Posted in authors, illustrator, National Year of Reading

Meet the author-illustrator: Mark Wilson

Mark WilsonIn every issue of Alphabet Soup magazine, you’ll meet an Australian writer or illustrator. In the summer issue we talk to Mark Wilson who is an author AND an illustrator. It’s hard to fit the whole conversation in the magazine, so we’ve posted the whole interview here on the blog. Read on!

Where do you live?

I live in Frankston with Ros, my wife and our two dogs—Toby and Couta. (Silky terrier and a Shitsu Cross.) We have 7 fish in our pond, and lots of native birds visit as well. We live near the beach where I go for long walks when I get the chance.

Where do you get your inspiration?

I have so many stories in my head! At the moment, I am obsessed with trying to save sea turtles and whales, and will be doing that forever. All are endangered thanks to plastic bags and coastal developments, amongst many other things. Also anything about Australian history inspires me. The explorers and pioneers were so brave and determined to do what they did!

An idea can come from a photograph, an article in a newspaper, or something someone said. I write everything down and then it might pop up as a part of a story

Stranded (cover)

How did you come to be a writer and illustrator?

All I ever wanted to be was an artist, or a fighter pilot or an architect. I was terrible at maths, so the last two were out! I loved telling stories in pictures when I was little, and still do. Always loved just drawing things!

Was it easy to get your first book published?

It was very good luck! I had a weird collection of surrealistic black and white drawings and applied for an illustrator’s job on Pursuit Magazine in Melbourne. I got it—my first illustrations were pretty strange too!

Does the story influence your choice of materials?

Never. I use everything from a pencil to house paint, including derwents, ink sand, dirt, feathers etc. Lots of pencil drawing go straight into my books.

When you are creating your own books, which comes first—the artwork or the story text?

Usually the pictures, then I make up a story around them. Lately I have been writing stories first, which is strange for me. An idea can also come from a photograph, an article in a newspaper, or something someone said. I write everything down and then it might pop up as a part of a story.

A Day to Remember (cover)When you are illustrating a book written by someone else, do you discuss the story and illustrations with them?

Always. I love to hear an author’s ideas and they often see things that I wouldn’t see. Gary Crew was great for illustration ideas, and Jackie French had some wonderful ideas for A Day to Remember, and I used them in the illustrations too!

Are you working on a book at the moment? 

Angel of Kokoda (cover)I am working on a book about the Vietnam War that is the 3rd book in the Children in War Trilogy. (The other books in the series are My Mother’s Eyes and Angel of Kokoda). It will be out early next year. There is also a new Ben and Gracie’s Art Adventure book underway!

Do you have any advice for young writers and artists?

Write everything down. Keep a journal and make notes for your stories in it.

Observations, quotes, discussions, interesting things—write them all down.

Writing takes practise, so keep writing; stories, poems, song lyrics, anything and everything. Talk to your grandma and grandpa—discover the stories in your own family, there are so many!

What do you like to do when you are not writing?

I love singing in my blues band, playing drums and reading books about the Romans, Vikings and history in general.

Is your writing influenced by any writers in particular?

The Australian Impressionist painters Frederick McCubbin and Arthur Streeton are my favoutites. I am also inspired by the French Impressionist Monet, and Australian Illustrators Robert Ingpen and Shaun Tan. You can tell I’m a bit of a melting pot, but the Australian Impressionists painters mainly. I particularly love children’s paintings. They use really fresh colours and simple shapes. I am trying to get back to doing that myself!

Ben and Gracie's Art Adventure (cover)

Check out Mark Wilson’s website to learn more about him and his books.

© November 2012 “Interview with Mark Wilson” by Rebecca Newman (Alphabet Soup magazine)
Posted in authors

Meet the Author: Jen Banyard

photo of jen banyard and spiderIn every issue of Alphabet Soup magazine, you’ll meet an Australian writer or illustrator. In the spring issue we talk to Jen Banyard about being a writer and about her books—Spider Lies, and Mystery at Riddle Gully. We can’t fit everything into the magazine (so many interesting answers!) so we’ve posted the whole interview here on the blog. Read on!

Where do you live?

I live in Floreat (in WA), which makes it nice and easy to go walking on the Bold Park bush trails (I love going after dark!) or to swim at City Beach. Until last year we had a Kelpie-cross dog but she died of old age; now we just have a tabby cat and a noisy family of possums in the roof.

