authors, Christmas, illustrator

10 things you might not know about Snowy’s Christmas (and win your own copy!)

Snowy's Christmas (cover)Today I am talking to Sally Murphy and David Murphy, author and illustrator of Snowy’s Christmas (reviewed in an earlier post). We asked Sally and David to share 5 things each – things you might not already have heard about their book!

You’ll find their answers if you read on. But before you do – we have one copy of Snowy’s Christmas to give away!

If you’d like a chance to win, email editor@alphabetsoup.net.au and tell me the date that David finished the final illustration of the final draft. (Hint: he tells you below!) I’ll put all the entries in a santa hat and draw out the winning name on 25 October 2009.

Now – over to you Sally and David!

Sally:

1. Snowy’s Christmas was inspired by the story of Rudolf the Red Nosed Reindeer. I have always bought lots of Christmas books for my own children, and when I bought a new version of Rudolf, it set me thinking about how people adapt and retell stories. I started thinking about how I could retell the story in an Australian setting – and wrote the earliest draft of this story.

2. It took several years from writing Snowy’s Christmas to sending it to a publisher. After I had written the story, I was at a conference where I heard a publisher say that Australian publishers were not interested in seeing manuscripts for Christmas and other seasonal stories, because it was cheaper to import them. I believed her, and so didn’t persevere with the story (though I did once submit it to a website, which then closed down – hopefully not because I’d submitted to them).  Then, a few years ago publishers did start producing Australian Christmas stories, very successfully.  But it took for Linsay Knight, the publisher at Random House, asking if I could adapt a manuscript of mine she was interested in  for the Christmas market before I finally submitted Snowy. And boy am I glad I did.

3. I really have seen a white kangaroo – in fact several, at a wildlife park in Western Australia. You can see a  photo here: http://wwwcavershamwildlife.com.au/feed-kangaroos.html I don’t know a lot about them, but believe they are not albino, but fairly rare.

4. The book was illustrated by my brother-in-law David. Okay, you might have already known that, but did you know that it is very rare for the  author and illustrator to get to choose each other? Usually this is a decision made by the publisher. In this case, though, Linsay from Random House  actually asked me to have David do some sample illustrations when I submitted the manuscript. I had known Linsay for quite some time and she met David when she sat with us at a conference breakfast. I think maybe she liked us, or at least the novelty of a family team.  It was fun, and also special, to get to work with David.

5. The first draft of Snowy’s Christmas was about 1600 words – too long for a picture book. I did manage to cut it down to about 1000 words before I submitted it to Random House, but during the editing process we reduced it even further – it’s only about 600 words now.  Picture book texts need to be short  for young readers and often there is a lot  that can be shown in the illustrations without needing to be told in the text.

David:

1. The illustrations for Snowy were sketched entirely with my left hand using pencils. I then used my right hand to ink the line work. After that, the line art was scanned and I completed the colouring using my computer. For each illustration there were multiple sketches before the right one was found. I would have drawn each page 6–10 times.

2. Snowy’s red roo friends were based on a mob of kangaroos who live in the bushland near my house. I was particularly interested in the joeys who spent hours chasing each other around and boxing.

3. All the white boomers have names and their own stories. Sally, Kimberley (the editor) and I discussed who they were and what their personalities were. These completed their characters in my mind and allowed me to create more meaningful illustrations.

4. The very first sketch I did for the book was of Snowy and his mum. He was quite small, which made me worry if he would be strong enough to pull the sleigh, so I made him a bit bigger.

5. The final illustration for the final draft was completed on Christmas Eve!

If you want to find out more about the book, Snowy’s Christmas has its own website: http://aussiechristmas.wordpress.com/ (You can even hear David in a radio interview!)

