Posted in authors

Meet Tania McCartney

Tania McCartney
Tania McCartney

Tania McCartney writes children’s and adults’ books and was an ACT Ambassador for the National Year of Reading 2012. Her latest children’s book is Australian Story: An Illustrated Timeline.
Tania is our featured author in the autumn 2013 issue of Alphabet Soup magazine. We can only include part of the Q&A in the magazine, so we’re sharing the full version with you here.

Read on!

Can you tell us about where you live?
I live in Canberra with my husband and two kids (Ella, 12 and Riley, 9) in a paper house at the base of a book mountain. That’s what it feels like, anyway! There is so much paper and so many books, I could open a bookstore or run an origami festival. I’ve lived in lots of different places through my life, and my little family unit and I have so far lived in Melbourne, Adelaide, Beijing and Canberra—so we do feel like wanderers. Canberra is fun—we have so many cool things to see and do here, and of course, my favourite place of all is the National Library of Australia on Lake Burley Griffin.

How did you come to be a writer?
It chose me. My favourite possession is my grade three English book with the doggy sticker on the front—filled to brimming with creative stories. I’ve always loved to write and had my first poem published in a Tasmanian newspaper when I was 8. Since then, I’ve never stopped writing but it wasn’t until I was about 38 that I took it up full time. I feel very chuffed to finally say that my full time job is an author. It took a long time to get there (which is really why you absolutely must stick with your dreams—they do happen).

Is writing a nonfiction book very different from writing fiction?
Writing nonfiction is a little different because you may have to do lots of research (Australian Story involved around 8 months of research) but you still have lots of creative licence when you write the words. I actually find nonfiction easier to write because the bones of your work—the structure—is already there, and you can just pad it out with your research finds and all the fun bits. With fiction, you need to create everything—and that can be both thrilling and scary. The great thing about fiction though, is that you have full use of your imagination—and that basically means you can do and create whatever you want. I love that about writing.

Australian Story cover

Was it easy to get your first book published?
My publishing journey has been kind of odd and very untraditional. I sent an adult novel to a publisher when I was about 20 and they liked it so much, they sent it to an ‘outside reader’ which is basically a good sign. Because I was still so new to writing, they thought I needed more time to develop my work, so I wasn’t offered a contract. I remember being devastated and although I kept writing, I didn’t submit to any other publishers for a very long time. Then in my late 20s, I had the opportunity to take 8 months off to write my first nonfiction book—You Name It. I sent it off to about 8 publishers and had TWO acceptances (I chose the first publisher—Hodder and Stoughton), which was a real thrill. So, having my first book published was not too hard. Since then I’ve been published by four other publishers, but each acceptance was after building a relationship with the publisher. I send manuscripts to publishers all the time and still receive as many rejection letters as everyone else! but I’ll never, ever give up.

Where do you find your ideas/inspiration?
From everyday life—those little moments you experience on any given day. I also find lots of inspiration in children, particularly my own—the things they say, the things they do. My other big inspirations are travel and photography. I created my Riley the Little Aviator books from a love of travel and I also use photographs in the series. I’m a very visual person, so beautiful pictures and photos inspire me to create stories. I LOVE picture books—yes, even as a grown up—and have thousands of them in my house.

Riley and the Grumpy Wombat (cover)

"Riley and the Curious Koala (cover)"

How do you do your research for a nonfiction book?
It really depends what the book is about. For Australian Story, I researched Australian history, so I scoured websites (mainly government and educational sites, because they are much more accurate) and read books and watched documentaries and talked to people. I also used Trove, which is the National Library’s online search engine for a mass of historical information. As I gathered the information, I kept it in a Word document on my computer. I collected as much info as I could, then when I was done, I began editing the information down into bite-size pieces. That’s the way I work best.

When you are working on a book like Australian Story, do you have to find your own photographs and images?
Most children’s books published by the National Library require the use of pictures from their very impressive image collection. I was tasked with wading through almost 130 000 online images—photos, maps, paintings, drawings, diagrams—in search of the perfect pictures to go with my text. It was a lot of work but I loved it! I found some really cool images—some really funny ones, too. Some of the illustrations in the book were done by the book’s designer, Peter Shaw. Of course, there are no existing photos of dinosaurs! so he added illustrations whenever we needed them. [Check out this earlier post for a peek inside some of the pages!]