Where do you get your inspiration?

I usually carry a small notepad with me and jot down interesting things about people (not while they’re looking!), funny names or phrases, or quirky ways of looking at things. I keep an ‘ideas box’ and fill it with ideas I’ve written on bits of paper, newspaper and magazine clippings (articles and photographs)—anything that might kick off or spark up a story. A story is usually a combination of a few ideas.

I like to read magazines or books about the craft of writing, too. Sharing the experiences and advice of successful writers keeps me keen.

How did you come to be a writer?

I used to write and edit pretty staid stuff for government departments, universities and such. Eventually, I decided to do what I’d wanted to do for ages—write fun, lively stories. I guess that’s how I ‘came to be a writer’—by deciding to do it and giving myself a chance. (I wasn’t all that good at first … but I’m learning!)

Was it easy to get your first book published?

Yes and no (mainly no). I sent quite a few things to publishers before anything was accepted. But I wasn’t doing my research and sending the right piece to the right publisher (they all want or like different things). Also, adults played too big a role in my work. The first time I got both those things right, a major children’s magazine in NSW bought my story. That opened doors which led to the publication of Spider Lies.

Spider Lies

How long does it take you to write a book?

The first draft is usually pretty quick (and fun), but the fine-tuning can go on forever—until the editor says ‘Enough!’ and drags the manuscript from under your hand. Spider Lies (21,000 words) took nine months or so, spread over about 18 months. Mystery at Riddle Gully (38,000 words) took about 15 months, spread over two-and-a-half years. The long time spans are partly because there’s a lot of to-ing and fro-ing with the editors and publisher, and things don’t always happen quickly with those busy people. So between bursts of working on one story, you go on with something else. I know someone who wrote a novel in a weekend. I’m not like him!

Do you prefer to write with pen & paper, or on the computer?

Pen and paper wins hands-down for the first draft. I scribble away (trying to stay in ‘the zone’), crossing out and adding in all over the place. Then I type what I’ve written into a computer, usually a few chapters at a time. The tinkering after that is mostly on my laptop. Before I submit a manuscript to a publisher, I print out the whole thing and read it through, ideally aloud. Doing that, I usually find a heap of things to change that had looked fine on the screen.

What did you like to read when you were growing up?

I ate up the Famous Five mystery series by Enid Blyton (all those smugglers and treacherous tides) and, later, Rider Haggard’s African adventures, King Solomon’s Mines and She. I remember being very moved (another way of saying that I cried like a baby) by Jack London’s The Call of the Wild and James Fenimore Cooper’s The Last of the Mohicans.

Mystery at Riddle Gully cover

Are you working on a book at the moment? 

A quarter-length version of Mystery at Riddle Gully is being serialised in The West Australian newspaper’s ‘Ed!’ section at the moment. There’s also a shorter novel starring a terrorising cat that’s probably ready to be sent into the big, wide world. I’m busy at the moment with my PhD project for university—a historical novel for adults and an academic study—but I’m also mustering ideas for a sequel to Mystery at Riddle Gully.

Do you have any advice for young writers?

  1. Collect ideas like a magpie.
  2. Write little and often.
  3. Be yourself (aim to sound like ‘you’, not a ‘proper writer’, whatever that is)
  4. Push on when you’re feeling a bit flat and you think you’ll never finish your story—it’s just a rough patch, and who said writing was all a bowl of M&Ms anyway?
  5. Don’t aim for perfection in the first draft—it’s way too inhibiting. Be happy to throw out some (or a lot) of what you’ve written if you have to.
  6. Lastly, read a lot. Bit by bit, some of the good writing will rub off on you.

Oh, and lastly-lastly, don’t beat yourself up if something you send to a competition or a publisher gets rejected. It means you can call yourself a real writer!

What do you like to do when you are not writing?

Jen Banyard on ukelele
Jen Banyard playing the ukelele at the launch of Mystery at Riddle Gully.

I love anything to do with the water, especially the ocean—swimming or snorkelling in it, kayaking or sailing on top of it or watching it. With the rest of the family, I’m into the sport of lacrosse. When there’s no-one around to laugh or groan, I sing and play my ukulele (but don’t tell anyone!)

Is your writing influenced by any writers in particular?

