Home of the Brave by Katherine Applegate, St Martin’s Press, ISBN 9780312535636
Skye reviewed her own copy of this book.
Home of the Brave by Katherine Applegate is a heartfelt story about finding a true home away from home. An 11-year-old refugee named Kek migrates from Africa to America to live with his only living family members, his aunt and cousin. As curious as he is, English is not his native tongue and he finds that life in America happens to be a great deal different.
What makes this book so special is the poetry of the language and the way Kek observes the world in this new environment. One of my favourite quotes is the first line of the book: ‘When the flying boat returns to earth at last, I open my eyes and gaze out the round window. What is all the white? I whisper. Where is all the world?’ This was the moment I realized Kek had never been on an airplane before. He says ‘flying boat’ to describe an airplane, using the only English words he knows.
Adventuring through this new world, Kek meets friends who bring him strength, including a girl in foster care who might actually understand what he’s been through. Kek in return brings his own meaning of life to America. He finds a weary old cow in need of love; the owner does not have the money to give the cow the life it deserves. In Kek’s culture cows are the meaning of life, also known as ‘God with a wet nose.’ Kek knows there is beauty in this cow and makes it his mission to love the cow like his native people would have treated them.
This book makes you feel happy and teaches the life lesson of being grateful. Kek’s innocent mistakes continue to make me smile. The story symbolises hearts being mended not only for Kek but also the people around him. My rating would definitely be a 10 out of 10.
Fionna Cosgrove is a Western Australian writer with a taste for the wonderfully macabre. Her writing has been published in The School Magazine and anthologies, and she’s also the author of the Twisted Trails series for young readers. Today we’re chatting to Fionna about how she writes her Twisted Tales!
About the Twisted Trails series:
Will you end up a zombie’s breakfast? Or maybe coming face to face with a kelp-haired sea witch is more your style? Whatever your taste, you’ll find it in this wild and spooky interactive series … How will your story end? Well, that’s entirely up to you.
What brought you to write The Midnight Manor (Book 1 of your series)?
It actually came about while I was waiting to hear back from publishers about another manuscript. I had sent out one manuscript and was wondering what to write next. It was around October, and I thought why not quickly write a book for my niece and nephew for Christmas? So I started writing The Midnight Manor. It was only meant to be a short choose-your-path book, aimed at kids 6–8. With that in mind, the word count was quite low, so I wrote the book within a few weeks. It was once I went back and started fleshing it out that the book kept expanding, and expanding and expanding, and I realised pretty quickly I had a middle grade book in my hands … and not just one, but a whole series. Once I had written the draft I figured if I’m going to get it printed for my niece and nephew, why not self publish it and put it out into the world? So with shaking hands, I started the process!
The idea for a series developed pretty easily after that. Why not write more if the first one was so much fun? Plus, there are MANY more creepy settings I’d love to explore!
How do you go about plotting a choose-your-path style book when there are so many different storylines/endings to keep track of?
I found this tricky. I initially just started writing and at any point that felt like a decision needed to be made, I made a fork and went on my merry way. It was only after a few forks and a few dead ends and plot holes, that I realised I needed to be a bit more organised. I pulled out a giant piece of paper and started drawing a big old story map. I start with one box at the top then drew two lines out of that for each decision with more and more boxes and lines indicating the paths. It sounds a bit complicated but it’s actually pretty easy. I’ve even made some free printouts you can download from my website that talk you through it.
One thing that can get confusing is time lines. Trying to remember where all your characters would be if different choices were made or not made can get a little confusing, but plotting it out helps! As far as the endings, I like to have a good mix of ‘reasonably happy’ endings and ‘not so happy at all’ endings, with one or two ‘absolutely perfect’ endings. I also try and figure out the ‘absolutely perfect’ endings first so that I have a bit of direction while I’m writing, otherwise I have a tendency to get myself a little lost …
You also write the regular kind of novels that only have one ending! Does one type of book take longer to write than the other?
The choose-your-path books are actually much quicker to write for me. They are full of crazy twists and turns and wild characters, but I don’t spend too much time on backstories or character growth. It’s fast-paced action with a lot of humour thrown in. And horror … a lot of horror.