Would you like to have lived in another point in history?
I would have loved to live between the 1920s and 1960s. Excluding the World Wars, I think this was a fascinating and creative period of time, when mankind made so many leaps and bounds across all areas—from film and culture to human rights. Ancient civilisations also fascinate me. How cool would it be to spend a day in Ancient Rome or Machu Pichu with the Incas or outback Australia with the Aborigines or Ancient Egypt … although I would have liked to take rose-petal milk baths and not have to build those pyramids!

What do you like to do when you are not writing?
I like to read. No—I LOVE to read. Being an ACT Ambassador for the National Year of Reading 2012 was a huge thrill as I’m passionate about books—and will seriously read wherever I can, whenever I can. I even read on the treadmill. I also love to travel, take photos of anything and everything, and bake delicious things with my children.

What was your favourite book as a child?
I really loved the Amelia Jane books by Enid Blyton but my favourite series of all time is the Chronicles of Narnia by CS Lewis.

Do you have any advice for young writers?
Write what you know and love. Just like reading, you need to focus on something that makes you smile—something you enjoy. Reading really, really, really helps you become a better writer. It expands your vocabulary and your understanding of word placement. It also helps you create really cool sentences. Writing what you see in your head rather than what you ‘hear’ or think you should write, is also vital. Write as though you were talking to a friend—use your own voice, invent your own words, don’t be afraid to be a little kooky. And when you’ve finished writing, be sure to re-draft. No one writes the perfect story first time. Write your story, let it sit awhile, then go back and make it even better. I think three or four drafts should do it.

Are you working on a book at the moment?
I’ve just finished writing my first junior fiction historical novel for New Frontier. It’s on Caroline Chisholm and I loved writing it, so I’d like to do more in that style. I’m also finishing up two more books for the National Library. One of them features the really beautiful botanical paintings from their image collection and the style of this book is unique and fun. I photographed my son and some other kids, and I’ve cut and pasted them into the pages of the book so they are adventuring through the paintings. It looks amazing! The second one is also a picture book about the evolution of the Aussie child. It’s being illustrated by one of my fave Aussie artists—Andrew Joyner, so that’s super exciting. I’m about half way through the next Riley book—about a jumpy kangaroo in Canberra (you can see her in my photo!)—and I’m spending the rest of the year working on my first junior fiction series—in fact, two series … one is a really kooky style of book showing kids how to act their age, and the other is for my very patient daughter, Ella, about a girl who loves animals. My Riley series is about my son Riley, so now it’s Ella’s turn!

Find out more about Tania and her books on these websites:

www.tania.mccartney.com

www.rileyaviator.com

www.kids-bookreview.com

© February 2013 Text by Rebecca Newman (Alphabet Soup magazine) and Tania McCartney.
Posted in authors

Meet the author of the Dragonkeeper series (NSW)

Blood brothers (cover)If you love the Dragonkeeper series* and you live in NSW—here’s your chance to meet the author, Carole Wilkinson over afternoon tea!

Where: The Children’s Bookshop, 6 Hannah St, Beecroft NSW

When: Monday 11 February 2013 

Time: 4-30 to 5-30pm (Afternoon tea provided!)

Cost: FREE but bookings are essential!

 RSVP Essential: phone 9481 8811 or email staff@thechildrensbookshop.com.au

 * One of our Undercover Readers Club members reviewed Blood Brothers from the series. You can read the review here.

Posted in authors, info

What to Write About (Dee White)

Dee White (photo)Yesterday we announced the Alphabet Soup Creativity Award—for outstanding work published in Alphabet Soup magazine in 2012. Today we welcome Dee White to share some ideas for what to write about, and to tell us about the prize she has donated for the winner in the Most Outstanding Story category.

Over to Dee!

A House Can Tell A Story

There are so many potential stories hidden inside your home.

You just have to use your imagination and look for them.

  1. What if you opened a drawer and found a secret letter hidden there?
  2. What if something in your house came to life and started chasing you or wanted to be your friend?
  3. What if your house could talk and told you a story about the people who used to live there before you did?
  4. What if your house got blown away like Dorothy’s in The Wizard of Oz and you ended up somewhere completely different?
  5. What if there was a treasure chest hidden in your garden?
  6. What if there was a secret compartment in the wall of your bedroom and it led to another world?

