Posted in authors, interviews

HM Waugh on Mars Underground

MEET THE AUTHOR

HM Waugh is the author of books for children and young adults. She’s also an environmental scientist and an educator with a love of wild places and high mountains. This has led to icy feet and sunburnt cheeks in magical countries like New Zealand, Nepal, Bolivia and Switzerland! Her latest book is book 2 of a duology: Mars Underground, the page-turning sequel to Mars Awakens.

From the publisher:

Dee, Holt and Chayse set out to cross the planet via a network of subterranean tunnels. Can they reach it without encountering the Others – the sinister biocloud they’ve been running from? And if they make it, can they convince the Newtonians to work with Davinci – those they’ve been trained to hate?


Did you set out to write these books as a duology or did the idea for a second book come after you’d finished writing Mars Awakens?

I am not what you’d call an awesome planner – I start a project by thinking up a character or two, and the details of their world, and I have a basic idea of what the plot might be, but I work the rest out as I write. If you’ve heard of plotters (who plot everything out before) and pantsers (who plan nothing and write ‘by the seat of their pants’), I’m a hybrid of the two, a plantser. So I was happily plantsing along, still writing Mars Awakens, when one day it hit me: there needed to be two books to finish this properly. So the duology was born.

This is your first published series. How did you find writing a sequel as compared to writing Book 1?

Completely different! In some ways it was easier, and in other ways: much harder!

The easier bits were things like the characters and the world – they were already there in my head, fully formed. I knew the main characters like they were my mates. I knew what they’d say, how they’d act. Sometimes, when I’m starting on a new idea, I might get a big way through a first draft and have to rewrite it because the characters finally come alive for me (this happened about 20,000 words into the first draft of Mars Awakens!). But I didn’t have that sort of issue with Mars Underground. Also, all the nitty gritty work of world building had already been done (thanks, Past Me!) so I just got to have super fun expanding it to places I hadn’t been yet. That was all awesome.

Some things were definitely harder, though. I felt this expectation that I’d never really felt before. There were all these readers who had connected with Dee and Holt’s story and were keen to see how it ended. Aaah! I didn’t want to let them down! Plus, I had a deadline! For all my other books I’d already written a full manuscript before signing a contract. But suddenly I had to write an entire sequel by a certain date? Double aaah!

I actually wrote 50,000 words of the sequel before Mars Awakens had been released, but when I picked it up again months later I knew it wasn’t right. And I’m not saying that like, ‘This isn’t quite right, I need to work on it a lot.’ I mean I archived the whole thing. Gone. Fresh document page. Start again from scratch. I re-read Mars Awakens to remind myself of the voice, and then launched into writing an entirely new sequel. And that became Mars Underground. I loved the draft so much, but I was still terrified there would be something missing. So I did multiple happy dances when my publisher came back with several big thumbs up! Yay!

Mars Underground involves your characters travelling via tunnels and caves on Mars, were their adventures inspired by caving adventures of your own?

I love pulling inspiration from real life, so their adventures were like a mix of my own, and the sort of caving and rafting adventures I’d love to have!

I remember going caving on a school holiday camp when I was in my early teens, shuffling on my stomach, so tight to the ground, to get to this special crystal cave. My helmet kept getting jammed, the ceiling was so low. And the crystals were protected behind this mouldering underground gate, so rusty the key could barely work. It was amazing! But once we’d crawled back out, we realised our camp leaders had already decided to leave. Without us. Everyone had climbed up and out, we could see them up by the pinprick of daylight that was the entrance, about to lock the main gates! I’m sure they would’ve realised we were missing before starting the bus, but what an adrenaline hit to be almost left behind in that deep wintry place, our torches running low!

Another experience I drew on was rafting what they call the God River, in Peru. Once we’d got onto the river, the gorge walls rose so high the only way out was through days of rafting. Changed your mind about going? Too bad! It was tough and it was amazing and I loved it! We got to one huge rapid, and the guide told me a girl had been lost there the previous year. I was like, ‘Did they find her again?’ and he looked at me and said, ‘Lost, like dead.’ That definitely made me realise exactly what I’d signed up to do.

So I tried to inject some of that danger and beauty and excitement into my characters’ adventures.

You ran a writing competition for young writers in 2022 and the winner had a character named after them in Mars Underground (Alice!). Did you already have a character ready and waiting to be named, or did you write the character into the plot while you were finishing writing the novel?

I had a few characters I knew I could change the names for, but I waited to see who’d won and what they’d written before I chose which character I’d use. And during editing I changed that character around to be even more awesome!

Can you tell us a bit about what you’re working on next?

As I write this, it’s halfway through July which means I’m deep in writing a project during Camp NaNoWriMo. I love writing with NaNoWriMo (the National Novel Writing Month) because it really gets me into the flow of my writing. Plus, I LOVE a good graph, and NaNo track my progress and give me badges and pep talks too! Normally I’d try to write 50,000 words in the month, but this month I’m aiming for 30,000 because I was on holiday for the first week.