And the book is going on a blog tour in the lead-up to Christmas. Here’s where you’ll find Sally and/or David talking about Snowy:

Week One: October 4

Deescribe Writing Blog

www.deescribewriting.wordpress.com

Week Two: October 11

Write and Read With Dale

http://livejournal.com/users/orangedale/

Week three: October 18

Alphabet Soup Blog (YOU’RE HERE!)

www.soupblog.wordpress.com

Week Four: October 25

Let’s Have Words

www.letshavewords.blogspot.com

Week Five: November 1

Sally Murphy’s Writing for children Blog

http://sallymurphy.blogspot.com/

Week 6: November 8

Aussiereviews Blog

http://aussiereviews.blogspot.com/

Week 7: November 15

Samantha Hughes’ Blog

http://samantha-hughes.blogspot.com/

Week 8:

Robyn Opie’s Writing Children’s Books Blog

http://www.robynopie.blogspot.com

Week 9:

Stories are Light

http://sandyfussell.blogspot.com/

Week 10:

The Aussie Christmas Blog

http://aussiechristmas.wordpress.com/

Week 11:

Tales I Tell

http://belka37.blogspot.com

authors

A picture book’s journey, with Claire Saxby

Sheep, Goat and the Creaking Gate

Australian author, Claire Saxby, is on a blog tour with her new picture book, Sheep, Goat and the Creaking Gate (illustrated by Judith Rossell.) Today we are talking to Claire about how she goes about writing a book, the illustrations in a picture book, and how long it takes for a picture book to be published.

How did you get your idea for the story of Sheep, Goat and the Creaking Gate?
I don’t actually remember where the original idea came from. I think it started with the creaking gate as I liked the idea of the silence and tranquility of the countryside being interrupted by the grating sound as Sheep became dissatisfied with her lot.

Where do you write your stories?
I generally write directly to the computer. I always travel with a notebook and will jot down ideas but I’ve become so accustomed to drafting on computer that I seldom draft on paper. However, when I’m stuck, I do use paper and pen, or even pencil. I just write and do the ‘what if?’ thing over and over until I work out where I need to take the story. When I do use a notebook, I only write on one side of the page, using the other side for notes, or facts I need to research

What do you do with drafts of the book once the book is published? Do you throw them away?
I tend to keep drafts. I’m not good at throwing much away although I do usually file them quite neatly! I’ll print out really different drafts, or save them as separate documents, particularly if the new draft is going in a really different direction. It’s like insurance, in case the new draft just loses its way. It’s always interesting to look back at the early drafts and see how a story has changed.

How do you come up with a title for your books? Does the title come to you before you write the story?
I love titles. I love finding the right title for each story. Sometimes it’s easy and sometimes the title even comes first, but not always. Then I do use paper and pen/pencil. I write down words or potential titles and keep doing it until I find the perfect title. If the story has changed a lot, often the title needs to change to reflect that. For Sheep, Goat and the Creaking Gate, the title came quite early although the story changed a lot through the drafting. I toyed with the idea of using specific names for the characters, but returned to the generic ‘sheep’ and ‘goat’. I’m not really sure why, but names can sometimes be too specific.

Do you ever change the title after you’ve written the story?
Sometimes, as above. But sometimes a publisher will suggest that the title change. There can be many reasons for this. For one book I did, the title was too similar to the previous one. Not in subject or style, but just in how they sounded. The title I had was also similar to another book still in print and the publisher felt this could cause confusion. That was an interesting process as I also decided to change the name of the character … even harder than changing the title. It took several weeks before I found an alternative character name that was a good fit. Then the title was easy.

Did you meet with an editor in person, or discuss your book via email?
There’s a bit of both, depending on where the publisher is. For Sheep, Goat and the Creaking Gate I met once with the editor face-to-face, but then we were in touch via email. Roughs (pencil sketches) and proofs (full colour art with some or all layout) are either emailed or posted to me and then there are phone and/or email discussions.

What does an editor say to you?
It varies with the project. Sometimes it’s global things, like ‘The text is a bit long, can you look at tightening it?’ Other times it can be very specific. I had an email conversation (several emails) about the placement and use of punctuation. After sketches and proofs the discussion will be about the relationship between text and illustrations and also about the layout.

Is it hard to make changes? Do you have to make the changes that an editor suggests, or can you say ‘no’ sometimes?
It can be hard, but producing a picture book is a collaboration despite the writing coming first, then the illustrations. Sometimes the changes are easy because a fresh set of eyes can point out something which then seems really obviously out of place. Other times, the changes will be about being clearer about my intention. Then I’ll clarify in discussion what I was trying to say, and the editor/publisher will say whether or not that’s been clear. Sometimes that leads to changes, sometimes tweaks, occasionally more. Editing for length can be tricky, but it’s all about making the book as strong as possible and leaving room for the illustrator to work their magic.

