Posted in authors, illustrator, interviews

Aunty Patsy Cameron, Reena Balding and Belinda Casey on In the Kelp Forest

In the Kelp Forest book cover

Today we’re chatting to the three creators of this stunning picture book, In the Kelp Forest, written by Aunty Patsy and Reena and beautifully illustrated by Belinda.

Aunty Patsy Cameron grew up on Flinders Island and can trace her Aboriginal heritage through her mother’s line to four Ancestral grandmothers; Pleenpereener, Wyerlooberer, Teekoolterme and Pollerelbrener. At the head of her family is Teekoolterme’s father, the revered Pairrebeenne/Trawlwoolway Clan leader, formidable warrior and seer, Mannalargenna.

Reena Balding grew up in Tasmania and left to travel the world where she worked for a newspaper in Turkey and became a yoga instructor in Bali. Now living with her family in Hobart, Reena publishes books for the Australian government and writes for children and adults.

Belinda Casey is a proud great granddaughter of legendary Tasmanian Aboriginal woman, Fanny Smith, whose traditional homeland is Tebrakunna Country in North Eastern Trouwerner/Tasmania. Belinda’s art practice honours the legacy of her ancestral grandmother and the strength and resilience of the Tasmanian Aboriginal people, their culture and connection to Country.

From the publisher:

Magabala Books provided Alphabet Soup with a reading copy of this book.


Aunty Patsy and Reena: We started by meeting on Country on a beach on the east coast of Tasmania. Aunty Patsy pointed out which parts of the kelp are good to collect. Then we talked about kelp and the different properties and importance of kelp. We also made various things out of kelp. Reena researched the different species of kelp and the life cycle of kelp and talked to kelp experts about what to include. Aunty Patsy researched the historic records of how kelp had been used and the different words for sea animals that lived in or around kelp forests. Then we put it all together.

Aunty Patsy and Reena: Tasmanian Aboriginal people have used bull kelp (myerlee) for many, many years to make into useful things. The kelp is washed up onto beaches where it can be collected. When it is still wet and pliable it can be cut and made into baskets to carry water in. And also made into … shoes! There are historic records of people wearing a kelp shoe when they had a sore foot. We experimented with a piece of kelp and some string to see if a shoe really could be made from kelp, and it worked!

When fresh, kelp can be roasted over coals and eaten as a rich source of nutrients. This includes medicinal uses such as iodine that is good for your thyroid.

Aunty Patsy: I grew up on Flinders island in eastern Bass Strait where Tyereerlore language was passed down across the generations for some shells and resources. I also have direct ancestral connections with Oyster Bay and Coastal Plains nations and use their words recorded in the 1800s in my writing and on occasions such as presenting Welcome to Country and when referring to place names and names for plants and animals.

Belinda: I had a marvellous time creating the illustrations for In the Kelp Forest. I’m a painter and usually work on quite large-scale canvases in oil paint and mixed media … I hadn’t really painted with watercolours before, so I more or less taught myself how to use them throughout the creation of the book. I chose watercolour for their portability but also their suitability to the book’s watery theme. I also love bluey greens, so I relished the opportunity to go crazy with my favourite colours! I broke my painting hand four weeks into the project, so while I was out of action I went and stayed at Bicheno on the east coast of Tassie for a few nights and photographed the kelp washed up on the beaches. I also videoed the kelp holding fast to the rocks and observed how it moved in the water. I then took my research material (plus a few specimens that I had collected) back to my studio and created the drawings partly from these images and partly from my imagination!

Aunty Patsy: I am currently working on ideas for another children’s story about the moon and its significance to the lifeworld of Tasmanian Aboriginal people from deep time to the present day.

Reena: I would love to write a book about Tasmania’s weird and wonderful facts and stats. I also think there need to be more books about fascinating plants. Basically, there are too many ideas for non-fiction kids books and not enough time to write them all!

Belinda: I’m currently working on a series of large-scale mixed-media paintings inspired by objects found along the coastline of Bruny Island, so in a way I’m continuing with the watery themes of In the Kelp Forest. ☺️

In the Kelp Forest is out now! Ask for it at your favourite bookshop or local library.