Anyway, I’m loving this project so much. Dangerous new planet. Kids in a competition. Everyone watching their every move. A new friendship based on deception. And then something goes really wrong (of course!) and everything comes to the surface. How are they going to get out of this? It’s so. Much. Fun!

Mars Underground is out now! Ask for it at your favourite bookshop or local library.


Awesome extras:

Image shows the cover of Mars Underground, a children's novel by HM Waugh.

Read our 2022 interview with HM Waugh about the first book in the duology.

Find out more about Mars on NASA’s website.

Visit HM Waugh’s website for more about her and her books.

Posted in authors

Kate Gordon on Indigo in the Storm

MEET THE AUTHOR

Kate Gordon grew up in a very booky house, in a small town by the sea in Tasmania. Now she writes novels and picture books from a cottage overlooking the river and the
mountain, on the Eastern Shore of Hobart. Today we’re chatting about Kate’s latest novel, Indigo in the Storm.

From the publisher:

Indigo Michael isn’t like other kids. And her mum isn’t like other mums. Life for people like them isn’t meant to have meaning – it’s just something to survive in whatever way you can. When her mum abandons her, Aster’s Aunt Noni becomes her foster parent. Suddenly Indigo has a new ‘family’ – one she didn’t ask for and isn’t even sure she wants. This is a companion novel to the CBCA Award-winning Aster’s Good, Right Things.


Indigo in the Storm is a companion book to Aster’s Good, Right Things and Xavier in the Meantime. Did you set out with a plan to write multiple books set in the same community or did the idea for the next book come to you as each book was finished?

I’m not the most organised of writers! I’m whatever it’s called when a pantser doesn’t even have any pants! Characters just tend to pop into my head and I see where they take me. Aster popped into my head fully formed and she introduced me to her friends and I fell in love with them and the town where they lived. Once I met Xavier, Indigo, Esme (and later Erika and Armelle), I just knew I had to keep “chatting” with them until their stories came too. All of which makes me sound deeply odd and like I’m trying to say that I have some preternatural spiritual talent for writing. I don’t. I just have a very active imagination and a complete lack of any planning skills!

The characters in each of these three books face big life issues and mental health challenges. Could you talk a bit about how you came to write Indigo’s story in this latest novel?

I grew up in a little town in Tassie, not unlike the one where these characters live. I went to a school in a low socioeconomic rural area. I didn’t go through the foster system myself but my school was full of kids who did and I was good friends with many of them and always wanted to help to tell their stories. I did grow up in a complicated family and I did grow up struggling to find my place in the world, something to believe in and my voice. I also grew up with undiagnosed neurodivergence, which Indigo also lives with. All of which percolated in my head like one of Esme’s marvellous creations when it came with telling Indigo’s story. I hope I’ve done it – and her, and the kids I grew up with – justice.

Your book titles suit the books so well. How do you come up with the perfect title for a book?

Oh gosh, I wish I had a good answer for that. I’m actually really terrible at titles. My working title for Aster’s Good, Right Things was Petal. Which is, obviously, terrible and would not make anyone want to read the book! I’m so lucky to have such beautiful, clever publishers who help me come up with better titles. Usually, they’re called something like Xavier Book or Indigo Book, until the last minute. Then, when I start to panic, my publishers will say something like, “Kate, have you actually read your own book? Obviously, it should be called …” And it’s spot on, every time. I’m sorry to ruin the magic! I’m basically a publishing doofus.

Alphabet Soup Interview – Indigo KG June 2023

Do you have a book you’ve read recently that you would recommend for our readers?

Anything at all by Kate Foster. She’s honestly, in my opinion, the next Australian publishing superstar. Her books grab me in a way that reminds me of how I was captivated by books when I was a kid – like Robin Klein and John Marsden. She’s got humour and depth and heart and I am in awe of her talent. There is also a new writer on the scene called Helen Edwards who blows me away with her words. Her first book comes out with Riveted Press soon and I implore everyone to get their hands on it. She’s a true talent.

Can you tell us a bit about what you’re working on now that Indigo in the Storm is out in the world?

Well, there is another book in the universe coming out next year, featuring milk bar superstar, Esme, and then a final book in the Aster cycle, featuring Aster herself in a story that brings everyone full circle. I also have a stand-alone called My Brother, Finch, which is a mystery story set in Gothic southern Tasmania. And I am working on a book about thylacines and secret covens of girls and women in the Tasmanian bush. That one is very much a work in progress but fingers crossed it finds its place in the world. I’m just grateful to be doing what I’m doing, with the support of so many beautiful, clever people. Aside from that, I am deep in mother land, with a fiercely smart, bookish eleven-year-old and a chaos maven fourteen-month old keeping me on my toes, alongside a grumpy elderly black cat and a very silly teenage labradoodle. It really is all happening!