One of my favourite things to do when I can’t think what to write about is to look around a room in my house and pick an object. It could be a wall, a door, a light switch, anything.

Next I imagine what it would be like to be that object sitting there day after day. I think about what that object can see and do and how it might feel. Then I write a piece about it.

It’s fun to do this with a writing friend and see if they can guess which object in the room you are writing about.

This excerpt is from Dee’s new e-book, 10 Top Writing Tips For Kids: What to Write About.

Dee is donating a free copy of this book and one hour’s mentoring (a manuscript appraisal) to the winner of the Most Outstanding Story category of the 2012 Alphabet Soup Creativity Award.

THE  MENTORING
Here’s how it works.

The winner will send a 500-word piece of writing to Dee. If it’s part of a longer story they’ll need to also send in a plot summary or information about what happens in the rest of the story. Dee will give tips on how to improve the piece of writing and the winner’s skills in general. She’ll also answer questions they might have about the piece or writing in general.

ABOUT 10 TOP WRITING TIPS FOR KIDS

10 Top Writing Tips for kids
10 Top Writing Tips For Kids by Dee White

Dee has written this series to encourage and inspire kids who love to write. 10 Top Writing Tips for Kids: What to Write About was released in November 2012.

Other books in the series coming in 2013 are:

  • 10 Top Writing Tips For Kids – Heroes and Villains
  • 10 Top Writing Tips For Kids – Want to Be a Writer?
  • 10 Top Writing Tips For Kids – Make Your Writing Sparkle

More about the 10 Top Writing Tips books can be found at http://10topwritingtips.wordpress.com

ABOUT DEE

Letters to Leonardo (cover)
Letters to Leonardo (Dee’s Young Adult book)

 

Dee White has worked as an advertising copywriter and journalist, but wanted to be an author from the time she was seven. Her first book for young adults, Letters to Leonardo, took more than ten years to research and write. Dee’s other titles include Hope for Hanna, A Duel of Words and Harry’s Goldfield  Adventure.

Hope for Hanna (cover)Harry's Goldfield Adventure

A duel of words (cover)Dee is passionate about encouraging young readers and writers, and her blogs Writing Classes for Kids and DeeScribe Writing are full of career and writing tips for students and new and emerging writers.

She runs writing workshops for primary and secondary students across Australia with sessions focusing on story ideas, plotting and character development. She also runs them online at Writing Classes for Kids.

She is honoured to be providing the prize for the inaugural Alphabet Soup Creativity Award, and hopes that it will help encourage young writers.

For more information on the 2012 Alphabet Soup Creativity Award, visit the Award page (there’s a tab at the top of this blog).

Excerpt from 10 Top Writing Tips for Kids: What to Write About © Dee White 2012.
Posted in authors, illustrator, National Year of Reading

Meet the author-illustrator: Mark Wilson

Mark WilsonIn every issue of Alphabet Soup magazine, you’ll meet an Australian writer or illustrator. In the summer issue we talk to Mark Wilson who is an author AND an illustrator. It’s hard to fit the whole conversation in the magazine, so we’ve posted the whole interview here on the blog. Read on!

Where do you live?

I live in Frankston with Ros, my wife and our two dogs—Toby and Couta. (Silky terrier and a Shitsu Cross.) We have 7 fish in our pond, and lots of native birds visit as well. We live near the beach where I go for long walks when I get the chance.

Where do you get your inspiration?

I have so many stories in my head! At the moment, I am obsessed with trying to save sea turtles and whales, and will be doing that forever. All are endangered thanks to plastic bags and coastal developments, amongst many other things. Also anything about Australian history inspires me. The explorers and pioneers were so brave and determined to do what they did!

An idea can come from a photograph, an article in a newspaper, or something someone said. I write everything down and then it might pop up as a part of a story

Stranded (cover)

How did you come to be a writer and illustrator?

All I ever wanted to be was an artist, or a fighter pilot or an architect. I was terrible at maths, so the last two were out! I loved telling stories in pictures when I was little, and still do. Always loved just drawing things!

Was it easy to get your first book published?

It was very good luck! I had a weird collection of surrealistic black and white drawings and applied for an illustrator’s job on Pursuit Magazine in Melbourne. I got it—my first illustrations were pretty strange too!

