We are thrilled to welcome James Foley — our featured author-illustrator for May. You might remember our review ofThe Last Viking, which was the first book that James ever illustrated (written by Norman Jorgensen). Since then, James has also written and illustrated a picture book called In the Lion. Check out a cool book trailer for In the Lion:
Today we are talking to James about what it’s like to be an author and an illustrator.
James Foley
Can you tell us something about where you live?
There are lots of picture books and comics in the bookshelves, and there are paintings hanging on most of the walls. I have some artwork made by Western Australian illustrators like Samantha Hughes, Karen Blair, Briony Stewart, Campbell Whyte and my favourite, Shaun Tan. And I have some original drawings by Batman comic artist Tim Sale!
Where do you get your ideas and inspiration?
I’m not sure. Sometimes it starts with a character that appears in my sketchbook. Then I try to come up with a story that they might feature in. Sometimes I start with a topic, like robots. Ideas come more easily when I am feeling relaxed — when I go for a walk, or when I am sitting quietly with a cup of tea. That makes me sound like a grandma …
Was it easy to get your first illustration contract?
I first sent my artwork off to publishers in 2000, when I was 17 years old. I had just finished high school. I didn’t get a contract until 10 years later, in early 2010. I spent the 10 years practising my drawing mostly, and doing a bit of writing in there too. I met Norman Jorgensen in 2009 and we started working on The Last Viking together — from that point things started to move a lot more quickly and I got two illustration contracts in two years. Once you have your first book published, it’s easier to get another one. But sometimes getting that first contract takes a long time.
Does the story influence your choice of materials for the artwork?
I’ve only published two books so far and I’ve used the same materials for both — pencil outlines and digital colour. I think the setting of the story is a big influence on the materials and textures I use … in The Last Viking I used stone, leather and parchment for borders and backgrounds. I used a lot of crumbly wall textures for In The Lion, because the walls of the lion enclosure took up most of the backgrounds. I’m doing a book about robots at the moment, so it will feature lots of metal and rust textures in it, but I’ll probably still draw things in pencil and put the colours in digitally.
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When you write and illustrate your own books, which comes first — the artwork or the story text?
Good question. The story usually springs from an image that’s in my sketchbook or that’s in my head. Then I might do a bit of sketching of the main characters — not too much, just enough to give me a hint of what they might be like. Then I have to stop drawing and write. The story needs to come first! I’ve learned this the hard way … I’ve been working on a story since April last year, and I didn’t start with the words — I started with rough drawings for every page. The drawings might have looked cool and exciting, but the story was too complicated and wasn’t making enough sense. I had to forget about the drawings I’d done and go back to square one, figuring out who my characters were and what the story was. It’s changed the story completely, but I think it’s much better now.
When you are illustrating a book written by someone else, do you like to discuss the story and illustrations with them?
Yes, definitely. This doesn’t usually happen, but I’ve been lucky. Norman and I were able to work closely on The Last Viking and bounce ideas off each other before we submitted our first draft to Fremantle Press. We’re doing the same thing with the sequel. We’ve caught up three or four times over the last 9 months to talk about our ideas and make a few rough sketches of scenes. We’ve just put a dummy book together that has very scratchy drawings, rough text and the basic layout. Norm sat next to me in my studio and we pieced it together. It works because we have the same sense of humour and the same vision for the story. This wouldn’t work for all authors and illustrators, some of them would probably tear each other’s hair out.
What do you like to do when you are not writing or illustrating?
I like to watch movies, play video games, read books. I like cooking. I like walking the dog. I have a kayak that I like to paddle, which I haven’t done in ages …
Is your writing and/or illustrating influenced by another writer and/or illustrator in particular?
I’m not sure. I have some favourites and I suppose they influence me, whether it’s obvious to me or not — Shaun Tan, Graeme Base, Jan Ormerod, Maurice Sendak. I started writing a story the other day, set it aside, then came back to it and realised it the words were in a Maurice Sendak kind of style (just not as well written, obviously).