Indigo in the Storm is out now! Ask for it at your favourite bookstore or local library.


Indigo in the Storm by Kate Gordon. The cover is dark blue with the silhouette of a child with one arm raised.

AWESOME EXTRAS:

Read previous interviews with Kate Gordon here and here

Visit Kate Gordon’s website

Download the Teachers’ Notes for this book

Posted in authors, illustrator, interviews

Kelly Canby on Timeless

Kelly Canby, author-illustrator, and the cover of her new picture book: Timeless. The cover illustration shows a boy with a net trying to catch 'time'.

Kelly Canby is an award-winning, internationally published, illustrator and author of over two dozen books for children. Kelly was born in London, England, but has lived in Australia since the age of three. She says this is probably around the same age she started playing with pencils and crayons, and it was probably only a few years after that that she decided playing with pencils and crayons was something she wanted to do for the rest of her life. Kelly applies her quirky style to the pages of everything from picture books, to chapter books, to early reader books, to colouring books and beyond!

Today we’re talking to her about her new picture book, Timeless.

From the publisher:

Emit (whose parents turned back time to name him) is surrounded by busyness. Dad is too busy to read stories, Mum is too busy to play games and Emit’s brother and sister are simply too busy doing nothing to do anything, at all. Emit tries everything he can think of to get more time, he tries to catch it, wait for it, but it’s not until Emit tries to buy some time that he learns the secret …


Did you already have a stack of time-themed puns just begging to be turned into this book? Or did the idea for the book send you off in search of puns? 

The idea for the book came first and that then sent me down into a deep, deep, pun dive. In the end I had so many puns and idioms I couldn’t use them all! A couple of favourites that didn’t make it to the final book were Emit’s street address: 5 Oak Lock Lane, and a part where Emit told his family he’d like to be a time traveller when he grew up only they ‘didn’t think there was much future in it …’ Also there was a part in the first draft where Emit sticky taped two toy ducks together to create … A time pair o’ ducks. Genius ideas, I think, but in the end they didn’t suit the story so I had to leave them out.

What is your relationship with time? (Are you usually running out of it or always ‘on time’?)

I am that person who is always horribly … early! For appointments especially. And often times 30 or 40 minutes early too because I’m so afraid of being late. But it’s not always a bad thing because it gives me some thinking time in the car, or a chance to get familiar with where I need to be, or have a cup of tea, or reply to emails or ALL of those things. It’s amazing what I can squeeze into that half hour!

Your bright illustrations in Timeless almost seem to glow. Can you tell us about how you create your illustrations? 

The brightness all comes from the inks. I chose the most vibrant colours I could find and then got my fan brush (a brush shaped like a fan, of course) and splattered and flicked ink all over the page until it started to look like how I saw it in my head. I wanted the illustrations to have a lot of energy and movement, to echo how busy everyone was, and the fan brush was perfect for that. I didn’t mind at all if ink fell in odd places either because I thought it added to the chaos of being so busy. I also didn’t sketch any of the illustrations with pencil first, I just went straight in and created havoc! That’s right, this book is one great big happy accident!

Do you have a tip for kids who would like to write/illustrate their own picture book?

I definitely have a tip for illustrating and that is to not be afraid of the blank page. Ever! The important thing is to get down on that paper whatever is in your head and when you’re done, when its down, then you can edit or add to it or … throw it out if you wish! But just get something down. Usually I find not thinking about my work too much takes the pressure off and as a result my work looks alive and fresh and full of energy. Actually, that advice works for writing too.

Can you tell us a bit about what you’re working on next?

Right now I am trying to come up with a new idea for a picture book AND I’m working on illustrations for the fifth book in Jaclyn Moriarty’s Kingdoms & Empires series. One of those things is much harder than the other and I’ll leave you to guess which one it is (Hint: it’s the one where were I have to come up with a new idea) !!

Timeless is out now! Ask for it at your favourite bookshop or local library.


AWESOME EXTRAS

Image shows the cover of a picture book: Timeless by Kelly Canby. The cover illustration shows a boy waving a net behind him while colours and flowers and birds swirl around him.

Take a sneak peek inside Timeless

Download free activity sheets from the publisher’s website

Download the Teachers’ Notes

Visit Kelly Canby’s website for more about her and her books

Posted in authors, illustrator, interviews

James Foley on Secret Agent Mole: Book 1

MEET THE AUTHOR- ILLUSTRATOR

James Foley is the author-illustrator of a stack of picture books and graphic novels. His work has been published as books, in anthologies, and in magazines and newspapers. Today we’re excited to chat to James about the first book in his brand new graphic novel series, Secret Agent Mole: Goldfish-Finger.