I have a book coming out in October called Sadie and The Secret of The Swamp which has just one story line! I know, crazy. And that took me over a year and a half to write and edit. In comparison, The Midnight Manor only took three months from first draft to sending it off to my editor.
Do you have a tip for kids who’d like to try writing their own choose-your-path book?
Choose a great setting! With an interactive book you get dumped right into the action straight away so there’s less time for a detailed backstory. I find the best way to add some intrigue is to have a brilliant setting that acts as its own character. A spooky mansion that appears out of the mist at midnight … or a submerged grotto filled with bioluminescent coral in a deserted town, or my latest one – a creepy summer camp set in the middle of the forest.
And use a story map to keep track of your paths!
I’d also like to say plot everything out to save you running into plot holes and dead ends everywhere, but sometimes I think the most fun part of writing is discovering the story as you go. So just have fun. The first draft is meant to be messy and weird. The second draft is for making sense of it!
What’s next for Fionna Cosgrove?
I have two books coming out this year! I have book 3 of my Twisted Trails series: Camp Crypt. This is my creepiest one yet, with even my 45-year-old sister telling me she had to sleep with the lights on after reading it. (Spoiler, she’s not a fan of clowns). And I have another spooky mystery – Sadie and The Secret of the Swamp – coming out at the end of October. Other than that, I’ve booked in a few author talks across the year, so that should keep me and my nerves busy for a while. And in general, I just want to keep writing and live a creative life, however that looks at any particular moment.
Ask for the Twisted Trails series at your favourite bookshop or library, or order online.
Allison Tait (A.L. Tait) is the internationally published bestselling author of adventure series The Mapmaker Chronicles, the Ateban Cipher novels, and the Maven & Reeve Mysteries. Today we’re chatting to A.L. Tait about her latest novel The First Summer of Callie McGee, a cosy mystery novel.
From the publisher:
It’s the last summer before Callie starts high school and she’s been dragged along to yet another ‘family friends’ holiday. Determined to change her nerdy reputation, Callie sets out to make waves but nothing is quite as she expects. Her usual ally, Sasha, has outgrown Callie; her nemesis, Mitch, has brought his cousin Owen along; and the boring south coast town of Sawyer’s Point has been rocked by a series of burglaries. Callie, Owen and Mitch decide to investigate the robberies, bringing them face to face with a local gang … and a possible ghost. But then Sasha goes missing …
You’ve published multiple fantasy novels, what was different about writing contemporary realism?
When you’re writing a story set in a fantasy world, you have to work incredibly hard to bring that world to life on the page with every tiny detail. You’re thinking about everything from what people wear and what they eat to how they buy things at the shops and how they travel from A to B – and then you have to make sure the reader understands all of that without resorting to long descriptive passages (boring!).
In a contemporary world, your reader knows what a car is and what a double-storey brick house looks like, so that side of things is easier – but it’s still essential to build a world for the reader to immerse themselves in.
The biggest challenge for me in the switch was the ‘real’ factor. In a fantasy novel, my characters can drink ale and fling themselves into rivers and readers know it’s not real, without having to be told not to try it themselves. In a contemporary novel, I felt like I had to take a lot more care about my character’s action. When Callie throws herself into a rip to rescue her younger friend Cody, for instance, I’ve already made it clear that she’s a strong swimmer and she’s been a Nipper, so she knows what to do.
When your series The Mapmaker Chronicles began you talked about sketching a map of the books’ world. While you were writing The First Summer of Callie McGee, did you draw a map of Sawyer’s Point?
Sawyer’s Point is based on a real seaside village called Gerroa, about 20 minutes’ drive from my house. I’ve spent a lot of time there over the years (in a friend’s holiday house!) so I could see in my mind exactly where Callie and her friends were at any time. Having said that, I did move things around a bit – Sawyer’s Point has a surf club, but Gerroa does not.
Is Callie’s trying on of a new name based on your own childhood experiences – did you ever try out different nicknames for yourself when you were growing up?
