness). And even back then, with all of those horror books, the ones that resonated for me were always the paranormal ones. I never really loved the stalker books or mystery killers, what I loved were the cosmic travellers, or the ghosts, or the possessed perfumes … nothing much has changed. So, yes, I did read horror as a kid, but even then I had a specific flavour that I liked, and that’s still my favourite to this day.

Yes. To both. In my collection of short stories, All That Slithers, there’s a story called ‘Irene’s Eye-Scream Parlour’ and originally the final scene was really gory. There was mention of juicy optical nerves, intestines, splintered bones as toothpicks and several other references to body parts. In some ways I wish I had kept more of it in, as I think sometimes I underestimate what kids can handle (and what they enjoy), but when writing kids stories, I prefer to stay on the side of caution and figure I’d pushed that story far enough without needing the extra gore. Still, if anyone wants a copy of the original … just sing out!  haha

And yes to scaring myself. I wrote another story in All That Slithers called ‘Sundowner’ at night on my bed. My favourite place to write is on my bed at night with the window open next to me so I can have moonlight filtering in. It’s quite a serene environment – unless you’re writing about haunted ships and ghostly sailors. I creeped myself out so much during that story I had to shut the laptop and continue writing during daylight the next day. I think because that story was inspired by Batavia, a real life shipwreck off the coast of WA, it hit harder, and I felt like I could actually be invoking something real from my words. Whereas usually, when I’m making stories up from my head, I figure I am somehow more in control … whether that’s true or not, I have no idea.

I have several sacrificial kids 😈 and adults haha. I sent my stories to a handful of adults that write for kids, and also to several friends that have kids. It’s funny though, because everyone’s reactions to these stories are so different. I have a friend who’s daughter reads all of my stories, and she is never scared by anything. If anything, she gets bored unless there’s a significant amount of gory body parts. While on the flip side, there are some adults – like my Dad – who disliked any of the stories that edged too far into the horror world. In the end, I took on board everyone’s feedback, but then had to really follow my gut. I tended to rate the more light hearted stories higher on the snack scale, and the ones that tackled more serious concepts, closer to the meaty side. And then with the ghost metre, I rated the stories that veered more towards entertaining and funny closer to the ghost, and ones that moved into darker territory and featured darker, perhaps scarier entities, closer to the demon side. But reading is so subjective, what one person finds scary, the next may laugh at. So in the end, it really is just my best guess.

A poster explaining Fionna's metres or scales to measure the scariness and monster-loadedness of a short story.
Fionna’s metres (scales) to gauge the scariness & monster presence in her stories.

For the most part, it’s the endings that come first, and then, as a lover of the twist, I have to figure out how to lead the reader astray at the beginning, so the twist really lands. The fun part for me is figuring out how the story begins, and what I can weave into the scenes so that the twist lands in a way that makes the whole story suddenly shift. For example, with the bonus story, ‘Hush’, I knew the overall concept of what I wanted to write, but I wasn’t sure how to write it in a way that would really surprise the reader. That story for me, was the darkest, and aimed to have the biggest twist – whether I landed it or not is up to the reader!

I think a good twist makes the reader want to go back and read the story again. It’s one they never see coming that makes them want to look for the breadcrumbs, to analyse their own mind, and wonder why they thought the story was going somewhere else to begin with? A good twist reframes the entire story. And on an audible level, a twist that makes you gasp is always a winner! One of my favourite twists ever was in the story ‘Neato Burrito’ by Josh Allen in his book Out to Get You: 13 Tales of Weirdness and Woe. Besides being the most awesome name for a short story ever, I never saw the twist coming, and when it landed I was equal parts horrified and massively entertained.

Currently I’m working on short stories for the Micro Terrors podcast, which is a kids horror podcast for ages 8 and up that I am a secondary writer on. It’s based in the US and the stories are a mixture of bizarre, funny, unsettling and creepy. It’s one of the most fun projects I’ve ever worked on. As well as those, I’m writing several novellas for my Twisted Trails Series, hoping to package them up into a Seasonal Screams Omnibus ready for a Halloween launch – each novella will take place during a festive season. I’ve just finished drafting Love Letters which is the Valentine’s novella, and aim to have either two or three more completed by Halloween – with one obviously taking place on Halloween.

In addition, I’ve been looking at starting a cosy fantasy snail mail club (but make it strange, obviously!). The world is called The Land of Grim (working title) – think trolls that harvest magical flowers, mermaids that prefer to swim in swamps, goblins that are grumpy government workers, and sirens that have taken over the open ocean as pirates. I’m currently in the process of commissioning art, writing up stories, and just generally over thinking the whole thing. ETA on that project is ‘who knows’.