From the publisher:

Max is a mole on a mission. With Helen Hippo and June Bug by his side, Max must stop the evil Goldfish-Finger from stealing a priceless, solid gold fishfinger. This dangerous, top-secret mission will involve explosions, a naked mole rat, and being flushed down a giant toilet. Will Max and the team defeat the fiendish fish? Time to rock and mole!


This is book 1 of a new series. How did you decide on the main characters for this series?

The whole idea came about from a conversation with fellow author/illustrator Matt Cosgrove. His publisher Scholastic had asked me to pitch them an idea for a book series, so I called Matt for some advice. I told him, ‘you can be my mole in the organisation‘. And that’s when the idea of Max Mole popped into my head. From there it was a pretty simple task to find his friends; all teams should have a variety of skills and personalities, plus when you’re drawing them it’s good to have a variety of sizes and shapes. So I picked a bigger, tougher animal (a hippo called Helena) and a much smaller, more fragile creature (a bug called Bug) to round out Max’s team. The main villain is a naked mole rat called Dr Nude, because naked mole rats are extremely funny. 

What’s your favourite graphic novel/comic book sound effect and why?

Good question. Probably any of the big, loud action ones (e.g. CRASH, SMASH, THUD, KABOOM). It usually means there’s something big and silly to draw.

Can you tell us about how you create your graphic novels?

First I write the events of the book as a series of bullet points. I put all my ideas down in order until I have enough ideas for a book. Then I write the book as a script – just like you would for a play or a film. It’s just the dialogue plus descriptions of the action. Then I lay out all the pages into a program called InDesign. This lets me see how much room the words need and how much space I have left to do the drawings. I figure out where all the panels are going to go and I start drawing the book as rough sketches straight into the program. Once all that is approved by my editor, I get started on the final artwork. I do all the black outlines in Procreate on my iPad, then I finish off all the shades of grey using Photoshop on my big Wacom Cintiq drawing tablet and my laptop. After about 6 months, I’ve got a 200 page graphic novel.

Do you have a tip for kids who want to write a graphic novel or their own comic book?

You don’t have to be a great at drawing to make a comic book; if you can draw stick figures then you can make a comic. 

The most important thing when making comics is to keep the reader in mind. Comics are meant to be shared, so you need to make sure that your reader will be able to understand the story you’re trying to tell. Every piece of information the reader will need must be on the page; you won’t be able to stand over their shoulder and help them if they get lost or confused. So you have to make sure every picture is large enough and clear enough; you have to make sure all the words are neat and readable; and you need to include enough pictures in the correct order to show what’s happening. It’s as simple and as complicated as that: make sure you have clear pictures and clear words in a clear order. If you can make those three things happen, then your reader will be able to understand and enjoy your comic. 

Can you tell us a bit about what you’re working on next?

I’ve just finished all the artwork for Secret Agent Mole book 2: The Boar Identity. That was a heap of fun! It will be out in August/September 2023.

Next up, I have to start writing the script for Secret Agent Mole book 3. Wish me luck!

Secret Agent Mole: Goldfish-Finger is out now! Ask for it at your favourite bookshop or local library.


Image shows the cover of a graphic novel for young readers: Secret Agent Mole (book 1) - Goldfish-Finger by James Foley. The cover is predominantly yellow and features an illustration of ahippo in a brown vest with her arms crossed, a purple mole in a white tuxedo and wearing square glasses and holding a toy rubber-dart gun, and a tiny green flying bug wearing a hat. The typeface of the font suggests this is a spy-themed book.

AWESOME EXTRAS:

Watch the book trailer on YouTube

Meet the VILLAINS of the Secret Agent Mole series on the author’s blog

Visit James Foley’s website for more about James and his books

Posted in authors, interviews

Julie Lawrinson on City of Light

MEET THE AUTHOR

Julia Lawrinson has written more than a dozen books for children and teenagers, many of them award-winning. She grew up in the outer suburbs of Perth, Western Australia, not long after the first moon landing. She loves dogs, oceans, and sunsets, and still likes to gaze at the night sky, just in case. Today we’re chatting to Julia about her book City of Light, illustrated by Heather Potter and Mark Jackson.

From the publisher:

Our city is big.
The universe is bigger.
An astronaut from the other side of the world will fly over
our home, at night. We will see a tiny light and we’ll know
it’s him. But will he be able to see us?
One girl, one boy?
A true story.


City of Light is a story based on a real historical event. How did you go about gathering information before you began writing?

I knew absolutely nothing about this story before I began. The first place I looked was the WA Museum, which had this very comprehensive information. I went to the State Library and looked at the old microfiche with The West Australian from that time. The West Australian also had a helpful article online. And I talked to people like my stepmother, who was twelve at the time and remembers it vividly. Jenny Gregory’s book City of Light was also a helpful source of information. The event even made it into the Hollywood blockbuster film in 1983, called The Right Stuff.

I can’t believe it hasn’t been written about before, as it is such a great story of hope and optimism in the middle of the space race between the Soviet Union and the United States.