Did you have a favourite author or illustrator when you were growing up?
Graeme Base was my favourite. I loved The Eleventh Hour and Animalia, I would read those over and over and pore over the details in the pictures.
Are you working on something at the moment?
Yes, I’m working on a few projects this year — another book I’m writing and illustrating called Brobot; a sequel to The Last Viking that doesn’t have a title yet; and some black-and-white chapter book illustrations for some stories written by Jon Doust and Ken Spillman.
Do you have any advice for young writers and/or artists?
Do it lots, and do it because you love doing it. Don’t listen to anyone who says that it’s not good enough yet. Just keep doing it and loving it. Have fun with it. You’ll get better and better the more you do it and the longer you do it for. Read, read, read — read novels, read comics, read books about history and myths, read the newspaper. And look, look, look — go to art galleries, go to museums, watch movies. Write and draw about the things that interest you. Love doing it.
The Holiday Creativity Book by Mandy Archer, ill. Jennie Poh & Elle Ward, ISBN 9781922077394, Walker Books Australia
A review copy of this book was provided by the publisher
It’s the second week of the school holidays here in WA.** Picture this: you’ve used up all your screen time. You’ve finished all the books you borrowed from the library and you’re taking a break from all that story-writing …
When you’re looking around for something to do, this spiral-bound book is bursting with ideas to keep your fingers busy and your brain entertained.
Activities include old favourites like ‘spot the difference’, and ‘spot what’s wrong’, plus there are mazes, stencils, art and craft projects, games and stickers. (We really love the map challenge.)
Grab some scissors, glue and a pencil and get started. Happy holidays!**
** If you don’t live in WA and you’re already into term 2, we’re sure this book would be just as entertaining after school, or on weekends — or, of course, there’s always the next school holidays …
We’re still on school holidays here in WA (we seemed to start our holidays later than the rest of you this time around) and we still have one more week to go! One of the best things about school holidays for me (apart from not having to make school lunches) is being able to read lots more books. I usually try to fit in a bit of extra writing, too. When my brain isn’t so busy it’s often easier to come up with new ideas …
If you’re on holidays and you need some motivation to get your pen (or keyboard) out, don’t forget to check out our Comps for Kids page for a list of current competitions open to primary-school aged kids.
And don’t forget! Entries for Alphabet Soup’s story-writing comp close on 1 May 2013 (you can email your entry, so there’s still time to get writing about your Mum’s secret super power. Check out all the details here.).
Make sure you visit us again on Wednesday — we’ll have James Foley visiting to talk about his work as a writer and illustrator.
And for the rest of 2013 we’ll be sharing lots of our favourite classic poems (my friend calls them ‘oldies but goodies’) — along with all the usual book reviews, author and illustrator interviews and YOUR fabulous stories, poems, book reviews and artwork.
Did you read any books over the holidays? What would you recommend? Do you have a favourite poem? Let us know in the comments!
The Promise: The Town That Never Forgets/N’oublions jamais l’Australie by Derek Guille, ill. Kaff-eine, translated by Anne-Sophie Biguet, ISBN 9780987313959, One Day Hill
A review copy was provided by the publisher
At the end of World War I Australian soldiers were sent to regain the French village Villers-Bretonneux which Germany had invaded and occupied. After two terrible battles, Australian soldiers took the village back on 25 April 1918. When the war ended, the villagers began to rebuild and school children from Victoria in Australia raised money to help rebuild the school. The villagers of Villers-Bretonneux promised never to forget Australia and how the Australian soldiers helped the town.
This picture book came about following a Melbourne Symphony Orchestra tour to Europe. The book tells the story of the grandson of one of the soldiers who fought at Villers-Bretonneux — the grandson played the trumpet in MSO and formed a band of twelve musicians he called the Melbourne Villers-Bretonneux Brass Ensemble. The ensemble visited Villers-Bretoneux and the school there, and played at the foot of the war memorial. The performance was emotional for the villagers and for the Australian performers, too.