There’s also a pretty special poetry book coming up in late April that I can’t wait to get my hands on 🕷️⭐!

All That Slithers is out now! Look for it at your favourite online bookshop, local library, or Fionna’s website!


AWESOME EXTRAS

Download Fionna’s Inspiration Spinner template for writing your own stories

Visit Fionna’s website for more about her and her books

The cover of a collection of horror short stories by Fionna Cosgrove: All That Slithers.
Posted in authors, interviews

Niraj Lal on Behind the Screens

Behind the Screens: How the Internet Works & How to Make it Work for You by Niraj Lal, Illustrations by Aśka (University of Queensland Press, $19.99) The publisher provided Alphabet Soup with a reading copy of this book.

Dr Niraj Lal is a researcher, writer and presenter. He is the host of the ABC’s Imagine This kids’ podcast, and he’s passionate about making science work in society’s interests. He has a PhD in physics, has appeared on Play School and Catalyst, and has won numerous awards. Today we’re chatting to Niraj about his new book: Behind the Screens, illustrated by Aśka.


From the publisher:

Doomscrolling while on the dunny. Nah joking! (Though I’d be lying if I said I didn’t do it … )

The thing that really gives me a kick is organising online to catch up offline – with my futsal team, school mates, and a weekly crew that goes swimming in the bay on Friday mornings.

Getting into the bush and the ocean with my kids, partner and mates. Growing and harvesting food from the garden or things we’ve foraged, fished, or hunted.

Because every time you put your phone down, there are thousands of the world’s best paid engineers trying to make you pick it back up again! And our brains are really soft – we’ve evolved to have an almost limitless capacity for affirmation and validation and connection with people we know, and a deeply hardwired attraction to dings, and red notifications, and emojis. App developers have figured ways to hijack these ancient reward pathways to keep us super engaged.

How do you know this is not an AI version of Niraj Lal writing this right now?

Lol … I’d like to think not, but with sufficient AI training on things I’ve said and written and done in the past, I’m sure some future version of ChatGPT could replicate me pretty convincingly. 

This is a little terrifying.

By going into schools, and chatting with young people and their parents, right across Victoria and Queensland. I reckon the kids’ comments and opinions are one of the best bits in the book! Super insightful, savvy and articulate.

A double page spread from the book showing a comment from a kid in a breakout box shaped like a speech bubble.
A comment from Olive, 12. (Pages 92&93 from Behind the Screens.)

New seasons of ABC Imagine This, being a science producer for a really cool film called Phenomena by Josef Gatti and Rob Innes (coming out soon!), a possible sequel to Behind the Screens, and my day job in renewable energy.  Mainly trying to keep balance in the great dance of life – I take a bunch of leave without pay to be able to hang out with my kids more and stay human as much as possible.

Behind the Screens: How the Internet Works & How to Make it Work for You  is out now! Ask for it at your favourite bookshop or local library. 

Take a look inside Behind the Screens

Download the Teachers’ Notes

Visit Niraj Lal’s website for more about him and his projects

Visit Aśka’s website for more about her and her books & illustrating

The cover of a Behind the Screens by Niraj Lal and illustrated by Aśka
Posted in authors, interviews

Jo Dabrowski on The Making of Martha Mayfield

Jo Dabrowski lives in Melbourne, Australia and started her writing career in advertising. Jo loves reading adult books and kids books in all genres, but the books she gets most excited about are the ones where she can see a tiny bit of herself in one of the characters. Today we’re thrilled to be chatting to Jo about her novel: The Making of Martha Mayfield.

The publisher provided Alphabet Soup with a reading copy of this book.

From the publisher:


Loud, confident characters have had plenty of chances to shine, I thought it was time a shy person was in the limelight! The Making of Martha Mayfield is definitely the most personal book I’ve ever written. I borrowed lots of things from my own life and included them in the book. The biggest one was that I was shy when I was in primary school. Not quite as shy as Martha, but I could be very quiet and anxious. I always had lots of ideas and things that I wanted to say but, quite often, I was too worried about making mistakes or embarrassing myself. Writing about Martha came very naturally to me because I clearly remember all those anxious feelings as well as the frustration of staying quiet when I so badly wanted to speak up.