How did the book come to have two illustrators – Heather Potter and Mark Jackson?

The illustrators were chosen by the publisher. Heather and Mark are a husband and wife team, and I have not yet met them, though I hope to one day. Heather has also illustrated the work of Western Australian luminaries like Sally Murphy and Dianne Wolfer, so I would call her an honorary Western Australian!

You’re the author of many novels for children and teenagers and this is your first picture book! Can you tell us about your experience of sitting down to write a picture book after writing so many novels?

The first thing I said to the publisher at Wild Dog Books when she approached me was, ‘But I don’t write picture books.’ She replied, ‘I think you’ll be able to write this one.’ We agreed I would try, and I was happy to give it a go. After all, if she didn’t like it, neither of us would be worse off.

The first line came to me when I was walking, and I came home and scribbled it in a notebook, along with the words, ‘torches, car, astronaut, reaching out’.

For the rest, I approached this the way I (and many other writers!) approach most stories – what is the problem, and how are the characters going to fix it?

Do you have a tip for young writers who’d like to write a picture book?

The most important thing is to put a child or children (or a non-human character!) at the centre of the story. I would also say to read it aloud: it doesn’t need to rhyme, but it needs to have a pleasing rhythm.

Can you share a bit about what you’re working on next?

I am working on a historical novel based in the 1900s in the goldfields. It is very slow, and the research is sending me down lots of rabbit holes, but I am enjoying the process.

City of Light is out now! Ask for it at your favourite bookshop or local library.


Image shows the cover of a picture book: City of Light by Julia Lawrinson, illustrated by Heather Potter and Mark Jackson. The cover illustration shows a boy and a girl in clothes from the 1960s. They're shown at night on a dark street with all the houses lit up inside. Each child is shining a torch beam up into the starry sky.

AWESOME EXTRAS

Take a sneak peek inside the book at Booktopia’s website.

Download the Teachers’ Notes from the publisher’s website.

Visit Julia Lawrinson’s website for more about her and her books.

Visit Mark Jackson & Heather Potter’s website for more about them and their illustration & art.

Posted in authors, interviews

Cristy Burne on Suzy Urbaniak: Volcano Hunter and STEAM Warrior

Cristy Burne writes fiction and nonfiction and her books are bursting with adventure, friendship, family, nature, science and technology. Cristy has worked as a science communicator for nearly 20 years across six countries. She has been a science circus performer, garbage analyst, museum writer, and atom-smashing reporter at CERN, but her all-time favourite job is working with kids to embrace the intersection between science, technology and creativity.

Today Cristy is chatting to us about her latest book in the Aussie STEM Stars series – Suzy Urbaniak: Volcano hunter and STEAM Warrior.

From the publisher:

Geologist Suzy Urbaniak is a limbo-dancer, a crepe-baker, a risk-taker and a question-asker. Winner of the 2016 Prime Minister’s Prize for her out-of-the-box teaching, Suzy is all about passion, innovation, and doing things your own way.


How did you come to write a biography of Suzy Urbaniak – is geology a subject you’ve studied?

I collected rocks as a kid, but never went any further with my geoscience interest. If I’d met someone like Suzy, I could very well be a geologist today! The geologists I’ve met – Suzy obviously included – are incredibly passionate about rocks and our planet. They can look at a landscape and see into our past. That’s a magical ability!

Did you meet Suzy Urbaniak in person or gather your information for her biography another way?

Suzy Urbaniak and yr 10 students in the classroom. Photo courtesy Cristy Burne.
Ms Urbaniak & yr 10 students.
Photo courtesy Cristy Burne.

I first met Suzy six years ago, in person, when I interviewed her for a newspaper. She was teaching at Kent Street Senior High School and had just won the Prime Minister’s Prize for Science Teaching – it was an incredible experience and I never forgot the buzzing energy of her students as they busily (and mostly autonomously) worked on their science learning.

Suzy and I stayed in touch (social media is good for something) and when she wanted help writing her life story, I immediately thought of Aussie STEM Stars. And the rest is history!

Just as for my Fiona Wood biography, Suzy and I did our interviews for the book over the phone. I think it’s easier to dive deep into memories when you’re not also thinking about eye contact, body language and social niceties. Over the phone, all you need to do is let your mind drift deep into childhood.

You’re passionate about science (and also adventures!) – have you ever stood on a volcano?

I grew up in New Zealand, so I’ve climbed in to the mouth of an extinct volcano (back when you could do that in Mt Tarawera) and hiked a whole bunch in Tongariro National Park, part of the Pacific Ring of Fire (where you can see steaming vents and boiling mud). I grew up close to Rotorua, where geothermal activity is literally just below the surface (and sometimes even on top!). I have a very healthy respect for volcanoes.