Does the story influence your choice of materials?

Never. I use everything from a pencil to house paint, including derwents, ink sand, dirt, feathers etc. Lots of pencil drawing go straight into my books.

When you are creating your own books, which comes first—the artwork or the story text?

Usually the pictures, then I make up a story around them. Lately I have been writing stories first, which is strange for me. An idea can also come from a photograph, an article in a newspaper, or something someone said. I write everything down and then it might pop up as a part of a story.

A Day to Remember (cover)When you are illustrating a book written by someone else, do you discuss the story and illustrations with them?

Always. I love to hear an author’s ideas and they often see things that I wouldn’t see. Gary Crew was great for illustration ideas, and Jackie French had some wonderful ideas for A Day to Remember, and I used them in the illustrations too!

Are you working on a book at the moment? 

Angel of Kokoda (cover)I am working on a book about the Vietnam War that is the 3rd book in the Children in War Trilogy. (The other books in the series are My Mother’s Eyes and Angel of Kokoda). It will be out early next year. There is also a new Ben and Gracie’s Art Adventure book underway!

Do you have any advice for young writers and artists?

Write everything down. Keep a journal and make notes for your stories in it.

Observations, quotes, discussions, interesting things—write them all down.

Writing takes practise, so keep writing; stories, poems, song lyrics, anything and everything. Talk to your grandma and grandpa—discover the stories in your own family, there are so many!

What do you like to do when you are not writing?

I love singing in my blues band, playing drums and reading books about the Romans, Vikings and history in general.

Is your writing influenced by any writers in particular?

The Australian Impressionist painters Frederick McCubbin and Arthur Streeton are my favoutites. I am also inspired by the French Impressionist Monet, and Australian Illustrators Robert Ingpen and Shaun Tan. You can tell I’m a bit of a melting pot, but the Australian Impressionists painters mainly. I particularly love children’s paintings. They use really fresh colours and simple shapes. I am trying to get back to doing that myself!

Ben and Gracie's Art Adventure (cover)

Check out Mark Wilson’s website to learn more about him and his books.

© November 2012 “Interview with Mark Wilson” by Rebecca Newman (Alphabet Soup magazine)
Posted in authors

Meet the Author: Jen Banyard

photo of jen banyard and spiderIn every issue of Alphabet Soup magazine, you’ll meet an Australian writer or illustrator. In the spring issue we talk to Jen Banyard about being a writer and about her books—Spider Lies, and Mystery at Riddle Gully. We can’t fit everything into the magazine (so many interesting answers!) so we’ve posted the whole interview here on the blog. Read on!

Where do you live?

I live in Floreat (in WA), which makes it nice and easy to go walking on the Bold Park bush trails (I love going after dark!) or to swim at City Beach. Until last year we had a Kelpie-cross dog but she died of old age; now we just have a tabby cat and a noisy family of possums in the roof.

Where do you get your inspiration?

I usually carry a small notepad with me and jot down interesting things about people (not while they’re looking!), funny names or phrases, or quirky ways of looking at things. I keep an ‘ideas box’ and fill it with ideas I’ve written on bits of paper, newspaper and magazine clippings (articles and photographs)—anything that might kick off or spark up a story. A story is usually a combination of a few ideas.

I like to read magazines or books about the craft of writing, too. Sharing the experiences and advice of successful writers keeps me keen.

How did you come to be a writer?

I used to write and edit pretty staid stuff for government departments, universities and such. Eventually, I decided to do what I’d wanted to do for ages—write fun, lively stories. I guess that’s how I ‘came to be a writer’—by deciding to do it and giving myself a chance. (I wasn’t all that good at first … but I’m learning!)

Was it easy to get your first book published?

Yes and no (mainly no). I sent quite a few things to publishers before anything was accepted. But I wasn’t doing my research and sending the right piece to the right publisher (they all want or like different things). Also, adults played too big a role in my work. The first time I got both those things right, a major children’s magazine in NSW bought my story. That opened doors which led to the publication of Spider Lies.

Spider Lies

How long does it take you to write a book?