Visit the publisher’s website for a look inside the book!

Find out about other books by Aunty Patsy Cameron

Visit Reena Balding’s website for more about her and her work

In the Kelp Forest book cover
Posted in Book reviews by kids, Petersham Public School NSW

Book review: Matilda

The cover of a children's book, Matilda.

Matilda is a funny fantasy story for every age even if your parents are reading to you. It is a story that stands out because it teaches you an important lesson to stand up for yourself.

Matilda is also very entertaining. It is good for bed time stories and helps kids from ages 3 to 6 get to sleep quicker. It has scary bits and funny bits for everyone.

Matilda is brave when she stands up for herself in front of the head mistress. She is also charming and likeable and what’s more, she has special powers. The author Roald Dahl and illustrator Quentin Blake did an excellent job of making Matilda come to life.

I give this book five stars because I laughed and cried and thoroughly enjoyed it. 


We’re pleased to be sharing a series of book reviews by Petersham Public School students, NSW. This is Ara’s first book review for Alphabet Soup. To send us YOUR book review, read our submission guidelines. Happy reading!

Posted in Book reviews by kids, Petersham Public School NSW

Book review: The BFG

The cover of a children's book, The BFG.

The BFG is a humorous adventure book by Roald Dahl that will have you laughing every page.

I love The BFG because it’s about Sophie meeting the Big Friendly Giant and saving the world. It’s so entertaining and makes you never want to put it down.

I think it’s a great book because it teaches you about being different and even if you are different you can make a big difference. It’s also awesome because it’s all about teamwork and trying hard. 

It makes you emotional but has a happy and funny ending. It teaches you that the littlest (or biggest) things can make a big difference.

I give the book five stars and suggest it for kids aged 7–12. 


We’re pleased to be sharing a series of book reviews by Petersham Public School students, NSW. This is Abby’s first book review for Alphabet Soup. To send us YOUR book review, read our submission guidelines. Happy reading!

Posted in authors, interviews

Sharon Dalgleish on Saving Shark Pup

Sharon Dalgleish has over 50 published books for children and worked for many years as a librarian, and then as a teacher. She now spends her days writing stories, non-fiction and poetry for children.

Sharon lives in Sydney with Maisie, her rescue dog/office assistant. Today we’re chatting with Sharon about her picture book with Amandine Thomas: Saving Shark Pup: The Incredible True Story.

A head and shoulders photo of Sharon Dalgleish.

From the publisher:

The cover of a nonfiction picture book, Saving Shark Pup.

The publisher provided Alphabet Soup with a reading copy of this book.


I was living in Manly when the shark pup washed up on the beach, so it was like it happened right in my own backyard. My daughter and her friends were at the beach and saw it all. They phoned to tell me – but I was at work and couldn’t rush to the beach. So, they sent me video updates!

The shark (nicknamed Fluffy) made me think differently about sharks and stayed in my heart for years. As I walked along the beach up to the headland lookout each morning, I would scan the ocean, wondering if it had survived and where he might be now. Great whites can live for over sixty years, so I’ll be looking for a long time!

I was sure someone would write Fluffy’s story. But no one did. Eventually, I sat down to try to capture his story on the page myself … hoping my words would inspire others to think differently about sharks, too.

I read everything I could find about great white sharks, in books and on scientific websites. It was particularly hard to find information about how great white sharks are born! Scientists are still trying to discover this. The best part of the research was making contact with and interviewing one of the aquarists who rescued the shark. She stayed by his side throughout the rescue – over twenty-four hours in the water with no sleep and wearing heavy equipment. She also read my final manuscript to make sure all the facts were correct. And she was VIP guest at the book launch party!

Amandine created her amazing art after my text was completed. When I first saw her art, I couldn’t believe how she had captured the colours, emotion, movement and even the sounds of the rescue. And how she has added so much to the story with every spread showing a different angle or perspective. We have never met in person (she is in Melbourne and I am in Sydney) but she did come to the book launch party via video! It was so special.