Photo shows children in blue jackets climbing in volcanic areas with green-blue lakes behind them and steam rising from the ground.
Volcano hunting! (Photo courtesy Cristy Burne)

Do you have any advice for young writers who would like to write biographies?

Biographies are non-fiction, but that doesn’t mean they’re just a long list of facts. To bring a biography to life we need to have stories, because stories bring emotion and connection. A good way to bring these stories out is to ask open questions that encourage longer answers, like: ‘Can you tell me about a time that …’

Can you tell us a bit about your next writing project?

I’m working on a graphic novel with publisher Larrikin House. It’s a wild comedy with aliens, explosions, disgusting adventures and desperate escapes, featuring a science-loving kid named Violet whose best friend is a conspiracy theorist and whose pet hermit crab can talk. It’s ridiculous, non-stop, unapologetic science-meets-comedy FUN!

WA (Fremantle) families: MEET Cristy Burne, Suzy Urbaniak and HM Waugh at 11.30am THIS Sunday 26 February 2023 at the Perth Festival, Fremantle Arts Centre! FREE. Includes a drop-in ‘make your own mini Mars-machine’ session.

Suzy Urbaniak: Volcano hunter and STEAM warrior is out now! Ask for it at your favourite bookshop or local library.


AWESOME EXTRAS:

Watch Suzy Urbaniak talking about winning the Prime Minister’s Prize for Excellence in Science Teaching in Secondary Schools [YouTube]

Download the Teachers’ Notes for this book

Download Cristy Burne’s Volcanic Science and Art activity ideas [PDF]

Visit Cristy Burne’s website for more about her and her explosively fabulous books!

Posted in authors, illustrator, interviews

Sean E Avery on Frank’s Red Hat

Sean E Avery is a teacher, sculptor, designer, and the author-illustrator of Harold and Grace, All Monkeys Love Bananas, and Happy as a Hog Out of Mud. Today we’re pleased to chat to him about his latest picture book, Frank’s Red Hat, which is out in Australia, Korea, France and Denmark!

From the publisher:

Frank is a penguin with ideas. Mostly terrible ones. That’s why his fellow penguins are nervous when he shows them his strange new creation. Something they’d never seen or expected to see in their cold and colourless Antarctic world — a red hat.


How did you come to set a book in Antarctica?

I wanted a black-and-white setting that I could slowly introduce colour to! Antartica fit the description perfectly. 

Do you know how to knit?

I do not. My boss (the principal at the school I work at) tried to teach me once but I gave up in a huff. I may have had a small tantrum and thrown my knitting needles over my head in frustration.

Can you tell us a bit about the illustration process for Frank’s Red Hat?

I use lots of different media – paint, crayons, pencils etc – to create textures that I scan into my computer. From there, I can cut the shapes I need from the scanned textures and arrange them to make, rocks, snow, water, seals, and penguins of course! 

Do you have a writing tip for kids who’d like to write their own books?

Write a little bit every day for a few months. It’s very hard (and not much fun) to try finish a whole book quickly in a week. If you work on something slowly, but consistently over a long period of time; the result will be better.

Can you tell us a bit about what you’re working on next?

I have three books coming out next year. Two of those are out next year. One is called Friendly Bee and Friends – a graphic novel about an annoyingly friendly bee who tries to make friends with every bug he meets. The other is a picture book called Mr Clownfish, Miss Anemone and The Hermit Crab which is an underwater adventure. 

Frank’s Red Hat is out now! Ask for it at your favourite bookshop or local library.


Image shows the cover of a picture book: Frank's Red Hat by Sean E Avery. The illustration is of a flock of penguins and only one penguin is wearing a tiny red beanie.

AWESOME EXTRAS

Take a look inside the book!

Visit Sean E Avery’s website for more about him and his books

Posted in authors, illustrator, interviews

Frané Lessac on A is for Australian Reefs

Frané Lessac is an author and illustrator and has created beautiful illustrations for more than fifty books. She was born in New Jersey and lived on the Caribbean Island of Montserrat and later London before moving to Australia. Travelling is a major source of inspiration for her work. Frané visits schools, libraries and festivals around the world sharing the process of writing and illustrating books. Today we’re thrilled to chat to Frané about her latest picture book, A is for Australian Reefs.

From the publisher:

Along the Australian coastline, underwater reefs are bustling with the most amazing sea creatures living on the planet. What can blow bubble rings and swim through them? What has teeth on its eyeballs? What creature makes itself nearly invisible to predators by using camouflage? What poops out sand? More than 25 percent of all sea creatures live in coral reefs, also called “rain forests of the sea.” This book introduces readers to everything from playful dolphins to deadly Irukandji jellyfish, leafy sea dragons to brainy octopuses, and walking sharks to whimsical-looking zebra seahorses. With gorgeous patterns and colours and substantial entries exploring each creature’s anatomy, diet, threats to survival, and more, Frané Lessac brings us a truly fascinating undersea exploration of the awe-inspiring Australian reefs.