The first draft is usually pretty quick (and fun), but the fine-tuning can go on forever—until the editor says ‘Enough!’ and drags the manuscript from under your hand. Spider Lies (21,000 words) took nine months or so, spread over about 18 months. Mystery at Riddle Gully (38,000 words) took about 15 months, spread over two-and-a-half years. The long time spans are partly because there’s a lot of to-ing and fro-ing with the editors and publisher, and things don’t always happen quickly with those busy people. So between bursts of working on one story, you go on with something else. I know someone who wrote a novel in a weekend. I’m not like him!

Do you prefer to write with pen & paper, or on the computer?

Pen and paper wins hands-down for the first draft. I scribble away (trying to stay in ‘the zone’), crossing out and adding in all over the place. Then I type what I’ve written into a computer, usually a few chapters at a time. The tinkering after that is mostly on my laptop. Before I submit a manuscript to a publisher, I print out the whole thing and read it through, ideally aloud. Doing that, I usually find a heap of things to change that had looked fine on the screen.

What did you like to read when you were growing up?

I ate up the Famous Five mystery series by Enid Blyton (all those smugglers and treacherous tides) and, later, Rider Haggard’s African adventures, King Solomon’s Mines and She. I remember being very moved (another way of saying that I cried like a baby) by Jack London’s The Call of the Wild and James Fenimore Cooper’s The Last of the Mohicans.

Mystery at Riddle Gully cover

Are you working on a book at the moment? 

A quarter-length version of Mystery at Riddle Gully is being serialised in The West Australian newspaper’s ‘Ed!’ section at the moment. There’s also a shorter novel starring a terrorising cat that’s probably ready to be sent into the big, wide world. I’m busy at the moment with my PhD project for university—a historical novel for adults and an academic study—but I’m also mustering ideas for a sequel to Mystery at Riddle Gully.

Do you have any advice for young writers?

  1. Collect ideas like a magpie.
  2. Write little and often.
  3. Be yourself (aim to sound like ‘you’, not a ‘proper writer’, whatever that is)
  4. Push on when you’re feeling a bit flat and you think you’ll never finish your story—it’s just a rough patch, and who said writing was all a bowl of M&Ms anyway?
  5. Don’t aim for perfection in the first draft—it’s way too inhibiting. Be happy to throw out some (or a lot) of what you’ve written if you have to.
  6. Lastly, read a lot. Bit by bit, some of the good writing will rub off on you.

Oh, and lastly-lastly, don’t beat yourself up if something you send to a competition or a publisher gets rejected. It means you can call yourself a real writer!

What do you like to do when you are not writing?

Jen Banyard on ukelele
Jen Banyard playing the ukelele at the launch of Mystery at Riddle Gully.

I love anything to do with the water, especially the ocean—swimming or snorkelling in it, kayaking or sailing on top of it or watching it. With the rest of the family, I’m into the sport of lacrosse. When there’s no-one around to laugh or groan, I sing and play my ukulele (but don’t tell anyone!)

Is your writing influenced by any writers in particular?

Hmmm … that’s a toughie. I know by whom I’d like my writing to look like it was influenced, but whether it does is another thing entirely! Ideally, my stories would be a mind-blowing mix of the styles of Dav Pilkey, Sonya Hartnett, Andy Griffiths, Tim Winton, Paul Jennings … and me.

Check out Jen Banyard’s website to learn more about her and her books.

© September 2012 “Interview with Jen Banyard” by Rebecca Newman (Alphabet Soup magazine)
Posted in authors

NSW author/illustrator event (11 August 2012)

If you’re in NSW, head over to The Children’s Bookshop in Beecroft on 11 August—there will be lots happening to celebrate National Bookshop Day.

The bookshop will have authors working in the shop window, an artist in residence will be creating some illustrations, there will be book busking, face-painting, a sausage sizzle and balloons.

Schedule for the Morning:

10–10.45am Special Story-Time!

Meet Ursula Dubosarsky who will be reading such books as Too Many Elephants in This House and The Terrible Plop.

Too Many Elephants in This House

11.30am Meet Duncan Ball, author of Selby and Emily Eyefinger. (Selby will also be there to meet the kids.)

selby

10am–12 noon Meet a range of authors in the Living Window—authors will be writing in the window! The Artist in Residence for the morning, Lisa Stewart, will also be working on illustrations in the shop.