Hmmm … that’s a toughie. I know by whom I’d like my writing to look like it was influenced, but whether it does is another thing entirely! Ideally, my stories would be a mind-blowing mix of the styles of Dav Pilkey, Sonya Hartnett, Andy Griffiths, Tim Winton, Paul Jennings … and me.

Check out Jen Banyard’s website to learn more about her and her books.

© September 2012 “Interview with Jen Banyard” by Rebecca Newman (Alphabet Soup magazine)
Posted in authors

NSW author/illustrator event (11 August 2012)

If you’re in NSW, head over to The Children’s Bookshop in Beecroft on 11 August—there will be lots happening to celebrate National Bookshop Day.

The bookshop will have authors working in the shop window, an artist in residence will be creating some illustrations, there will be book busking, face-painting, a sausage sizzle and balloons.

Schedule for the Morning:

10–10.45am Special Story-Time!

Meet Ursula Dubosarsky who will be reading such books as Too Many Elephants in This House and The Terrible Plop.

Too Many Elephants in This House

11.30am Meet Duncan Ball, author of Selby and Emily Eyefinger. (Selby will also be there to meet the kids.)

selby

10am–12 noon Meet a range of authors in the Living Window—authors will be writing in the window! The Artist in Residence for the morning, Lisa Stewart, will also be working on illustrations in the shop.

Where: The Children’s Bookshop, 6 Hannah Street, Beecroft NSW

When: 11 August 2012

RSVP: for the 10am or 11.30am sessions. Ph. 9481 8811 staff@thechildrensbookshop.com.au

Posted in authors

Davide Cali and writing picture books

Davide Cali, author
Davide Cali

Davide Cali is a children’s book writer and illustrator who was born in Northern Switzerland and grew up in Italy.

He has created more than forty illustrated books for publishers in Austria, France, Italy, Argentina and Portugal. His books have been translated for 25 countries.

Davide speaks French, Italian and English and he is currently on a blog tour before travelling to Australia to celebrate his new comic book/graphic novel, 10 Little Insects. (Kids Book Review has a sneak peek inside 10 Little Insects … check it out here. )

Today we are pleased to have Davide visiting Alphabet Soup‘s blog to discuss writing. We’re talking to him about his picture book, The Bear With the Sword.

The Bear with the Sword (cover)What brought you to write The Bear with the Sword?

At the beginning, the bear of the book was a man. Just a human warrior. The Italian publisher Zoolibri asked me to change it into an animal, to make it a little less tough.

In this book comes the theme of ‘the enemy’, but I wanted to talk about the fact that we always try to find someone else as guilty for our faults.

Did you meet the illustrator Gianluca Foli?

Yeah, a couple of times, but only when the book was already finished. You know, in this job often you don’t even know or meet the people you work with. I did four albums in France with Eric Heliot before we met and talked for the first time!

You write books for a range of ages. How do you know if a story would work best as a picture book or a novel?

Well, I read a lot of children’s books before I start my writing. As you probably know, I worked for a while in a public library which specialized in children books (during the civil service I did instead of military service). Later I spent a few months working for a magazine specialising in children’s book critics, so I really saw and read hundreds of books. These experiences helped me to fit something I got in my mind in a certain range of ages.

Could you give us your top tip for young writers who want to write picture books?

I guess the most important ones are: reading, writing.

I know it could sound a little obvious, but it’s not. Many people—even adults—who want to write, don’t read. I think reading is just like feeding yourself. And you know, writing is just like feeding others. So, how can you feed others if you don’t eat first?

And writing because: many people tell me “I really would like to write. What should I do?”

My answer is always: “Just do it!”

You have just to start it. Sometimes you don’t need to have a complete and perfect story already formed in mind to write it down. Stories come out just while you’re writing, and they often change while they’re coming out.

Check out the complete blog tour schedule (and reviews of Davide Cali’s books) on the Wilkins Farago blog.

© May 2012 “Interview with Davide Cali”  (Alphabet Soup magazine). Text by Rebecca Newman & Davide Cali.
Posted in authors

QLD events: Meet Tania McCartney

If you’re in Queensland, there are two chances this weekend to meet the author of Australian Story: an illustrated timeline.

Australian Story cover

Tania McCartney, author of Australian Story
Tania McCartney, author of Australian Story

1. Saturday 24 March 2012  at 2pm.

Maroochydore Library (Sunshine Coast) a fun event to celebrate the launch of Australian Story! Come dressed as your favourite Aussie character. For more info and bookings, visit Tania’s blog.