They worked with extraordinary teamwork, trying different ideas and never giving up. By the end of the rescue, they were overwhelmingly exhausted but also in awe of being in the presence of such a majestic animal. Great white sharks can be dangerous. And this one was stressed and in a confined space. But not once during the rescue did any of the divers feel threatened by Fluffy. They felt honoured to be able to help this magnificent wild creature. To me they are heroes!

I’m working on another nonfiction picture book. I adore poetic, lyrical writing. But I love silly humour, too. So, I’m having loads of fun working on a few funny picture books. I’ve also drafted an outline for a Chapter Book series. It’s about a character who always gets things wrong. I’ve written the first book and now planning the next two books.

Saving Shark Pup: The Incredible True Story is out now! Ask for it at your favourite bookshop or local library.


Take a look at some pages inside Saving Shark Pup

Download Teachers’ Notes

Visit Sharon Dalgleish’s website for more about her and her books

Visit Amandine Thomas’s website for more about her and her art

The cover of a nonfiction picture book, Saving Shark Pup.
Posted in Book reviews by kids, Petersham Public School NSW

Book review: The Extremely Embarrassing Life of Lottie Brooks

The cover of a children's book The Extremely Embarrassing Life of Lottie Brooks.

The Lottie Brooks series is a funny, day-to-day diary written and illustrated by Katie Kirby. 

Lottie is 11 years old going on to high school but doesn’t want to start without her best friend Molly because she moves to Australia. She is all alone. But shortly after she starts school she makes three best friends, Amber, Jess and Poppy. 

At the start of the book she creates a plan so she can be popular by changing her look and personality. She gets involved with all the school drama and you won’t be ready for all the twists.

My favourite part of the book is when she first started high school and made her new friends. And when people give her funny nicknames.

I love this book because it is hilarious and entertaining. It made me laugh over and over again. It is great for ages 9–13.

The Lottie Brooks series is all about school drama, day to day life, best friends, sleepovers and most importantly extremely embarrassing moments that everyone has experienced.


We’re pleased to be sharing a series of book reviews by Petersham Public School students, NSW. This is Clementine’s first book review for Alphabet Soup. To send us YOUR book review, read our submission guidelines. Happy reading!

Posted in Book reviews by kids, Petersham Public School NSW

Book review: We Are Wolves

The cover of We Are Wolves by Katrina Nannestad.

We Are Wolves is a beautiful war fiction novel by Katrina Nannestad. It will leave you crying, laughing and grieving for the characters, living through WWII. 

Liesl and her family have fled from their home in East Prussia at the end of the war. They are scared, confused and hungry but all of that is amplified when the siblings, including their 2-year-old baby sister Mia, get separated from their parents. They must learn to fend for themselves and to realise that family is more important than anything in the world.

We Are Wolves brings out so many emotions, I laughed and cried, sometimes at the same time! I love this book because of the children’s hope, persistence and survival skills. The kids never give up, they eat slugs and frogs but they are grateful that they are not hungry. 

I think kids that love the Morris Gleitzman Once series and kids that love sad war stories will love this! This book is best suited for ages 10 to 15 – even my dad enjoyed it. 

I give this book 5 stars out of 5 because of the characters’ persistence, hope for finding happiness, and the love they have for each other. 

After a long wait, happiness breaks through at last. Crying, laughing, grieving, this book will leave you full with a smile.


We’re pleased to be sharing a series of book reviews by Petersham Public School students, NSW. This is Margot’s first review for Alphabet Soup. To send us YOUR book review, read our submission guidelines. Happy reading!

Posted in authors, interviews

Astred Hicks and Holly Parsons on This Bird

Astred Hicks is a best-selling illustrator, highly awarded book designer, emerging author and complete bird nerd. She is excited about noticing the world around her and hopes to inspire others to do the same.

Dr Holly Parsons is a bird-loving scientist who spends her days studying the amazing Australian bird life that lives in our towns and cities, and sharing her passion with everyone she meets.

Today we’re thrilled to have Astred and Holly visit Alphabet Soup to talk about their book This Bird: Noticing our Urban Birds.