Where: The Children’s Bookshop, 6 Hannah Street, Beecroft NSW

When: 11 August 2012

RSVP: for the 10am or 11.30am sessions. Ph. 9481 8811 staff@thechildrensbookshop.com.au

Posted in authors

Davide Cali and writing picture books

Davide Cali, author
Davide Cali

Davide Cali is a children’s book writer and illustrator who was born in Northern Switzerland and grew up in Italy.

He has created more than forty illustrated books for publishers in Austria, France, Italy, Argentina and Portugal. His books have been translated for 25 countries.

Davide speaks French, Italian and English and he is currently on a blog tour before travelling to Australia to celebrate his new comic book/graphic novel, 10 Little Insects. (Kids Book Review has a sneak peek inside 10 Little Insects … check it out here. )

Today we are pleased to have Davide visiting Alphabet Soup‘s blog to discuss writing. We’re talking to him about his picture book, The Bear With the Sword.

The Bear with the Sword (cover)What brought you to write The Bear with the Sword?

At the beginning, the bear of the book was a man. Just a human warrior. The Italian publisher Zoolibri asked me to change it into an animal, to make it a little less tough.

In this book comes the theme of ‘the enemy’, but I wanted to talk about the fact that we always try to find someone else as guilty for our faults.

Did you meet the illustrator Gianluca Foli?

Yeah, a couple of times, but only when the book was already finished. You know, in this job often you don’t even know or meet the people you work with. I did four albums in France with Eric Heliot before we met and talked for the first time!

You write books for a range of ages. How do you know if a story would work best as a picture book or a novel?

Well, I read a lot of children’s books before I start my writing. As you probably know, I worked for a while in a public library which specialized in children books (during the civil service I did instead of military service). Later I spent a few months working for a magazine specialising in children’s book critics, so I really saw and read hundreds of books. These experiences helped me to fit something I got in my mind in a certain range of ages.

Could you give us your top tip for young writers who want to write picture books?

I guess the most important ones are: reading, writing.

I know it could sound a little obvious, but it’s not. Many people—even adults—who want to write, don’t read. I think reading is just like feeding yourself. And you know, writing is just like feeding others. So, how can you feed others if you don’t eat first?

And writing because: many people tell me “I really would like to write. What should I do?”

My answer is always: “Just do it!”

You have just to start it. Sometimes you don’t need to have a complete and perfect story already formed in mind to write it down. Stories come out just while you’re writing, and they often change while they’re coming out.

Check out the complete blog tour schedule (and reviews of Davide Cali’s books) on the Wilkins Farago blog.

© May 2012 “Interview with Davide Cali”  (Alphabet Soup magazine). Text by Rebecca Newman & Davide Cali.
Posted in authors

QLD events: Meet Tania McCartney

If you’re in Queensland, there are two chances this weekend to meet the author of Australian Story: an illustrated timeline.

Australian Story cover

Tania McCartney, author of Australian Story
Tania McCartney, author of Australian Story

1. Saturday 24 March 2012  at 2pm.

Maroochydore Library (Sunshine Coast) a fun event to celebrate the launch of Australian Story! Come dressed as your favourite Aussie character. For more info and bookings, visit Tania’s blog.

2. Sunday 25 March at 3.30pm

Join Tania McCartney at Black Cat Books and Cafe for a fun afternoon of interactive historical fun! Things kick off at 3.30pm. Come dressed as your favourite Aussie historical character and you could win a prize! For more info and bookings, visit Tania’s blog.

Tania visited Soup Blog earlier this month to talk about Australian Story and why history is cool. Read her post here.

Posted in authors, illustrator

WA event: A Night With Our Stars

If you are a teacher, librarian, teacher-librarian, or any grownup who loves children’s books (and who doesn’t?!) on 8 March you should head along to A Night With Our Stars at Westbooks in Victoria Park.

Twenty children’s (and YA) authors and illustrators will each have 3 mins to speed-talk about their books published last year. It’s an annual event run by the Children’s Book Council of Australia WA branch and it’s open to the public. Here’s a list of the fabulous speakers:

  • Wendy Binks
  • Rebecca Cool
  • Deb Fitzpatrick
  • Georgia Efford [Uthando Project]
  • James Foley
  • Rina Foti
  • Norman Jorgensen
  • Clare Harris [Uthando Project]
  • Brigid Lowry
  • Bevan McGuiness
  • Meg McKinlay
  • Sonia Martinez
  • Sally Murphy
  • Chris Nixon
  • Matt Ottley
  • Danny Parker
  • JB Thomas
  • Zoe Thurner
  • Jan Tilbrook
  • Leanne White

Tickets are $25 and you can pay at the door on the night, but you do need to book. For more info (and booking details) see the CBCA WA website.