I’ve always found names fascinating – what they say about us, how they fit us and, maybe, how we grow to fit them. And nicknames are even more interesting, because having one implies you have that easy sort of relationship with someone else. I didn’t try to change my name as a child (though I know people who did), and my nickname has always been Al.
Do you have a tip for kids who’d like to write a story based on a real place/setting?
Write what you know, but make it new. Choose a place that you know really well and then change one thing. That one thing might be bringing a new person (character) into that place (one of the best ways to describe a place is to show it through a new person’s eyes – even if it’s your class at school). It might be adding a mysterious statue that’s been there forever and then, one day, has vanished – or perhaps it’s never been there before and then, one day, appears out of nowhere. It might be putting a trapdoor in the floor that leads to a secret tunnel.
Can you tell us a bit about what you’re working on next?
I’m excited to be working on a new contemporary middle-grade novel, which will hopefully be out next year! It’s got all the things I love – a character with heart, adventure, and mystery. Watch this space!
Gangsta Granny by David Walliams, HarperCollins, ISBN 9780007371440
Aashi reviewed her own copy of this book.
Ben’s granny is your typical granny. She knits, loves Murray Mints, has fake teeth, loves Scrabble, has white hair, and is obsessed with cabbage. Ben reckons she’s the most boring person in the whole, wide world. Ben goes to Granny’s every Friday after school while his parents go and watch Strictly Stars Dancing live. Ben’s parents love ballroom dancing and say they discovered their love of ballroom dancing too late, so they got boring jobs at a nail salon and a security guard at a shopping mall. They want Ben to be a professional ballroom dancer, but Ben has other interests like becoming a plumber.
When Ben goes to Granny’s one day, he goes to get a chocolate biscuit but finds something thrilling instead. He is mind-blown by this discovery and is determined to find out more about this mystery. Ben is on the case!
This fabulous tale by David Walliams is a stupendous book and I rate it 5 out of 5. Walliams has made a thrilling tale that has so many twists and turns. It kept me on the edge of my seat! It’s a great book and I recommend it for 6–9-year-olds, it will surely be loved by them. Once again it was a stupendous book, and you should surely read it. I hope you read Gangsta Granny as your next novel.
The Midnight Manor by Fionna Cosgrove, Lightning Source Inc., ISBN 9780645723304
Ayaan received a review copy of this book.
The Midnight Manor is the first book in the twisted trails series and was published in 2023. It was written in a ‘choose your own adventure’ style, sharing the story of the Manor and the Game.
But this is not like other stories of the same genre. Cosgrove has written the scenes out in impeccable detail and interesting side comments. Can you escape the manor before you are trapped for all eternity? Or will the mist take you all?
You must weave your way through the manor facing wolves, zombies and a creepy old innkeeper. And if you don’t like the way your story turned out, you can always go back to the start and have a do-over.
I would rate this book 5 out of 5 as its description makes me feel as if I am really in the manor. You should definitely read this book.
Indigo in the Storm by Kate Gordon, Yellow Brick Books, ISBN 9780645218039
Bella received a review copy of this book.
Indigo in the Storm is a wonderful book from the award winning Kate Gordon. Kate Gordon has won many awards for this series. One of her unbelievable, award-winning books is Indigo In The Storm and I can see why. This is a book you can’t stop reading because of how interesting, surprising, and hysterical it is.
Indigo In The Storm is an unpredictable book about a sad girl, called Indigo, struggling to find her happiness once her mum had left her. Not much happens until an annoying boy, Liam, comes along. My favourite part about the book is when Indigo and Liam are having fun together, drawing things and writing quotes.
A funny part about Indigo In The Storm is when Indigo doesn’t like what her only/not really friends are doing so the unpredictable happens …
The saddest thing about this book is when her Mum is a bad influence and they become very close together and then her mum leaves! This made me think of how it would make me feel if that happened to me, I would be very sad and angry.
I like this book because when I was getting a bit bored early in the book, I read on and I’m glad I did because yet again the unpredictable brought it back to a 4 star rating in my opinion.
