authors, illustrator, Pass the Book Baton

Pass the book baton: Gabrielle Wang

PASS THE BOOK BATON

It’s Friday! And that means it’s time for Pass the Book Baton. Every week Alphabet Soup features a book creator who will answer one question before throwing a new question to the next Friday visitor. (It’s kind of like a book relay in slow motion.)

Gabrielle WangToday the book baton is passed to author and illustrator, Gabrielle Wang. Gabrielle writes and illustrates picture books and novels, including two series in the Our Australian Girl series. Her latest novel is The Wishbird. Gabrielle says her Chinese heritage influences all her work and she likes to include Chinese philosophy and folktales in her novels. Keep an eye out for her new book The Beast of Hushing Wood, which will be published in April 2017.

Here are some of Gabrielle Wang’s books:

Last week, Michael Gerard Bauer asked:
In general I’d love to know how being an illustrator impacts on your writing. For example, if you are writing a novel, do you find yourself creating illustrations for the characters or scenes even though they might not be included in the published work? Have characters or stories ever started from something you have drawn? Is visual imagery an important part of your writing style?

Gabrielle answers:
While working on a novel, I don’t think about the illustrations. I do think in pictures and scenes though. Being a visual person, the very first thing I need to come up with when I begin a new novel is the setting. Only then can my characters begin to act out their story.

The Beast of Hushing Wood
The Beast of Hushing Wood will be published in April 2017.

In my forthcoming novel, The Beast of Hushing Wood, the woods play a major role. It is a character with its own moods, mysteries and emotions. Because of this it was important for me to travel to the USA to do research. I needed to immerse myself in place — to walk, feel, smell, touch and taste the woods before I could write about them.

Once I’ve completed the novel and it has been through all the major editing phases with my publisher, I then go back through the text wearing my illustrator’s hat. If a particular scene stands out and excites me then that’s the one I will illustrate. At the same time, I need to be practical and make sure that the illustrations are evenly distributed throughout, especially those that are full-page.

Because painting gives me such joy, I illustrate almost everyday. It’s a form of relaxation. I don’t know what I’m going to paint until I begin. I like illustrating animals so many story ideas come out of these illustrations. One day I would like to publish a picture book.

Visit gabriellewang.com to find out more about Gabrielle Wang and her books.


Sage Cookson book 1And now Gabrielle Wang passes the baton to the next Friday visitor — Sally Murphy. Sally has written over forty books for children including Pearl Verses the World, and a new series about the daughter of celebrity tv chef parents.

Gabrielle asks:
“I would love to know how you began. I’m interested in hearing about that transition between being unpublished to being published. Did it take you long? Did you ever want to give up? Did you have many rejections?”
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Check in every Friday for questions and answers from children’s authors and illustrators.
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See you next week!

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