2. Sunday 25 March at 3.30pm

Join Tania McCartney at Black Cat Books and Cafe for a fun afternoon of interactive historical fun! Things kick off at 3.30pm. Come dressed as your favourite Aussie historical character and you could win a prize! For more info and bookings, visit Tania’s blog.

Tania visited Soup Blog earlier this month to talk about Australian Story and why history is cool. Read her post here.

Posted in authors, illustrator

WA event: A Night With Our Stars

If you are a teacher, librarian, teacher-librarian, or any grownup who loves children’s books (and who doesn’t?!) on 8 March you should head along to A Night With Our Stars at Westbooks in Victoria Park.

Twenty children’s (and YA) authors and illustrators will each have 3 mins to speed-talk about their books published last year. It’s an annual event run by the Children’s Book Council of Australia WA branch and it’s open to the public. Here’s a list of the fabulous speakers:

  • Wendy Binks
  • Rebecca Cool
  • Deb Fitzpatrick
  • Georgia Efford [Uthando Project]
  • James Foley
  • Rina Foti
  • Norman Jorgensen
  • Clare Harris [Uthando Project]
  • Brigid Lowry
  • Bevan McGuiness
  • Meg McKinlay
  • Sonia Martinez
  • Sally Murphy
  • Chris Nixon
  • Matt Ottley
  • Danny Parker
  • JB Thomas
  • Zoe Thurner
  • Jan Tilbrook
  • Leanne White

Tickets are $25 and you can pay at the door on the night, but you do need to book. For more info (and booking details) see the CBCA WA website.

NB This is not an event for children. (Sorry—we’ll let you know about more kid-friendly events soon!)

(Westbooks also stock Alphabet Soup magazine. What a top bookshop!)

Posted in authors, poetry

Meet the Author: Lorraine Marwood

Lorraine Marwood, author and poet
Lorraine Marwood

 

In every issue of Alphabet Soup magazine we print an interview with an author or illustrator. We can’t fit all their answers into an issue of the magazine, so we publish the full interviews on the blog—we wouldn’t want you to miss out!

For issue 14 we talked to Lorraine Marwood. Lorraine is a poet, and the author of many books including Star Jumps, and Note on the Door, and A Ute Picnic.

 

What made you become a writer/poet?

I don’t think that anything ‘made’ me become a writer. It was a heartfelt feeling when I was about 8 years old—that was all I secretly ever wanted to do.  And I never ever lost that longing. Or that passion for writing and reading.

Was it easy to get your first poem published? (Your first book/book of poems?)

No not at all.  It wasn’t till I was about 16 years old that my first poem was published and that was after much writing and submitting—but what a thrill it was.

My first book of poems came after I’d had my children and was still farming. And it only came after I’d notched up publishing credits in literary magazines—a bit like an apprenticeship in poetry.

note on the door (cover)A Ute Picnic (cover)

Where do you get your inspiration and ideas?

From everything happening around me—little incidents, nature, my family, newspapers, what I read and of course big doses of thinking and jotting down.

Did you read poetry when you were growing up?

My teacher read us classic poetry like Banjo Paterson, Wordsworth and we had a class reader for the year and we always read the poems in that (but as a teenager I discovered T.S. Eliot and a Russian poet  called Yevtushenko). But we mainly read rhyming poetry which was also mainly English poets.

Did you have a favourite poet/poem/book of poetry when you were growing up?

T. S Eliot ‘The journey of the Magi,’ and also Australian Bruce Dawe.

Is your poetry influenced by particular poets/writers? 

Yes, I think I’m influenced by those poets I really admire—like ee cummings, I love the freedom and rhythm of his work; Bruce Dawe’s Vietnam poem—‘They’re bringing them home’; T.S Eliot; Sue Cowling; ‘FiveBells’ by Australian poet Kenneth Slessor; Judith Wright; and now I read lots of children’s poets. I think I’m influenced by those poets who tell a story, a narrative, that surprise and use their poetic craft really well.
What do you like to do when you are not writing? 

I love to make things—sew, bead, garden, pot up cuttings, read,  make cards, op shop—they are creative things to do (well, for me!) think, wonder, pray.

Do you mostly write on paper or on a computer? 

Now that’s an interesting question because for poetry I like to write in one of my notebooks, but for stories I write on  my laptop.