Overall, I liked this book because of the use of creativity within the story and I love the story because I find sad books the most interesting, but most of the time, the story has a happy ending! 4/5 stars.
Mermedusa by Thomas Taylor, Walker Books Australia, ISBN 9781529502138
Rory received a review copy of this book.
Prepare for a wild, mysterious and funny adventure in Mermedusa, the final book in the Eerie-on-Sea book series. Join Herbie and Violet as ghostly things begin happening in the seaside town of Eerie-on-Sea. First podcasters coming to investigate the creepy myths of the town and next giant sea-monsters from the deep depths of the ocean trooping through the town!
When an eerie, hypnotic hum begins to resonate around the town and when Sebastian Eels – the friends’ worst enemy – starts driving his boat out into the stormy ocean at midwinter time, the most dangerous time of the year, Herbie and Violet instantly know something is up.
Suddenly everything starts coming into place: could the deepest secret of Eerie-on-Sea be close to getting revealed?
I rate this book a 10/10! It’s just so good with descriptive language, cliff-hangers, mysteries and more. There’s literally nothing bad about it! I think this book would be great for 9-year-olds and above. I read this book all night long and I know that you will too!
Chenée Marrapodi is an author and journalist who has danced ballet and jazz her whole life, loving the stories that can be created through movement. Today we’re pleased to be talking to Chenée about her debut novel One Wrong Turn.
The publisher provided Alphabet Soup with a review copy of One Wrong Turn.
From the publisher:
Amelia is a ballerina on the rise — she’s talented, dedicated and set to star in the lead role of the annual production. But when Valentina arrives from Italy and joins the ballet academy, the competition gets fierce. Can Amelia outshine Valentina and keep her place in the spotlight?
At your book launch, you mentioned going to ballet classes in Australia and in Italy. Do you have a memorable ballet performance you were in when you were young?
My first ballet performance was definitely a standout. I was a sheep and two farmers had to shear our wool on stage!
It’s funny to look back at now, but at the time I was so disappointed because in the previous year’s concert the girls got to be fairies.
What is your all-time favourite ballet production? ( … Would it be Cinderella?)
Cinderella is definitely one of my favourite ballet productions, which is one of the reasons it features in One Wrong Turn. There’s something special about seeing a familiar story brought to life on stage. I find it easier to get lost in the beauty of the dance because I already know the narrative so well.
I particularly love WA Ballet’s production of Cinderella, which is described by Amelia in my novel. Amelia talks about getting to ride on Cinderella’s coach as a young child, which is something that kids actually get to do in WA Ballet’s performance. It’s really special to watch!
In particular, I love watching the Step Sisters. They are hilarious and always steal the show. I once saw one of the sisters do tap dancing on her toes in pointe shoes. I still don’t know how she managed to do it!
Did you need to do any research while you were writing One Wrong Turn? Or did your experiences growing up cover everything you needed to get your story down?
Most of the story was inspired by my own experiences in dance classes. Some of Miss Lily’s funny corrections were things I’d heard my own teachers say over the years. Given I was never training for a career in ballet, I did chat to a couple of professional dancers to make sure the amount of training my characters were doing was realistic.
Valentina’s Italian family and traditions were also inspired by my own experiences. I’m Italo-Australian and grew up with big family meals and traditions like sauce and sausage making days. Valentina’s house is actually based on my Nonna’s and features some of the quirky pictures that used to hang on her walls.
I also lived in Italy for a while and danced at a small school while I was over there. Like Valentina, I couldn’t translate my teacher’s corrections while I was dancing. I found it too hard to remember choreography, listen to music and translate corrections in a foreign language at the same time. It took my teacher a whole year to figure out my secret!
Despite being fluent in Italian, I got one of my good friends in Italy to double check the Italian phrases in the novel. I don’t speak the language as much as I used to and I’m a little bit rusty. The last thing I wanted was an error forever printed in my book!
What’s the worst writing tip you’ve ever been given?
“Edit the story as you go.”