From the publisher:

CSIRO Publishing provided Alphabet Soup with a reading copy of this book.


A double spread inside This Bird showing the White-plumed honeyeater
This bird has a sweet tooth: White-plumed honeyeater (from This Bird, illustrations by Astred Hicks).

Astred: When I was a kid, my mum was an entomologist (insect scientist) and a birdwatcher who encouraged my siblings and me to notice the wriggly, buzzy, flappy world around us. Our unofficial family crest is a cicada shell, and we would proudly wear them as badges whenever we found one – and still do!

When I had a kid of my own who was even more fascinated by the natural world, I spent even more of my time noticing it. Books, zoos, museums, science fairs, nature walks, parks, hikes, you name it, we did it. Through all this, birds became wonderful flying jewels that captured my gaze and left me wondering. I wanted to see more, find out more, and appreciate the unique lives in my neighbourhood.

Holly: When I was growing up, my dad was always pointing out wildlife and encouraging us to keep our eyes open to what was around us. I already loved animals, so that really stuck with me.

Later, when I went to university and studied biology, I discovered I especially loved ecology, learning about how animals live and interact with the world around them. Then a bird research project came along, and I decided to give it a go.

That’s when everything clicked. I realised how much was going on around me that I’d never noticed before. Every bird behaves a bit differently, and I became really curious about what they were doing and why. That curiosity eventually turned into my job!


Astred: It wasn’t easy! That’s for sure! When I first came up with the book, I had a list of birds I thought were fascinating and wanted to write about, like the satin bowerbird (this bird is an artist), powerful owl (this bird is strong) and yellow-tailed black cockatoo (this bird is a cruncher). My publishers, CSIRO Publishing, brought on board ornithologist, Holly Parsons, to consult on the book (and basically make sure I wasn’t just faffing on about how much I love birds). Holly sent through a short list of suggestions, like silver eyes (this bird is a tiny traveller) and spotted pardalote (this bird is a digger), and I instantly knew she got it and that this was going to be a brilliant working relationship. And it was!

But getting the list right turned out to be tricky and a lot of fun.

We had a Google spreadsheet to narrow down the list. I called it ‘The Thunder Dome’; two birds entered, only one left. We needed a good mix of small birds, birds of prey, water birds, and night birds because there are so many birds living in urban areas.

When writing the book, many of my content decisions were informed by my years of experience as a book designer. I wanted the book to be read in several ways: cover-to-cover, dipping in and out, or one spread at a time at bedtime. Non-fiction book design is a real art, so being able to build a design-led, guided reading structure into my manuscript before the actual design started was something I was really excited about.

Holly: We had a lot of fun choosing the birds! We started with a big list and then kind of “battled it out,” putting birds head-to-head and asking, which one would kids be more excited to spot? Which one is weirder? It got a bit competitive!

In the end, we mostly chose birds that live in towns and cities, including some that people might not have heard of yet but could still find nearby. We also made sure to include different types of birds from across Australia, so readers get a mix of shapes, sizes, and habitats.

The hardest part was deciding what to leave out. There’s so much to say about every bird, but we focused on the most interesting and noticeable things, like behaviours you can actually see, or clues that help you recognise them. We wanted each page to feel fun and surprising, not overwhelming.


Astred: I do! It’s the yellow-tailed black-cockatoo. Their slow, gliding wingbeats, mournful cries, and seasonal appearance make them feel so magical to see in the wild.

Holly: I actually have two favourites for very different reasons! One is the Superb Fairy-wren, which I studied during my PhD (which lets me put Dr in front of my name – a bird nerd Dr!). They might be small, but they have huge personalities. The bright blue males are so colourful and they live as little families with the brown females and young birds, but what I love most is how busy and social they are – you’ll often see them hopping around in these groups, constantly chatting to each other.

My other favourite is the Powerful Owl. They’re Australia’s largest owl, and I find it amazing that such a big, powerful predator is living in some of our east coast cities. In a way, they shouldn’t really be able to survive in urban areas, but they do, and that makes them incredibly special.