This story belongs to two countries and is told in two languages. On each page, the story is told in English at the top half of the page with the French translation at the bottom half. The illustrations by street-artist Kaff-eine are simple and striking.
Another great book to add to your Anzac-themed bookshelf.
We recently had an email from a family wanting to know about creative writing classes/workshops for kids in Perth. WritingWA have published a list of classes on offer for Young Writers in Perth — the list includes classes running in term-time and in the school holidays.
A review copy of this book was provided by Fremantle Press
This new picture book was recently launched in time for Anzac Day — Light Horse Boy is a companion book to Lighthouse Girland both are worth buying (or borrowing — ask for them at your library).
When war is declared on Germany in 1914, Jim and his best mate, Charlie, decide to sign up for the war. Jim is not quite old enough to sign up but he lies about his age. When he resigns from his job to go to war, Jim’s boss gives him a horse called Breaker, instead of his wages. Jim and Charlie think joining the Light Horse Regiment is a bit of an adventure and that the war will be over in a few months. But they quickly discover how terrible life on the frontline really is.
Light Horse Boy is based on historical events, though the characters are fictional. (On the first page, the author explains that the characters were created “after researching the records and diaries of Australian and New Zealand soldiers who served in the ‘Great War'”.)
Jim’s story is told as a narrative with charcoal illustrations, and the book includes copies of his letters and telegrams to his sister Alice. Readers are taken back in time with old photographs, maps, and newspaper clippings.
Reading Jim’s letters is like reading letters from someone you know (your own brother, or a friend). Through Jim’s eyes we see how war affected young Australian soldiers and their horses serving in World War I, and how hard it was for friends and family left behind.
Wendy Orr signing copies of The Nim Stories. Photo by Ryan Makepeace.
Nim’s Island and Nim at Sea are definitely in our pile of favourite books. (Nim’s Island was featured in our first ever issue of Alphabet Soup!) You probably know that Nim’s Island was made into a movie starring Abigail Breslin, and now the second Nim book has also been made into a movie called Return to Nim’s Island — and it’s out in Australian cinemas this school holidays. We asked the author Wendy Orr if we could talk to her about what it’s like to have your book made into a film. And here she is!
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When did you first hear that Nim at Sea would be made into a movie, too?
Paula Mazur, the producer of the first Nim’s Island, wanted to do it as soon as she read the book when it was published in July 2007. However there were complications with the Hollywood studio and so three years ago she took it to an Australian company. They worked very hard to organise everything and in May 2012 we knew that it was going to be filmed. (Though I think everyone still had fingers crossed!) The filming started in August 2012.
There is a different Nim (Bindi Irwin) cast in this second movie. Were you allowed to choose the actors? Did it feel strange to see a different Nim?
It’s a lot like illustrators for the books I write — I’m not allowed to choose but if I suggest something the editor or producer is happy to think about it before making up their minds. They know a lot more than I do about the right illustrator or actor. I’ve been very lucky, with both illustrators and actors, and they’ve all felt very right for the parts. Of course, even though Abigail Breslin is a wonderful actor, by the time filming started [for the second Nim movie] she was 17, which is much too old to be Nim. But Bindi Irwin is absolutely perfect for the role — she loves animals and is used to handling them, and she’s incredibly strong and physically fit, just like Nim. That’s important to me, so I was delighted with the choice. It was also nice to hear that she’s always identified with Nim quite strongly and tells me the books have always been favourites.
I thought it would feel strange to watch different actors, but in fact it all seemed completely natural. And because no actor could ever be completely identical to the character I imagined, it’s actually made it easier to go back to the characters in my head as I work on the third book.
Do you ‘see’ the characters in your head while you write?