NB This is not an event for children. (Sorry—we’ll let you know about more kid-friendly events soon!)

(Westbooks also stock Alphabet Soup magazine. What a top bookshop!)

Posted in authors, poetry

Meet the Author: Lorraine Marwood

Lorraine Marwood, author and poet
Lorraine Marwood

 

In every issue of Alphabet Soup magazine we print an interview with an author or illustrator. We can’t fit all their answers into an issue of the magazine, so we publish the full interviews on the blog—we wouldn’t want you to miss out!

For issue 14 we talked to Lorraine Marwood. Lorraine is a poet, and the author of many books including Star Jumps, and Note on the Door, and A Ute Picnic.

 

What made you become a writer/poet?

I don’t think that anything ‘made’ me become a writer. It was a heartfelt feeling when I was about 8 years old—that was all I secretly ever wanted to do.  And I never ever lost that longing. Or that passion for writing and reading.

Was it easy to get your first poem published? (Your first book/book of poems?)

No not at all.  It wasn’t till I was about 16 years old that my first poem was published and that was after much writing and submitting—but what a thrill it was.

My first book of poems came after I’d had my children and was still farming. And it only came after I’d notched up publishing credits in literary magazines—a bit like an apprenticeship in poetry.

note on the door (cover)A Ute Picnic (cover)

Where do you get your inspiration and ideas?

From everything happening around me—little incidents, nature, my family, newspapers, what I read and of course big doses of thinking and jotting down.

Did you read poetry when you were growing up?

My teacher read us classic poetry like Banjo Paterson, Wordsworth and we had a class reader for the year and we always read the poems in that (but as a teenager I discovered T.S. Eliot and a Russian poet  called Yevtushenko). But we mainly read rhyming poetry which was also mainly English poets.

Did you have a favourite poet/poem/book of poetry when you were growing up?

T. S Eliot ‘The journey of the Magi,’ and also Australian Bruce Dawe.

Is your poetry influenced by particular poets/writers? 

Yes, I think I’m influenced by those poets I really admire—like ee cummings, I love the freedom and rhythm of his work; Bruce Dawe’s Vietnam poem—‘They’re bringing them home’; T.S Eliot; Sue Cowling; ‘FiveBells’ by Australian poet Kenneth Slessor; Judith Wright; and now I read lots of children’s poets. I think I’m influenced by those poets who tell a story, a narrative, that surprise and use their poetic craft really well.
What do you like to do when you are not writing? 

I love to make things—sew, bead, garden, pot up cuttings, read,  make cards, op shop—they are creative things to do (well, for me!) think, wonder, pray.

Do you mostly write on paper or on a computer? 

Now that’s an interesting question because for poetry I like to write in one of my notebooks, but for stories I write on  my laptop.

Stary Jumps (cover)Is there a difference in the way you approach writing a poem and writing a verse novel?

Yes, a poem is a little unit on its own with beginning, middle and end. But a verse novel is many components that lead on and borrow from story telling—it’s a more ‘prosy’ way of writing, where a poem is tiny and delicious like a ripe strawberry.

Are you working on a collection of poems or a book at the moment?

I am working on another collection of poems—so for that, I need to aim for about 100 new poems. At the moment I’m thinking of section headings or groupings for the poems, a bit like chapters in a book. This collection will be entirely  new. And as I write, I’ve already finished another verse novel—again entirely different from my other verse novels in content and for a slightly older age group—but awaiting the green light from my publisher.
Do you have any advice for young poets? 

Yes, write whenever  you can. Start with lists of what is around you—lines of three or four words, get all the details down and use those wonderful senses too.  Keep these jottings in a note book, put the date on them and keep them. Look back over them and see if any ideas for a fuller poem can be found.

No lines of writing are ever wasted, they lead you on a journey to becoming a writer/poet.  It’s such a surprise to see what comes from your pen or keyboard. And a such a pleasure to read again after a few weeks or months have gone by …

Find out more about Lorraine Marwood and her books and poetry—visit her website, or check out a bookstore or library near you!