Astred: They are living their lives alongside you, with rich experiences and many things happening. They deserve space and respect as well.

Holly: I’d love young readers to know that birds are sharing our cities with us, and they’re noticing us just as much as we’re noticing them. Once you start paying attention, you realise cities are full of wildlife. Each capital city in Australia has HUNDREDs of different bird species you can spot. And the really exciting part is that people can make a difference. Small actions like planting native plants or keeping cats indoors can help birds thrive. Everyone can do something for the birds that share their spaces. 


A double page spread from inside the book This Bird.
This bird loves cities: Peregrine Falcon (from This Bird, illustrations by Astred Hicks.)

Astred: Begin by looking up, then look down. It may sound funny, but looking up helps you spot birds like the swallow dipping and diving for insects over the football oval. But looking down can reveal larger birds by their droppings. Tawny frogmouths are difficult to see in trees, but you might find them by spotting white droppings at a tree’s base. Listening for birds and learning their calls can always help you discover the variety of species living nearby.

Holly: Start by slowing down and really looking and listening. You don’t need any special equipment. Pick one bird you see often and watch what it does – where it goes, what it eats, whether it’s alone or in a group.

All these birds are going about their daily lives, just like you are. They are finding food, talking to each other, looking after their families. When you start noticing that, it becomes really fun, almost like you’re watching little stories play out.

Even a really common bird like the Australian Magpie can be fascinating if you take the time to watch it closely. The more you notice, the more interesting it becomes.

This Bird: Noticing our urban birds is out now! Ask for it at your favourite bookshop or local library.


Take a peek inside the pages of This Bird

Download the Teachers’ Notes

The cover of This Bird.
Posted in authors, interviews

Claire Saxby on Storm

A head and shoulders photo of Claire Saxby

Claire Saxby is an award-winning author and has lived in many places through Australia and beyond. She writes about nature, about history and more.

You might have read some of her books already, like Tree, Iceberg or Great White Shark. Claire is passionate about encouraging curiosity and wonder. Today we’re chatting to her about Storm, illustrated by Jess Racklyeft.

The cover of the picture book, Storm.

From the publisher:

The publisher provided Alphabet Soup with a reading copy of this book.


This is such a great question! Thank you. I feel like poems are a bit like a photograph and picture books are more like a movie. So if there is a single idea or image I’m trying to catch, then it’s likely to be a poem. If there’s a story, if there are twists and turns, escalations and solutions, then it’s likely to be a story. Within Storm, there are written stories, but there are also visual stories. Working with Jess on many books, I know how much space I can leave for her to create her visual narratives and can be sure that my word stories will work with her visual ones. But poem or story, I draft and redraft until I am confident that it’s the right words in the right place, each word working as hard as it can to create word pictures in a reader’s mind. 

Jess and I had worked on three books in this series: Iceberg, Tree and Volcano and we considered them to be showcasing Water, Earth and Fire, so it seemed a natural next to write Storm. I gathered a rockpool from here, an escarpment from there, a sandy beach from another place, and a shallow reef from another beach  (the little green fish that appears in Storm is from this reef) and sewed them all together in a single story. After I’d written it, I moved to a beachside town and my closest beach features all of these elements! So it could have been written about my local beach, but I hope that means that readers will recognise elements of their local beach. 

All of the books in this series have foldout pages, but I never know which part of the story will become doubly wonderful in this way. Jess and I do talk about the general idea for a story, then Jess very generously steps back and lets me write. When I’m done, I step back and let Jess work her magic. It’s a very rewarding way to work, I love it. Of course, there’s a whole, almost silent, publishing team behind the making of these books and the books are the best they can be because of their insight and skilled guidance. 

I call my first draft a ‘0 draft’ because it’s not even good enough to be called a first draft! It’s more a rambling, stop-start-stop again document that I keep working on until I find a possible direction for a story. Then I begin a First Draft … and a Second Draft and … well you get the idea. When I reach a spot where the story could go one way or the other, then I start a new document. That way if it all goes wrong, I can go back to that previous draft and choose a different direction. It is both easier and harder with poetry, because there are even fewer words to make work well and that means adjusting each word, each line, each stanza until it sings. Sometimes I cross out words, put arrows moving words around, cut some out, add more. I do multiple drafts for both, and generally it’s not until draft 3 or 4 that a poem or story really starts to take shape.