For me, writing a book is a combination of watching a movie in my head, and feeling it in my body — not exactly as if I’m living it, but the way you feel the action in a dream.
Did the movie make any big changes to the book? (without giving too much away for movie-goers-to-be!)
This movie had to make very big changes to the plot! The problem is that when I write a book, it doesn’t cost any more to print if my characters stow away on cruise ships than if they spend the whole book sitting in their bedrooms. But movies are different, and so the producer and directors have to decide how they can make a good movie, follow the story — and not spend more money than they have. So in this movie, Nim is very much the same character, just a bit older, and the feeling matches the book. Then they took two very important things from the plot: Nim making a human friend, and animal poachers threatening Selkie and other animals. But the story after that is quite different.
(It’s okay, Nim certainly doesn’t spend the whole movie in her bedroom!)
As the book’s author, did you have a role to play in the making of the movie?
I was a consultant, which means I read it at different stages and sometimes suggested some small changes. It was a bit like being an editor, which was a nice change for me. I also watched some of the filming, but that was just fun. I don’t know anything about filming, so the most useful thing I can do is stay out of the way.
You attended the premiere of Return to Nim’s Island at Australia Zoo. What was it like to be watching the movie of your own book?
The premiere of a movie is always incredibly exciting. It’s like getting the first copy of your new book, except with a huge party instead of a parcel in the mail. This one was exciting for all those reasons, but since I spent the whole day at the zoo first, with Bindi and Toby Wallace (Edmund), it was also really fun. I think these pictures will show why.
Wendy Orr with Toby and Bindi. Photo by Ryan Makepeace.Wendy Orr with Bindi at the premiere of Return to Nim’s Island. Photo by Ryan Makepeace.At Australia Zoo for the movie’s premiere. Photo by Ryan Makepeace.
Watching the movie of my own book is very strange, and quite emotional, especially the first time. It’s almost like looking at a family video, because it’s very familiar but different to actually see it on the screen. I thought it was good; I could see the audience enjoying it; sometimes I was afraid about what was happening next, even though I knew; sometimes I was amazed at the beautiful images — but mostly I just felt happy.
Will there be more Nim books?
Yes! My publisher would be very cross if I said no, because they have given me a contract for another Nim book, which I think will come out next year. It doesn’t have a proper title yet.
At the top of this post we can see a photo of you signing copies of The Nim Stories. Is it a bindup of Nim’s Island and Nim at Sea or a different book again?
Yes. It’s got the new cover but the two books are just the same, with the same illustrations.
OK. I have to ask … Can the movie EVER be as good as the book?
No.
Or maybe yes …
A movie can never be as good as the movie you make in your head when you love a book so much that you feel you’re inside the story — when you read about ice and feel cold even though it’s hot where you are, and when you see and hear the characters as if they’re alive.
But on the other hand, a movie could be a better movie than the book is a good book. [At Alphabet Soup we know that Nim at Sea is a good book and we’re sure that Return to Nim’s Island will be a good movie. So we’re glad they won’t have to compete!]
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We’re looking forward to seeing Return to Nim’s Island these school holidays. In WA we haven’t started school holidays yet — so all you Nim fans on the east of Australia get to see the movie before us. Lucky you! (Will you write us a review?)
A review copy of this book was provided by Allen & Unwin.
Thomasina (Tommy) is the Keeper of the Swords at Flamant Castle. Preparations are underway for a banquet at the castle but when Tommy is sent to town on an errand, she discovers a plot to poison Sir Walter. If she can’t foil the plot, Flamant will be at war. And there’s not much time …
The Poison Plot is an action-packed medieval adventure. There are black and white illustrations every few pages and they add to the fun—you might recognise Gregory Rogers’ style from his books The Boy, The Bear, The Baron, The Bard and The Hero of Little Street. Tommy is a brave, clever character who outsmarts bullies and makes friends with the castle’s animals. We love the poor crocodiddle with the cold, and, of course, the castle cat from the first book in the series.