It might work for some people, but it doesn’t work for me. If I edit as I go, I get too fixated on trying to make every sentence perfect. It makes the whole task feel too overwhelming and I never make it to the end. Instead, I find it better to write a messy and fast first draft. I don’t reread my work until I make it all the way to the end of the story. It’s much easier to edit a messy page than a blank one.
Can you tell us a little about what you’re working on next?
I’m really excited to be working on a sequel to One Wrong Turn. It’s great fun being back at the ballet academy. You can expect the same characters, with a couple of new additions. There’ll also be lots of dancing (including a different style), fun, friendship, a tiny bit of romance and some very big challenges for everyone to overcome.
One Wrong Turn is out now! Ask for it at your favourite local bookshop or local library.
It’s the Sound of the Thing by Maxine Beneba Clarke, Hardie Grant Children’s Publishing, ISBN 9781761212123
REVIEWED BY NINA, 10, NSW. Nina received a review copy of this book.
Maxine Beneba Clarke’s book It’s the Sound of the Thing is a stunning collection of 100 poems that features limericks, haikus, sonnets, tongue twisters, funny poems, serious poems any type of poem you could think of. The ideas for the poems are creative and fantastic! They are about all sorts of things (a messy room, your grannies dancing, phones, teenagers and more).
Good for readers of all ages but best suited for ages 8-12 years old. It makes you wonder what type of poem will come next.
I personally rate this book 10/10. I would highly recommend reading it.
Shivaun Plozza is an award-winning writer for children and young adults. She lives in Geelong with her cat, Fenchurch. Today we’re thrilled to chat to Shivaun about her latest book Meet Me at the Moon Tree.
The publisher provided Alphabet Soup with a reading copy of Meet Me at the Moon Tree.
From the publisher:
For Carina Sugden, nothing is more special than a moon tree – a tree grown from the seeds taken on the Apollo 14 mission into space. Her father taught her everything she knows about them. But he passed away before they found one together. When Mum relocates the family to the Otway Ranges, Carina becomes determined to find a moon tree on her own. After a mysterious encounter with a black cockatoo, Carina realises there’s magic in this forest. And if magic exists, anything is possible, like seeing her dad one last time…
How did you first hear about moon trees?
I was researching the world’s strangest trees for a story when I came across a reference to ‘moon trees’. Just the name ‘moon trees’ sounded so fascinating to me so I knew I had to discover everything about them. When I learnt their history I threw away my original idea and began working on Meet Me at the Moon Tree. It just goes to show how helpful research is (as well as allowing yourself to follow whatever sparks your curiosity!) to creative writing.
Trees (many kinds!) feature strongly in the story. Were you already knowledgeable in this area or did you need to do some research?
I’ve always been interested in trees but I wasn’t at all knowledgeable about the different species or the many interesting facts I learnt about them along the way (such as the fact that they talk to each other!). I definitely had to do a lot of research. If anyone is interested in learning more about trees I’d highly recommend Can You Hear the Trees Talking by Peter Wohlleben.
Grief is at the centre of this story. Was this part of your plan for the book when you sat down to write the first draft or did it arise during the writing?
From the beginning I knew that I wanted to write a story about a girl looking for a moon tree so I asked myself why she was looking: why did finding a moon tree matter so much to Carina? I wanted the reader to desperately want her to find one, as much as she wanted to find one herself, so it made sense for it to matter because of a promise she’d made to her much beloved father.
Do you have a tip for young writers who’d like to write stories with real-life settings?
One thing that helps is to treat your setting like it’s a character. Often we think about how we can bring our characters to life but we don’t always think about bringing the setting to life—we just assume our readers will know what we’re talking about when we write that our characters walked down a street or entered the kitchen. But does every street look the same? How about every kitchen? All settings, like people, are distinct so find out what makes that setting distinct and bring it to life on the page.
Can you tell us a bit about what you’re working on next?
I’ve been thinking a lot lately about the shift from childhood into the tween years and how it can create tension in friendships if each friend is moving at a very different pace. So I’m writing about that.
Meet Me at the Moon Treeis out now! Ask for it at your favourite bookshop or local library.
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