A is for Australian Reefs is a non-fiction picture book full of fascinating facts. How did you go about your research for the book?

I love animals and especially ones that live in the ocean. I’ve been lucky to have lived close to the sea all my life. From the Atlantic to the Pacific to the Caribbean Sea, and now, the Indian Ocean. Snorkelling is one of my favourite hobbies. To research A Is for Australian Reefs, I travelled up to Ningaloo Reef and visited the Great Barrier Reef. Closer to home, I snorkelled on Rottnest Island and got up close and personal with sea creatures at AQWA (Aquarium of Western Australia) especially rare animals like the elusive leafy sea dragon. Alongside swimming on underwater reefs, I read many books and researched online. Every page in A Is for Australian Reefs is full of facts. My publishers required that I find official proof for each fact from three reputable sources. To do this, I contacted coral reef and marine experts from all over Australia.

You create picture books about different places and creatures around Australia. Have you been to all the places featured in your books?

I’ve been fortunate to have visited many of the locations in my books. When I travel, I take lots of photos and gather information to take home. If I cannot travel to a place, I call local experts, visit websites, watch documentaries, and read as many books as possible. Once back in my studio, I sort through the enormous range of photographs, research books and online sources of information that I’ve collected. 

Everywhere I’ve travelled, there’s always something amazing to discover maybe it’s the scenic beauty, the food, or meeting the best people!

You’re the writer and illustrator of so many picture books. When you have the idea for a book what comes first for you, writing or artwork?

The idea for the book comes first. I need to write all the words first because the artwork might change if one word changes especially in the case of adjectives. It is helpful that I know what I’d like to paint, which will influence what I’m writing. After a polished draft, I decide which words appear on each page. Then I’m ready to create ‘sloppy copies’ sketches of the art.

Do you have a tip for kids who’d like to create their own picture book?

You have the best possible place nearby to help you create your own picture book the school library! It’s a wealth of knowledge with a gazillion ideas to inspire you further. In the non-fiction section, every possible subject to learn and write and/or illustrate can be found. These books are full of images and words that are easy to understand. And in the picture book section, take a close look and see all the different materials and design ideas used to make books! Everyone writes and paints differently. Believe in your words and art, and don’t compare yourself to anyone else. How YOU do it is unique.

Can you tell us a bit about what you’re working on next?

Currently, I’m working on a super-fun project called, The Big Book of Australian Nursery Rhymes. I’ve chosen lots of well-known traditional English nursery rhymes and adapted them to feature Australian animals. There are quite a few laugh-out-loud rhymes and some work better than the originals! The art is bright and colourful and designed for a young audience. After I finish all the rhymes and art, it will still be an entire year before it’s out in the world. Books take a loooong time.

A is for Australian Reefs is out now! Ask for it at your local library or favourite bookshop.


AWESOME EXTRAS

Image shows the cover of a non-fiction picture book: A is for Australian Reefs by Frané Lessac. The cover illustration shows a coral reef with a whale shark swimming and the additional words: a fact-astic tour.

Take a sneak peek inside the book

Watch Frané Lessac talking about how she creates her picture books (YouTube)

Visit Frané Lessac’s website to find out more about her and her books

Posted in authors, illustrator, interviews

Helen Milroy on Owl and Star

Dr Helen Milroy is a descendant of the Palyku people of the Pilbara region of Western Australia. She was born and educated in Perth and has always had a passionate interest in health and wellbeing, especially for children. Dr Milroy is the author and illustrator of nine children’s books, including Backyard Bugs, Backyard Birds, and Wombat, Mudlark and Other Stories. Today we’re chatting to her about her stunning picture book – Owl and Star.

From the publisher:

Owl loved the sparkle of the stars. He would sit out on his tree at dusk and wait for them to appear. One evening, Owl became worried. His favourite little star had not shown herself. Owl searched far and wide. Where could Little Star be?


When creating your picture books, what comes first for you – the illustrations or the story?

Either. Sometimes I see something and I get images for a story, other times that image or thoughts about something I have noticed sets me off on the storyline first. I even go to sleep thinking about the story. Then when I start illustrating, it is like the images just fall out onto the page.

Owl knows the night sky so well that he notices even a small change. Are you a stargazer yourself?

I do love looking at the stars and wondering what it is like up there. I loved looking at the sky day or night as a kid. Making animal shapes from the clouds during the day or waiting to see a shooting star at night. I always thought the moon was a magical being and used to say hello when it was full and bright.

Can you tell us about your illustration process for Owl and Star?

In this case I had written the story before the illustrations so I wanted the illustrations to also tell the story even if you couldn’t read the words. Like two stories together. I spent a long time thinking and researching about owls before drawing any. It took me a long time before owl appeared properly on the page but once he was there, the rest was easy.

Do you have a tip for children who’d like to create their own picture book?