Ooh, okay. I have two books coming out next year, one about a hat-wearing caterpillar (yes it’s a real one) and the other about two explorers and the story is told in parallel. Jess is busy illustrating the explorers, and the caterpillar book is my first with this illustrator and it is BEAUTIFUL! I have two new picture books in research stage – which is the stage BEFORE a 0 draft, so I have no idea really what they will be …

Storm is out now! Ask for it at your favourite bookshop or local library.


See some pages inside Storm

Download the Teachers’ Notes (see below the book’s cover)

Visit the author’s website for more about Claire Saxby and her books

Visit the illustrator’s website for more about Jess Racklyeft and her books

The cover of the picture book, Storm.
Posted in authors, interviews

Helen Milroy on Dingo’s Dream

Helen Milroy is a storyteller and artist, and the author and illustrator of many books. She is a descendant of the Palyku people of the Pilbara region of Western Australia, but was born and educated in Perth. Helen has always had a passionate interest in health and wellbeing, especially for children. Today we’re thrilled to be talking to Helen about her book Dingo’s Dream, part of her Tales from the Bush Mob series.

From the publisher:

The publisher provided Alphabet Soup with a reading copy of this book.


Our dingoes have had a tough time in history and are often cast in a bad light. But dingoes are beautiful animals and share this country with us. Dingoes also have their country just like us but are often pushed away into other areas. I am also fascinated by the mournful howl of the dingoes at sunset and wondered what this was about. This became the stimulus for the story. What happens to country when our dingoes are not there to sing at sunset?

I do think our country calls to us, we are the children of mother earth and we need to hear her call.

Because this is a series, I can reuse some of the habitats such as Dingo’s den and other parts of country so it does make it a bit easier. But I also want to include other aspects and different landscapes for kids to see as well as introduce new creatures such as the Tasmanian Devil, so kids get to see the vast array of native animals that live here. I hope I have got a bit better at illustrating but I also don’t want to lose the naivety of the first book.

I really try to draw the colours of the landscape, particularly the north-west of WA which is beautiful. If I am flying over country I love to look out the window and see the patterns in the earth. When i am walking in country, I try to capture the experience and richness in the illustrations.

To be fair, I love them all but yes my favourites are dingo and willy wagtail. Dingo is kind, gentle and strong. He looks out for everyone. He reminds me of a big dog I had as a child who was always by my side and I felt like he was a companion but also a guardian. Willy wagtail is a feisty little bird with great courage and I always love watching the willy wagtails in my garden. They really do talk a lot so hence they play such an important role in bringing bush mob together in the first book.

I still have another nine bush mob stories I have written which feature different animals so I really hope I can bring them all to life. I also have a sequel for Lofty the Emu as I think he was a great character to work with. In this story he doesn’t need his paraglider anymore but he does learn some really important game skills from some other members of bush mob, so stay tuned!

Dingo’s Dream is out now! Ask for it at your favourite bookshop or local library.


Check out all of the titles in the Tales from the Bush Mob series

Download the Teachers’ Notes for Dingo’s Dream

The cover of a children's storybook: Dingo's Dream
Posted in Book reviews by kids, Book reviews by Marley

Book review: When the Mountain Wakes

The Mountain Wakes is a picture book about persisting until you get what you need. It’s a great story about hope and how the littlest things in life can make a difference to even bigger things.

The illustrations are very detailed and scientifically correct. And the pastel colour palette is really pretty.

I think this book would be enjoyed by kids from Year 1 or 2 onwards, because younger audiences might find it a bit complicated to understand what they’re seeing.

This book is a great inspiration for those who reach for the stars. 


Marley is a regular book reviewer for Alphabet Soup. You can read her earlier reviews here. To send us YOUR book review, read our submission guidelines.