Stary Jumps (cover)Is there a difference in the way you approach writing a poem and writing a verse novel?

Yes, a poem is a little unit on its own with beginning, middle and end. But a verse novel is many components that lead on and borrow from story telling—it’s a more ‘prosy’ way of writing, where a poem is tiny and delicious like a ripe strawberry.

Are you working on a collection of poems or a book at the moment?

I am working on another collection of poems—so for that, I need to aim for about 100 new poems. At the moment I’m thinking of section headings or groupings for the poems, a bit like chapters in a book. This collection will be entirely  new. And as I write, I’ve already finished another verse novel—again entirely different from my other verse novels in content and for a slightly older age group—but awaiting the green light from my publisher.
Do you have any advice for young poets? 

Yes, write whenever  you can. Start with lists of what is around you—lines of three or four words, get all the details down and use those wonderful senses too.  Keep these jottings in a note book, put the date on them and keep them. Look back over them and see if any ideas for a fuller poem can be found.

No lines of writing are ever wasted, they lead you on a journey to becoming a writer/poet.  It’s such a surprise to see what comes from your pen or keyboard. And a such a pleasure to read again after a few weeks or months have gone by …

Find out more about Lorraine Marwood and her books and poetry—visit her website, or check out a bookstore or library near you!

Posted in authors

Three Quick Questions: Sandy Fussell #13

All through October, Alphabet Soup is celebrating turning three. We have heaps of writers and illustrators stopping by to answer THREE QUICK QUESTIONS and today’s visitor is Sandy Fussell, author of many books including the Samurai Kids series, Polar Boy and  Jaguar Warrior.

Monkey Fist by Sandy Fussell"Jaguar Warrior Cover"

 

1. Where do you like to write?

I write everywhere—even at the school bus stop. I like to sit in the sun and draft longhand but when it comes to the ‘spit and polish’ I work on a laptop in my office.

2. Can you name a book you’d recommend to our readers?

I am very fortunate as a reviewer to have an advance copy of The Outcasts, the first book in John Flanagan’s new Brotherband series. I think it’s even better than his Ranger’s Apprentice books and I loved those. The Outcasts is released 1 November.

the outcasts
Sandy Fussell recommends The Outcasts by John Flanagan

3. Can you offer a word or phrase that kids could use for inspiration if they have writer’s block?

I have two favourites. ‘snizzle’ which I used in Polar boy (a snizzle of snow’) and ‘screak’ (the screak of a bat) which I used in Samurai Kids 2: Owl Ninja. I collect unusual words and often use them as inspiration or to give a description more impact.

Find out more about Sandy Fussell and her books—visit her website and the Samurai Kids website.

© October 2011 “Three Quick Questions with Sandy Fussell” by Rebecca Newman (Alphabet Soup magazine)

(Psst … see you back here tomorrow, when we’ll hear from 8-year-old poet Frederique!)

Posted in authors, illustrator, teachers' resources

WA book event: BOOKWIZ 2011

28/6/2011 notice: We have been advised that this event has been cancelled.

The Children’s Book Council of Australia (WA branch) runs an annual book-based quiz in the style of ABC TV show, Spicks ‘n’ Specks. It’s called BOOKWIZ! Bring your family and friends along for a fun afternoon and meet local authors and illustrators.

"bookwiz 2011"

Sunday 3 July, 2-4 pm

MC: MEG MCKINLAY (author of Duck for a Day and The Truth About Penguins
Where: Boulevard Centre, Floreat [beneath Cambridge Library], Western Australia
Cost: $12 adults   $6 school students [includes refreshments]
Bookings: Chloe Mauger –cmauger@iinet.net.au–  phone: 9295 1328

Posted in authors, teachers' resources

Meet the author: WENDY ORR

In every issue of Alphabet Soup magazine we interview an author or illustrator. The trouble is, we can only fit some of their answers in the magazine. So we print the full interviews on the blog—we wouldn’t want you to miss out!

Wendy Orr, photo by Roger GouldIn issue 11 we talked to Wendy Orr, author of many books, including Nim’s Island, The Princess and her Panther, and Raven’s Mountain.

1. Where do you live?
On a hill near the sea on the Mornington Peninsula, south of Melbourne.

2. What made you become a writer?
I love stories and books so much that I always knew I wanted to write them. My dad used to tell us crazy stories that he made up, and my mum read us wonderful books for bedtime stories, so wanting to write books never seemed like a strange thing to do.