Do you make suggestions for the illustrations, or leave it to the publishing team and the illustrator to decide?
I generally don’t have a sense of what my characters look like unless it’s relevant for the plot (and it often isn’t). I am always very excited to see the first sketches to see what my characters look like from the outside. I write looking out through their eyes so don’t see what they look like to others. Most publishers prefer not to have any illustration suggestions, as it may limit the illustrator. There are times where I might put a very brief ‘Note for illustration’, but not often.

Do you see the illustrations before the book is published?
It varies but usually I’ll see a rough outline of the whole book. Then I’ll see coloured images, sometimes one or two, and then proofs when some layout and design has been done. Sometimes I’ll see a character sketch first, before the roughs are done. It’s always very exciting and I generally wear out my family and friends showing them everything!

When you’ve written a story, how long does it take before it is published?
Sheep, Goat and the Creaking Gate was accepted in mid 2007, so it will be just over two years from acceptance to release. That might seem a long time, but is fairly average in the world of picture books. It can take much longer. I have several other projects that have been longer in production. The timing has many components. Once the publisher accepts the manuscript then there is the search for the illustrator. Then the illustrator has to schedule in the time (up to six months or more) that it might take to do the illustrations. Next there is design and layout time and then printing. It’s a long process.

Are you working on another project now? Can you tell us anything about it?
I’m always working on several projects at once. They will generally be at different stages and of different length. Some will be at the research and reading stage, others in first, second, tenth draft form. For example, I’m working on a poem about a beautiful old tree in our street that has just been cut down, a picture book manuscript about a critically-endangered Australian animal, a historical novel set in early Melbourne and a non fiction biography.

Do you have any tips for budding authors?

Claire Saxby
Claire Saxby

Read and write. Simple as that, hard as that. Read widely because it helps a writer understand their world. Read for fun. Just read. And write. Know that your first draft will not be perfect, but by practising a writer will discover their voice. Write shopping lists, write letters, write novels and poems. Eventually you will learn how you most want to write and to make your work sing.

You can find out more about Claire Saxby and her books by visiting her website.
Ebi's BoatA Nest for KoraAmazing Humpback Whales

And follow her on her blog tour!:

Monday 17August: http://tips4youngwriters.wordpress.com
Tuesday 18 August: www.soupblog.wordpress.com (You’re here!)
Wednesday 19 August: http://belka37.blogspot.com
Thursday 20 August: http://www.sandyfussell.blogspot.com
Friday 21 August: http://orangedale.livejournal.com/
Saturday 22 August: http://sallymurphy.blogspot.com
Sunday 23 August: http://robynopie.blogspot.com
Monday 24 August: http://spinningpearls.blogspot.com

authors

Sheep, Goat and the Creaking Gate!

Have you ever wondered how long it takes for a picture book to be published? Does an author have to make the changes that the editor suggests? Does the author need to tell the illustrator what to draw?Sheep, Goat and the Creaking Gate

Come and visit us on Tuesday 18 August when we are talking to Claire Saxby, the author of picture book Sheep, Goat and the Creaking Gate. She’ll be answering those questions (and more!).

Claire is taking the book on a blog tour. Here are the other stops on her tour:

Mon 17August: Dee White http://tips4youngwriters.wordpress.com

Tues 18 August: Rebecca Newman www.soupblog.wordpress.com (You’re here!)

Wed 19 August: Mabel Kaplan: http://belka37.blogspot.com

Thurs 20 Aug: Sandy Fussell: http://www.sandyfussell.blogspot.com

Fri 21 August: Dale Harcombe http://orangedale.livejournal.com/

Sat 22 August: Sally Murphy http://sallymurphy.blogspot.com

Sun 23 August: Robyn Opie http://robynopie.blogspot.com

Mon 24 August: Sally Odgers: http://spinningpearls.blogspot.com

Claire Saxby
Claire Saxby