When I was at school, I definitely preferred to work on my own. I had very specific ideas about the way I wanted things done and that can be tricky when you’re working in a group. Now that I’m older I appreciate that I can’t do everything and I genuinely like teaming up with people who have different strengths and skills. When I write my books, I love sharing my work with my editor. She always has lots of ideas of how can I push myself and make the story more interesting. That’s the best part about working in a team –discovering different ways of doing things and making the work better.

Where do I begin?! I love stationery. It’s hard to pick one favourite. I have a Mr Fueki glue pot (just like Martha). I bought it in Japan.

I have a tiny tin with a picture of Miffy on it that has little note cards inside. They’re so cute that I’ve never actually used one because I never want them to run out!

And, I know this isn’t stationery, but I also love googly eyes. I have a giant pair stuck to the wall above my desk:

The wall above Jo Dabrowski's desk.

Try to be flexible. This can be hard, I know. But no one has the exact same vision as you. Share your ideas and make sure you listen to everyone else’s too, then do your part to the best of your ability. Try not to worry if it doesn’t turn out exactly the way you imagined it. You never know, it might even turn out better! 

Right now, I’m mostly working on more picture books. I have a new one coming out in September about a boy who makes a lot of bad decisions. I’ve also started a rough outline of a new middle grade novel about a boy who really loves rules!

The Making of Martha Mayfield is out now! Ask for it at your favourite bookshop or local library.


Visit Jo Dabrowski’s website for more about her and her books

Download the Teachers’ Notes for this book

The book cover of The Making of Martha Mayfield by Jo Dabrowski
Posted in illustrator, interviews

Cindy Lane on Ningaloo

Cindy Lane is an award-winning artist and illustrator who loves the ocean. She was born and grew up by the sea in Sydney, lived by the Great Barrier Reef in FNQ, and now has her studio by the Indian Ocean in Perth. Cindy loves to make her own paints with materials she finds in nature, and collects waters from all over the world to use in her paintings. Today we’re thrilled to be talking about the nonfiction picture book Ningaloo, illustrated by Cindy and written by Tim Winton.

From the publisher:


Orcas aren’t whales at all, but the world’s biggest dolphin!

Lots! As the book wasn’t just about Ningaloo, but also covered the vast areas of Exmouth Gulf and Cape Range National Park, I flew up so I was able to take a lot of aerial shots of the landscape, which inspired some of the illustrations in the book. I also dived beneath the waves for photos of humpback whales, mantas and other sea creatures.

An open sketchbook showing an aerial scene of the Ningaloo coast and selected flowers from the area.
Pages from Cindy Lane’s sketchbook, while she was researching for Ningaloo. (Artwork © Cindy Lane)

Watercolour is my medium of choice, along with pencils, pen and pastels which I then collage altogether digitally.  When I paint an area, an animal, or plant, I like to infuse it with the DNA of the place, and I usually do this by incorporating the local natural water. When out researching a place, I take small bottles to collect water samples to paint with. Waters were collected from deep within Ningaloo reef, diving with humpbacks, manta rays, tiger sharks, and turtles; from the shore-hugging mangroves filled with crabs and migratory wading birds; from a Cape Range creek, home to emus and rare rock wallabies; and from Exmouth Gulf’s seagrass meadows, water stained with sediment clouds of feeding dugongs.

Cindy Lane in the ocean wearing a snorkel
A wirebound art journal lying open to show watercolour swatches on the left page, and handwritten notes and observations. The right hand page shows a watercolour painitng of the ocean and sand and weed.
The colours of Ningaloo captured in Cindy’s sketchbook. (Artwork © Cindy Lane)

Even though there’s been efforts to protect the areas with sanctuary status, it’ll mean nothing if we can’t get on top of climate change. The coral, sea grass and the marine life that depend on these are fighting a losing battle against continually rising ocean temperatures. We can make a difference with our choices, but we need to act now.

I’ve just finished two weeks of school holidays workshops focused on Ningaloo, with more to come throughout the year with libraries and schools. Ningaloo is part of an Oceans-themed book illustrations exhibition in Newcastle NSW, so I may head over there for more workshops soon.

I’m also working on another nature story book which is 48 pages long, so I’m painting everyday for the foreseeable future!

Thanks for the opportunity to share my world, Alphabet Soup Books!

Ningaloo is out now! Ask for it at your favourite bookshop or local library.


AWESOME EXTRAS

Look inside the book!

Download the Teachers’ Notes for Ningaloo

Download an activity sheet

Visit Cindy Lane’s website for more about her and her books

Ningaloo: Australia's Wild Wonder by Tim Winton and Cindy Lane