Fionna Cosgrove is a Western Australian writer with a taste for the wonderfully macabre. Her writing has been published in The School Magazine and anthologies, and she’s also the author of the Twisted Trails series for young readers and Sadie and the Secret of the Swamp. Today we’re chatting to Fionna about her latest book, a short story collection for older readers of horror stories: All That Slithers, with illustrations by Stiff Ives.

Fionna provided Alphabet Soup with a reading copy of this book.

From the publisher:

All That Slithers is a collection of unsettling and creepy short stories; a kaleidoscope of quiet dread, ghastly ghouls, and neon-tinted terror! In this hauntingly playful collection, monsters lurk in the most wholesome of places, systems hum with quiet resistance, and the safest routines conceal the strangest truths. Each story is calibrated for curious minds: creepy enough to raise goosebumps, curious enough to feel cosy. Suitable for humans (and others) 10 and beyond!

Of all the book genres out there, why do you choose to write horror stories? Did you also read horror when you were growing up?

I don’t necessarily think we choose what we write. I think we naturally gravitate towards certain things, and I think my brain, and by association, the rest of me, has always been interested in the paranormal, the bizarre and the unexplained. I grew up, thanks to my Dad, loving shows like Are You Afraid of the Dark? and the The Twilight Zone, Unsolved Mysteries and Fact or Fiction. All of these shows had the best twists. They would lure you in thinking you knew where the story was going, only to throw a complete left hand turn right at the end and have you gobsmacked at the big reveal. I think I love that side of horror the most; the weird side. The side that kind of begs you to believe there’s more in this world than you can see, and nudges your flight response just enough to be fun, but not enough to traumatise. There’s also nothing quite like that feeling when you’re right on the edge of your seat, perhaps only surpassed by that feeling when you finish a story and have to take a moment to comprehend what you just read.

Growing up, Goosebumps [the series] was just released and it went bananas! It was on every kid’s table at school and everyone was talking about the latest release, but … I never really read them. They still hold a super nostalgic place in my heart, and I have since read many, and adore them, but my sister was five years older and was already reading Stephen King and Christopher Pike – the heavy hitters of horror in the 90s. As a result of always wanting to impress her, I skipped Goosebumps and went straight to her Point Horror and Christopher Pike books (avoided her King books though, thank goodness). And even back then, with all of those horror books, the ones that resonated for me were always the paranormal ones. I never really loved the stalker books or mystery killers, what I loved were the cosmic travellers, or the ghosts, or the possessed perfumes … nothing much has changed. So, yes, I did read horror as a kid, but even then I had a specific flavour that I liked, and that’s still my favourite to this day.

Have you ever written a story that got too scary/gory and had to tone it down? Have you ever scared yourself while writing a horror story?

Yes. To both. In my collection of short stories, All That Slithers, there’s a story called ‘Irene’s Eye-Scream Parlour’ and originally the final scene was really gory. There was mention of juicy optical nerves, intestines, splintered bones as toothpicks and several other references to body parts. In some ways I wish I had kept more of it in, as I think sometimes I underestimate what kids can handle (and what they enjoy), but when writing kids stories, I prefer to stay on the side of caution and figure I’d pushed that story far enough without needing the extra gore. Still, if anyone wants a copy of the original … just sing out!  haha

And yes to scaring myself. I wrote another story in All That Slithers called ‘Sundowner’ at night on my bed. My favourite place to write is on my bed at night with the window open next to me so I can have moonlight filtering in. It’s quite a serene environment – unless you’re writing about haunted ships and ghostly sailors. I creeped myself out so much during that story I had to shut the laptop and continue writing during daylight the next day. I think because that story was inspired by Batavia, a real life shipwreck off the coast of WA, it hit harder, and I felt like I could actually be invoking something real from my words. Whereas usually, when I’m making stories up from my head, I figure I am somehow more in control … whether that’s true or not, I have no idea.

Each of the stories in your book (13 stories, plus a bonus 14th) feature two metres at the start to rate its horror level. How do you decide the rating of each story? Do you have test/sacrificial kid-readers?

I have several sacrificial kids 😈 and adults haha. I sent my stories to a handful of adults that write for kids, and also to several friends that have kids. It’s funny though, because everyone’s reactions to these stories are so different. I have a friend who’s daughter reads all of my stories, and she is never scared by anything. If anything, she gets bored unless there’s a significant amount of gory body parts. While on the flip side, there are some adults – like my Dad – who disliked any of the stories that edged too far into the horror world. In the end, I took on board everyone’s feedback, but then had to really follow my gut. I tended to rate the more light hearted stories higher on the snack scale, and the ones that tackled more serious concepts, closer to the meaty side. And then with the ghost metre, I rated the stories that veered more towards entertaining and funny closer to the ghost, and ones that moved into darker territory and featured darker, perhaps scarier entities, closer to the demon side. But reading is so subjective, what one person finds scary, the next may laugh at. So in the end, it really is just my best guess.

Do you come up with your twist in the tale before you start writing, or during the writing process? What makes a good twist?

For the most part, it’s the endings that come first, and then, as a lover of the twist, I have to figure out how to lead the reader astray at the beginning, so the twist really lands. The fun part for me is figuring out how the story begins, and what I can weave into the scenes so that the twist lands in a way that makes the whole story suddenly shift. For example, with the bonus story, ‘Hush’, I knew the overall concept of what I wanted to write, but I wasn’t sure how to write it in a way that would really surprise the reader. That story for me, was the darkest, and aimed to have the biggest twist – whether I landed it or not is up to the reader!

I think a good twist makes the reader want to go back and read the story again. It’s one they never see coming that makes them want to look for the breadcrumbs, to analyse their own mind, and wonder why they thought the story was going somewhere else to begin with? A good twist reframes the entire story. And on an audible level, a twist that makes you gasp is always a winner! One of my favourite twists ever was in the story ‘Neato Burrito’ by Josh Allen in his book Out to Get You: 13 Tales of Weirdness and Woe. Besides being the most awesome name for a short story ever, I never saw the twist coming, and when it landed I was equal parts horrified and massively entertained.

Can you tell us a bit about what you’re working on next?

Currently I’m working on short stories for the Micro Terrors podcast, which is a kids horror podcast for ages 8 and up that I am a secondary writer on. It’s based in the US and the stories are a mixture of bizarre, funny, unsettling and creepy. It’s one of the most fun projects I’ve ever worked on. As well as those, I’m writing several novellas for my Twisted Trails Series, hoping to package them up into a Seasonal Screams Omnibus ready for a Halloween launch – each novella will take place during a festive season. I’ve just finished drafting Love Letters which is the Valentine’s novella, and aim to have either two or three more completed by Halloween – with one obviously taking place on Halloween.

In addition, I’ve been looking at starting a cosy fantasy snail mail club (but make it strange, obviously!). The world is called The Land of Grim (working title) – think trolls that harvest magical flowers, mermaids that prefer to swim in swamps, goblins that are grumpy government workers, and sirens that have taken over the open ocean as pirates. I’m currently in the process of commissioning art, writing up stories, and just generally over thinking the whole thing. ETA on that project is ‘who knows’.

There’s also a pretty special poetry book coming up in late April that I can’t wait to get my hands on 🕷️⭐!

All That Slithers is out now! Look for it at your favourite online bookshop, local library, or Fionna’s website!

AWESOME EXTRAS

Download Fionna’s Inspiration Spinner template for writing your own stories

Visit Fionna’s website for more about her and her books