Yes just get started! Draw, write and tell stories, the more you do the better they get especially when they come from your heart. If you love what you are doing, it will show in the stories and images.

Can you tell us a bit about what you’re working on next?

I am working on several projects at once. More birds, bugs and beasties from the bush, more tales from the bush mob and a new series about some neighbourhood pets that get together for some adventures!

Owl and Star is out now! Ask for it at your favourite bookshop or your local library.


AWESOME EXTRAS

Image shows the cover of a picture book: Owl and Star by Helen Milroy. The cover is dark blue with an owl at the centre. The owl is cradling a little star and behind him is a large yellow sun.

Take a peek inside the book

Download the teachers’ notes for this book

Watch a YouTube video of the author Helen Milroy reading another of her stories, ‘Dingo and Moon’

Visit Helen Milroy’s website for more about her and her books

Posted in authors, interviews

Shirley Marr on All Four Quarters of the Moon

Shirley Marr is an award winning author and a first generation Chinese-Australian living in sunny Perth. Shirley describes herself as having a Western Mind and an Eastern Heart and writes in the middle where both collide. Today we’re thrilled to be talking to Shirley about her latest middle grade novel, All Four Quarters of the Moon.

From the publisher:

Making mooncakes with Ah Ma for the Mid-Autumn Festival was the last day of Peijing’s old life. Now, adapting to their new life in Australia, Peijing thinks everything will turn out okay for her family as long as they have each other – but cracks are starting to appear. Her little sister, Biju, needs Peijing to be the dependable big sister. Ma Ma is no longer herself; Ah Ma keeps forgetting who she is; and Ba Ba, who used to work seven days a week, is adjusting to being a hands-on dad. How will Peijing cope with the uncertainties of her own little world while shouldering the burden of everyone else?


Peijing and her little sister, Biju, make a paper world of their own. Is this inspired by something you and your sister liked to do when you were growing up?

This is most definitely based on a true-life event! We would draw tiny animals, cut them out and then make homes for them. It was a true paper world of our imagination, which we kept inside a cardboard box. We were still learning to speak English back then, when I was seven and my sister was four, so sometimes we would act out what happened to us during the day when I went to primary school and she went to kindy. As we had just migrated to Australia and learning to adapt was hard, it felt safer to talk about our experiences this way. Sometimes we wouldn’t talk at all, just work side by side and that was a beautiful bonding experience in itself.

Your earlier novel  A Glasshouse of Stars was written in the second person, present tense, and All Four Quarters of the Moon is written in third person, past tense. When you start writing a new book, do you already know which point of view to adopt or does it change over subsequent drafts?

I believe that when you have a story inside of you, waiting to come out that the voice will find you. That when you start writing it, you will know if it sounds right or not. A Glasshouse of Stars needed to be second person, present tense. I wanted the reader to be able to walk in the shoes of Meixing, our young migrant protagonist, and see what the experience is like for her, as she experiences it. It took me a while to find this voice, and many abandoned drafts. All Four Quarters of the Moon on the other hand, as it contains a lot of Chinese myth, felt to me like an old-fashioned story that had already happened and which I was retelling in past tense. That one I nailed on the first go, so it’s case by case for me!

How do you choose the names for the characters in your books? 

Sometimes I look at baby name lists and choose something that has meaning, like Meixing which means beautiful star in Chinese. Sometimes I name characters after whoever happens to be sitting closest to me, like the teacher Mr Brodie is actually named after a little dog who happened to be at my feet so watch out! Then at other time I will name characters after real people – Ms Jardine in A Glasshouse of Stars is named after a beloved primary school teacher of mine. It’s only just recently that a keen-eyed reader asked if I had chosen the name because it means garden in French, as gardens play such a big part in the book. It’s a happy coincidence I swear!

Peijing loves the mooncakes Ah Ma makes with an egg yolk in the middle. Do you have a favourite mooncake filling?

This will be to little Biju’s disgust, but my favourite is lotus paste with double-preserved yolk!

Can you tell us something about what you’re working on next?

I have just submitted a brand-new middle grade manuscript to my agent! And she’s submitted it to my Australian publisher who I believe is looking at it as we speak – cross your fingers for me! If it’s good news, then it’s a completely different direction for me. Think contemporary sci-fi, time machines and ground control to Major Tom!

All Four Quarters of the Moon is out now! Ask for it at your favourite bookstore or local library.


Image shows the cover of a children's novel: All Four Quarters of the Moon by Shirley Marr. The cover illustration shows two sisters with dark hair facing each other and holding hands around a tiny paper rabbit. Behind them is the night sky with a giant full moon.

AWESOME EXTRAS

Read an extract from the book

Discussion questions for book clubs and teachers

Read a 2021 interview with Shirley Marr about her junior fiction novel, Little Jiang

Visit Shirley Marr’s website for more about her and her books