3. What do you like to do when you are not writing?
Reading, going for walks (especially on the beach or in the bush, and especially with my dog), seeing my friends and family, doing tai chi, and travelling.

4. Was it easy to get your first book published?
I was quite lucky with my first book (Amanda’s Dinosaur) because it won a competition, and the prize was having it published. The next few were harder!

5. What was your favourite book as a child?
At different ages: Winnie the Pooh; My Son in Law the Hippopotamus; Anne of Green Gables; Swallows and Amazons; Little Women; The Eagle of the Ninth.

6. Where do you get your ideas?
I’m often not sure where an idea has come from until I’ve finished the first draft. Sometimes it’s from something that has happened in my life, and sometimes it’s a crazy sort of thought—which of course has still probably happened from something I’ve seen or heard or experienced in some way. Sometimes it might be by asking ‘What if?’ about something that’s happened. Of course you need a lot of ideas to make a whole book—one idea starts it, but then you need more for how a character looks or acts, or what happens in chapter 3, and what’s exciting in chapter 5, or how everything all comes together in the end … I sometimes think that there’s a little bit of magic in how all these different ideas come together.

7. Do you prefer to write with a pen in a notebook, or on the computer?
On the computer. I use a pen to make notes in a notebook with a pen; often one book will have its own notebook and I jot down my thoughts or try to work something out. But once I start writing the story, I always use the computer. (For one thing my handwriting is so messy that writing a whole story with a pen would be too tiring— and even worse, I often can’t read my writing!)

8. What do you love best about being a writer?
Living inside a story and playing with it till it comes out right.

9. Of your own books, do you have a favourite?
It’s very hard to choose a favourite, because they’re like friends or pets. I sometimes think Ark in the Park is my favourite, because when I read it there are still no words I want to change or lines I’d like to rewrite. But Nim has been my favourite character for a while—except that now Raven’s Mountain is out, in many ways that’s my favourite, because I always feel very protective about a new character about to face world. So that might be why Raven is my favourite character right now.

Nim's island (cover)

"Raven's Mountain (cover)"

10. Are you working on a book at the moment? Can you tell us anything about it?
I’m always working on several books at a time. I’ve just finished Raven’s Mountain, which was out in February. The short blurb would be, ‘Three people go up a mountain; one comes down.’ It’s an adventure story about a girl named Raven who goes mountain climbing with her older sister and stepdad—but when there’s a rockfall and the others are trapped, Raven has to face the wilderness alone to try to save them, and herself.

I’m also working on a series of books set in The Rainbow Street Animal Shelter. I’m doing these with an American publisher; in Australia the stories will most likely be collected into one or two books. I’ve just finished editing the second book, MISSING: A Cat Called Buster, and now am waiting for my editor to work on the third book while I rewrite the fourth (FREE: A Lion Called Kiki).

There are also several other books at various stages on my computer and in my head!

11. You write picture books, books for primary school aged kids, and young adult books. Do you have a favourite age group to write for?
If I had to choose one age group, it would be primary school or middle grade readers. But I’m very glad that I can skip around and play with a picture book or plan an adult novel in between.

"The Princess and her Panther (cover)"12. How do you know if an idea is best for a picture book, a middle grade book or a young adult book?

That’s part of the mystery of writing that I don’t understand. As an idea starts to grow into my mind, it shows me the shape the book will be, so that by the time I’m ready to write it, it’s obvious what sort of story it wants to be.

13. Do you have any advice for young writers?
Just keep on writing! Have fun with it; try writing different types of stories with different types of characters. Remember that the first person you’re writing for is yourself—you need to love what you’re doing. When you’ve finished, read it and see if there are any parts that are a bit boring, or don’t make sense—pretend you’re a teacher with a big red pen, be brave and mark everything that isn’t good. Ask yourself if that bit needs to be in the story. If it doesn’t—delete it. If it does—make it better. Does it make you laugh, or cry, or hold your breath? Keep on rereading and rewriting till you’re happy with everything in your story.

And don’t forget to read, and experiment with different types of books. Writers need to see how other writers work—but most of all, we need to love stories.

You can find out more about Wendy Orr and her books on her website. And visit the Nim’s Island blog!

“Meet the author: Wendy Orr” © Rebecca Newman 2011 https://soupblog.wordpress.com