Sandy Bigna is a reader, a book reviewer and a writer. Today we’re excited to be chatting to her about her debut book – a verse novel called Little Bones.
The publisher provided Alphabet Soup with a reading copy of Little Bones.
From the publisher:
Since the accident, eleven-year-old Bones spends her time drawing animal skeletons and scavenging for dead things to add to her collection. One night, Bones wishes on a full moon and unintentionally resurrects the skeleton of a baby bird. Bird wants to return to his natural (dead) state, so Bones agrees to reverse the curse – not that she knows how. As she and Bird work out the secrets of the magic, Bones remembers what it’s like to have a friend. How can she let Bird go when she doesn’t want to say goodbye?
Sections of Little Bones begin with bones (or skeleton) related definitions. Do you collect bones yourself ? Or did you need to learn more about bones and skeletons as part of writing the book?
While I hadn’t started collecting bones myself before starting to write Little Bones, I’ve always had a fascination with them, and for people who do collect them. As bones are on the inside of us we don’t generally get to see them, which makes them seem mysterious and interesting. I remember once finding some tiny lizard bones in the driveway of the house where I grew up – and to me it was fascinating to have a glimpse of something that is usually hidden. I even took photos! It was this initial fascination that inspired the theme of bones and bone collecting. I needed to do some research to increase my knowledge about bones and skeletons – using both online sources and library books. I learnt many fun facts about bones. Did you know that birds sometimes eat animal bones to get calcium for making eggshells?
How did you come to write this story as a verse novel?
I’ve always loved reading verse novels. I love that they can tell a complete story, and convey such powerful emotions, in so few words. I love all the white space around the words, which helps you as the reader take a breather, and reflect on what is written – and on what is not written. I love the creative placement of words on the page and fun use of text font. I love reading verse novels so much that I always knew I wanted to try to write one of my own, and I’m so glad I did! It just felt like the right way to tell this story, and it was the most fun I’ve ever had writing a manuscript. I had the creative freedom to play with the joy of language.
Is the finished book very different from your first draft of the story? How did editing your work change the story?
Editing is such a valuable part of the journey to publication, and I enjoyed the editing process much more than I thought I would! The finished book changed quite a lot from the original draft that I submitted to the publisher. The first part of the story, and the ending, stayed mostly the same, but the middle part of the story received a much needed overhaul. The hardest part was cutting around 15,000 words from the manuscript! Thankfully my wonderful editor Felicity helped me with this part. We also decided to cut a couple of characters from the story (originally, there were going to be three animal skeleton characters, not just Bird). Once these characters were cut, we realised they were not essential to the plot. With each round of edits the plot was tightened, the magic elements made more consistent, the relationship between Bones and Bird strengthened, and the tension drawn out, to make a more satisfying conclusion. Each round of edits ultimately made the story so much stronger.
Do you have a tip for young writers who would like to try writing a verse novel?
The most important tip is to have fun and try new things! The best part about writing a verse novel is that you have the freedom to play with ideas and language and placement of words on the page. I would also suggest reading a lot – verse novels, as well as all types of fiction and non fiction, to generate ideas, and see how other authors have succeeded in your chosen genre. It’s not essential to read and write poetry to write a verse novel – but I found doing both quite helpful in inspiring me to experiment with free verse and lyrical language. You might even want to try reading song lyrics and listening to music – as in many ways, writing a verse novel is a bit like writing a song! Verse novels often have the same rhythm and energy as music.
Can you tell us a bit about what you’re working on next?
I’m excited about the next chapter of my writing journey. I have a two-book deal with UQP and would ideally like to continue to write for a middle grade audience, as this is where my passion lies, but I am always open to writing for different age groups or experimenting with other genres. I look forward to the next part of this writing journey and sharing more stories of hope, friendship and adventure with you all!
Little Bones is out now! Look for it at your favourite bookshop or local library.
AWESOME EXTRAS
Read some sample pages from Little Bones
Watch Sandy Bigna introduce Little Bones to the world [YouTube]
alphabetsoup.net.au 